Motion Picture Magazine (Feb-Jul 1919)

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Mahlon Hamilton Man of Many Parts (Continued from page 65) to the screen to play opposite Olga Petrova, and, since that time, he has looked at the 'foots' only from the front. "Olga Petrova has a wonderful personality," he said, "and the proof of it is that she walked out on a wonderful contract she had with Lasky. There are few women or men in the world that would sacrifice several hundred thousand dollars rather than yield a slight point of difference, but Madame Petrova is one of them. After playing opposite Ethel Barrymore in 'Final Judgment,' Marguerite Clark in 'Molly Make Believe,' and Gail Kane in 'The Red Demon,' Madame Petrova and I played together for two years." Before I left him it was very clear to me that a star would have to be very capricious, indeed, who failed to get along with Mahlon Hamilton. He has much discretion and gentlemanlike tactfulness. He has managed to play successfully not only with those I have mentioned but with Elsie Ferguson, Alice Brady and is now getting along, famously, with Kitty Gordon. "They are all nice girls — all of them," gathering them all into his smooth, rather quiet tone. "There's a good deal of the ego in all of us ; those who lack it never get on ; never amount to much — > if you dont believe in yourself no one else will and in the battling of the egos for position, sparks will fly at times. The ego, of course, goes wrong if, for instance, it so asserts itself as to want everything in a play or photoplay to be only a background for it, but there is a strong instinct of self-protection in keeping your support down within limits." His appreciation of the "nice girls" was expressed with judicial discrimination. Among the first of the screen sweethearts he gave Ethel Barrymore a shade or two the best of it by throwing a shade or two of additional warmth into his tone. In speaking of Marguerite Clark his thought lingered rather upon his own part in "Molly Make Believe" — which he seemed to have liked very much. He refused to accept an opportunity I gave him to discuss Kitty Gordon's "million dollar back." I had hoped that he might say something which would indicate the emotion of a lover making love to such a back, but, instead, he moved on to Kitty, herself. "She is full of fun — has a remarkable sense of humor — and keeps you going with it — there is an embracing overflowing quality about it." The Dollar Princess (Continued from page 62) England, Emmy Wehlen came with it as its captivating star. In Metro photoplays such as "The Shell Game," "The House of Gold," "Vanity," "Sowers and Reapers" and many others, she has won for herself a distinctive and loyal screen following. "Will you go back to Europe some day, and will you return to the stage?" I asked. "I shall not go back to Europe to stay. I am cosmopolitan — I speak all languages. I know all countries. But — I love America best. "Shall I go back to the stage? "Some time, perhaps. But I shall not leave the pictures. Not so long as I can have" — again the Americanism — "my 'job.' " ©rPK&BS"^ Noted Movie Star and Her Secret of Beautiful Eyes Lila Lee, the bewitching star of the Paramount Pictures, the charming girl actress whose wonderful eyes have excited the envy of thousands, owes much of her enchanting beauty and charm of expression to her eyelashes and eyebrows No wonder Miss Lee puts a value beyond price upon these features of her beauty. Women of wealth and social standing everywhere have looked with envy upon those long, luxuriant, silky eyelashes and well-formed eyebrows and have wished, no doubt, that Nature had endowed them with such priceless gifts. Their wish can now come true. 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