Motion Picture Herald (Oct-Dec 1956)

Record Details:

Title:
Motion Picture Herald
Date:
Oct-Dec 1956
Publisher:
New York, Quigley Publishing Co.
Volume:
Motion Picture Herald (Oct-Dec 1956)
Leaf #:
000516
Language:
English
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
March 28, 2024
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\}hree thousand and two hundred years ago on Mount Sinai THE TEN COMMANDMENTS were engraved on stone. Today they are engraved on film. Scene upon scene now exists in permanent VistaVision record to dramatize the most vital human story that I have directed in 41 years of picturemaking and 20 years on the stage. The scenes made in Egypt are big — big in idea, big in movement, big in massed humanity, warm in color. In Hollywood, we have brought to life the personal struggle between the very human people who were swept along on this great tide of history. This struggle has never stopped — the struggle between Moses, the man, and Rameses, the king. Moses, played by Charlton Heston, stands as the symbol of individual freedom under God. Rameses, played by Yul Brynner, stands as the symbol of the dictator who owns everything, including the souls and bodies of those he rules. Theirs was the Cecil B. Che veil Co starring Cl N-Y U, SIR CEDRIC HARDWICKE • NINA FOCR • MARTHA DIRECTED By CECIL B. Of MULE • WRITTEN FOB 1HE SCREEN BY AENEAS Mac ME, JESSE L LASKY, Jfi, JACK GAfilSS, FREORIC M. ® Photographs hy Karsh , Ottawa