Motion Picture Magazine (Feb-Jul 1919)

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Cpl°2£ffiunE S On the William S. Hart set there were great activities. The biggest Western barroom set you 'most ever saw. At the table with Mr. Hart sat Faro Sam, the noted gambler from Tia Juana, Mexico, right off the border and about 18 miles from San Diego. All visitors to that little gambling town have watched this wonderful shuffler of spots. He has the soft, silky hair of the gambler, long, nervy fingers, the peculiarly alert eyes which see everything and yet never seem to move. Since Tia Juana was closed by Government orders, because of its proximity to Camp Kearney, many of the gamblers have been forced to take to the movies. Leaning against the counter was big Pedro, a well-known Mex cow-puncher. There were about fifty men extras, every one having a reputation for something — good or bad. It's the handsomest, most realistic set ever put on, and an onlooker could hardly persuade himself that it was a motion picture make-believe, because the set was fully roofed and showed the heavy ceiling beams, complete walls on three sides, and had real spirits in the variegated bottles. Mr. Hart has gone back to the old idea of stage-setting, so that his scenery is lifted instead of shifted, and pulleys, wires and scene-shifters make it possible to get ready ten sets and pull them up or down, as the case may be. A good quality of lumber is used instead of the cheap woods stained to look genuine. With a real roof over all the stages, it looks very different from the glass ones so commonly used. It's just the old theater idea used again, and is found practical and timesaving. In San Francisco they called the .flu-masks "Bill Harts," and everybody joshed about it. They surely did resemble the 'kerchiefs made famous by this movie bandit king. Everybody was astonished to see another of wonderful Helen Keller's accomplishments, namely, that she danced nightly with her many friends at Beverly Hills Hotel. She swam in the Pacific Ocean almost daily. It's no wonder she has a willowy figure, is it? She hears the vibration of her director's foot on the stage ; he gives one tap when he wishes a scene to start and two when it is finished. She is extreme 1 y Captain Irwin Fromkess, of the American Cadets, presenting Pearl White with her Warrant as Honorary President and Commander-in-Chief of The American Cadets, an organization of 100,000 boys who are undergoing military training in preparation for the forthcoming Universal Training Law sensitive to vibrations, and her finger-tips have been so developed that she can sort beads as to colors, knows the difference in patterns in napkins or tablecloths, and, of course, rapidly reads her teacher's liplanguage. Jack Holt seems absorbed in a certain well known periodica^ but •we suspect he knows the camera-man's busy w