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112
MOTION PICTURE MAGAZINE
OUR ARTIST S CONCEPTION
around the place," I said, "and after that you two can have it out. ' '
We three then went upstairs to the "Bohemian Kitchen," where around a large table dined a dozen girls from the circulation room. Of course, no introduction was necessary.
"Oh! Mr. Bunny," came the chorus, "wont you join us?"
"No, my dears, I never eat," said Bunny; "that is, at noon. What a clever room you have here! You're fortunate. Good luck to you all"; and then we moved along to the Photoplay Clearing House, where Mr. La Roche and his staff greeted our guest. Thence to the library, then to the garden (where each employee has a small plot), thence to the recreation room and other departments, and finally we found ourselves in the Editor's own room.
"I must say," remarked Bunny, as he examined the thirty or forty
oil paintings that adorned the walls, "that this is the most artistic publication office I have ever been in, and I have been in many. It must be a pleasure to work amid such inspiring surroundings. And now let's get busy, for my director, Mr. Baker, will have forty fits if I'm not back by two, as promised.
"What is your name, where were you born, when, what is your business, married or single?" asked Bunny of the A. M. in his most serious fashion.
The A. M.— I object! There is a misjoinder of parties defendant. In other words, I am the interviewer, and not the interviewed.
The M. E. — Objection overruled. Witness must answer the question.
Bunny (sotto voce) — Now, Rip, will you be good ?
AN IMAGINARY FLIRTATION