Motion Picture Herald (Oct-Dec 1956)

Record Details:

Title:
Motion Picture Herald
Date:
Oct-Dec 1956
Publisher:
New York, Quigley Publishing Co.
Volume:
Motion Picture Herald (Oct-Dec 1956)
Leaf #:
000576
Language:
English
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
March 28, 2024
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IT IS TRUE THERE HAS BEEN NO MOTION PICTURE LIKE Baby doll' ‘Baby Doll’ is real. All its people are wrong and right, magnificent and foolish, violent and weak— the way all people are. It is not meant to be moral or unmoral, only truthful. It is bold. But it is real. ♦ Honesty and reality are the outstand^ ing characteristics of every Elia Kazan production. They have earned him two Academy Awards and three N. Y. Film Critics Awards. They have earned him world-wide respect. ♦ Outspoken and unusual drama is basic to all of Tennessee Williams’ writing. For it, he has won two Pulitzer Prizes and three N. Y. Drama Critics Awards. They have earned him worldwide respect. ♦ Together, these two have now created in ‘Baby Doll’ a special kind of dramatic appeal— a theme and mood and characters that can be compared with no other. ‘Baby Doll’ is essentially the story of three people: a married girl of nineteen, ELIA KAZAN'S production of TENNESSEE WILLIAMS' 1 BABY DOLL' starring KARL MALDEN • CARROLL BAKER ELI WALLACH • Story and Screenplay by TENNESSEE WILLIAMS • Directed by ELIA KAZAN • A Newtown Production