Motion Picture Magazine (Feb-Jul 1919)

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Constance Binney shows great promise as the girl, while Marcia Manon alternates between moments of rare and wonderful artistry and utterly drab dullness. In my opinion "The Test of Honor," altho a sordid play, is an impressive one. THE' POPPY GIRL'S HUSBAND — ARTCRAFT Altho everyone considers William S. Hart the greatest exponent of Western roles, there have been numerous demands for him in different plays. For these complainants, "The Poppy Girl's Husband" will be a welcome surprise. Bill Hart takes the part of a burglar who is sent to prison. All his faith and hope in the future is pinned to his belief in his beautiful young wife's faithfulness. Thruout the long drab shut-in years he pictures her as waiting and longing for him to come back to her and their boy. He forms good resolutions and makes beautiful golden plans for the future. He is released. An old pal comes to meet him and take him home. Warm, expectant words leave his lips : "The wife? His boy?" It falls to his pal's lot to crush all the joy and expectancy out of his friend's life. Haltingly he breaks the news. The wife has divorced him, has married again, .the very policeman that sent him up. This scene on the train between Hart and Walter Long is the most poignant bit of screen acting seen in months. Here no subtitles are necessary. One can sense their whole meaning, feeling almost the very words they speak. The ex-convict plots a diabolical revenge, but his heart is not proof against his son's tears and so he leaves his poppy-girl to her policeman husband and taking his boy seeks a new life. It is a splendidly done picture. Hart, Walter Long, Juanita Hansen give splendid, big, sweeping characterizations. One does not enjoy seeing the unfaithful "Poppy Girl" type of woman, but perhaps this one will teach other real-life poppy girls a lesson. PEPPY POLLY — PARAMOUNT Dorothy Gish's most recent picture is perhaps a trifle depressing, a bit unplausible, but still likeable. I am not especially fond of seeing badly-run institutions picturized, particularly when my logic tells me that in real life it would have been a hundred to one chance, with the odds all the wrong way, .that the peppy Dorothy would have escaped from the reformatory. Nevertheless, the young Gish injects so much of her own spirit into the part of the young reformer who nearly gets caught in her own trap that the picture is never dull, and there are quite a few heart twangs. Richard Barthelmess is again pleasantly present. THE FIRE FLINGERS — UNIVERSAL Rupert Julian directed this picture and plays not one, but two parts in it. His dominant personality envelops the whole company. To my mind there are here some excellent things, such as Mr. Julian's portrayal of Richard Hatton, and some equally atrocious portrayals, such as Fritzie Ridgeway's uncouth presentation of the maid Ellen. The plot concerns a bad-rich man and a good-poor man. The first is killed and the second takes his place. 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