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OTION PICTURI
MAGAZINE
NEXT MONTH'S
MOTION PICTURE
MAGAZINE
A Brief Prospectus of the May ||
Issue of Your Favorite ||
Magazine H
|| In the May issue of the If
II Motion Picture Magazine fi
|| there will appear the greatest H
|| round-up of feature articles deal ||
11 ing with the motion picture art 11
|| and its people that have ever been |!
§i collected in one volume. We can ||
|| not tell you of the very best 11
|| things in store for you in the next ||
f| issue of the MOTION PICTURE If
11 MAGAZINE for the simple reason §|
1| that certain other publications ||
|| dealing with Motion Pictures find ||
11 it easier to copy our inside infor ||
|| mation and ideas rather than use H
Jl their own brains. Our ideas have H
|| been stolen more than once; for ||
ll this reason we can only whet H
j| your anticipatory desire for the ||
|| next issue with a brief outline of ||
II some of the contents. One of II
|| the most romantic stories of sue ||
|| cess yet written is that of ||
MOLLIE KING ||
|| Undoubtedly you have read ro ||
|| mances of musical comedy queens. ||
1 1 But we are willing to wager you ||
|| have thought them figments, of the ||
|| author's imagination. You are ||
|| wrong. Just to prove that real life ||
1= holds as interesting stories as ||
|1 fiction, Hazel Simpson Naylor has ||
|| visited Mollie King, Queen of the ||
|| Century Roof, in her home and n
jl behind the scenes of the theater. ||
|| What Miss Naylor saw and learned ll
|i about this great beauty's life con ||
1 1 stitutes a thrilling story of the the ||
jj| ater world which you should not 11
|| miss. ||
JULIA ARTHUR j)
jl A great actress and one of the ||
If last to enter the silent drama. H
1 1 Dont miss this article, which tells ||
|1 all about this famous woman of ||
II the stage and how she enjoyed her II
|| experience in pictures. II
|| RICHARD A. ROWLAND (|
|| The president of Metro has made 11 || some startling disclosures of his |l || future plans for productions. This, 1| II together with the announcement of || || the formation of the "Big Five/' 11 || which practically constitutes a l| II strike against releasing companies || 1 1 by Fairbanks, Hart, Pickford and || |l Chaplin, makes one get a real || II glimpse into film conditions as they 11 II are. |1
jl Also there will be personality ||
II stories with Margarita Fisher, II
;l Fannie Ward, Doraldina, The II
i| Drews; three fiction stories and ||
|| all our usual popular departments. ||
Motion Picture Magazine 1|
1 1 175 Duffield St., Brooklyn, N. Y. if
r
"N.
I
Hello, Chief:
"Haven't found the firebug yet, have you? You will know who he is only when I am dead and the fires stop. I don't suppose you even realize that the firebug talks to you almost every day about catching the firebug? That's me. They never caught me in Chicago or anywhere else, so you might as well quit looking for me and take your medicine."
" The Firebug'
npHAT was the warning which came to the fire chief,
unsigned — and then, the very next day, a woman was
found nearly dead in a burning building.
It was a mystery that needed the master mind of Craig Kennedy, the
scientific detective of this day — Craig Kennedy, who came to life in the
mind of
ARTHUR B. REEVE
The American Conan Doyle
CRAIG KENNEDY
The American Sherlock Holmes
He is the genius of our age. He has taken science — -science that stands for this age — and allied it to the mystery and romance of detective fiction. Even to the smallest detail, every bit of the plot is worked out scientifically.
For nearly ten years America has been watching his Craig Kennedy — marvelling
at the strange, new, startling things that detective-hero would unfold !
Col. Roosevelt said : — "I did a lot of reading. I particularly enjoyed half a dozen rattling good detective stories by Arthur B. Reeve — some of them were corkers."
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Such plots — such suspense — with real, vivid people moving through the maelstrom of life ! Frenchmen have mastered the art of terror stories. English writers have thrilled whole nations by their artful heroes. Russian ingeniuity has fashioned wild tales of mystery. But — all these seem old-fashioned — out-ofdate — beside the infinite variety — the weird excitement of Arthur B. Reeve's tales.
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He was a detective by instinct — He was a story teller / Ha rper & by divine inspiration. Before or since — no one has had t 7 Franklin his power to make your hair stand on end — to send ' Square N Y chills up your back — to hold you in suspense — terror / — horror! In England and France, Edgar Allan gen(J me all
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