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The Hour Is at Hand —
(Continued from page S3) arms ... a way she has which seems to signify the embracing of the world she is so eager of . . .
"I feel that I am ready," she went on, in her voice which has a deep, peculiar, and very rich resonance; "I've had the long experience in western stock, in vaudeville, in the pictures. I've had the hard knocks, the disappointments, the waitings. It isn't just a question of working now. If it were only that, I might be working all the time — but now I want the Big Thing— the One Thing. I feel that the time has come for me to choose.
"It is an odd thing, but before I was born my mother wanted me, if I were a girl, to be an actress. She held that thought. She spent a great deal of her time reading the lives of great actresses, the careers of Duse, of Bernhardt, the annals of histrionic art of every country. It was her wish for me. It is in my very veins. It is the thing I was born for. The thing that has grown with my growth. It is essentially me. There is no other possibility for me, no other aim. It isn't, it couldn't be called what I live for, it's just a part of my life." A little wistfulness tempered the glow of her faith; "oh, I hope it comes!" she said, more softly. . . .
"By my own efforts," is her slogan, "I'm going to get there — by my own efforts!" And, "The thing I am proudest of," she affirms, "is my character. I've been able to keep that, to make it, I've been able to hold my head high."
When will this young star rise? What is holding her back? She has gifts in her hands, in her heart. She has been compared, favorably, to the tragedy of Nazimova. Gifts to give . . where are the given-tot. When will her hour strike ?
From Typing to Terpsichore
• (Continued from page 64)
"Yes, of course the dancing," she responded, "but I wasn't thinking of that. The four dances in it are all symbolical and all original, and they are very difficult, but I was thinking of the strenuous part of the picture — where I had to fight the strange white man who came upon the island. It was a real fight, too !" she assured me, and pushed back her sleeve to show a jagged scar running from wrist to elbow.
"That was made with a stone knife," she went on, calmly. "There are other scars that — well, that — I cant show you — and they were all made in that one scene. We didn't have any rehearsal, the director gave us our business and the camera-man our footage, and we went to it. I told my leading man, Jay Morley, he'd have to use all his strength to defend himself when I rushed at him — and he sure had to !"
"And the other exercise?" I asked.
"Cooking," she replied, promptly. "We made the most of the picture on 'location,' and we were miles from anywhere, so we had a cook along to get the meals But he wasn't a success, so I said I'd cook for the bunch — and I did."
"And do you ever intend to go back to dancing?" I inquired.
"Certainly," she smiled back. "I went into it on an impulse and into pictures the same way, but there's one thing I am very positive about, and that is, I'll never go "back "
"To Spain?" I put in.
"No — to typing," answered Doraldina.
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