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ELLEN D. TARLEAU
tit out the players and see that every last detail in cpstuming is correct. Their racks are tilled with every imaginable kind of costume — cowboys and Mexicans rub shoulders ; vampires and butlers. Spanish cavaliers and Colonial dames, Hawaiian dancers and nurses bang peacefully side by side. Even Father Time is represented, and the Statue of Liberty and Uncle Sam. and, last but not least, the comedy policeman with his perennial club. There is, by the way. quite an assortment of clubs, from the nobby caveman variety to the plain, everyday club, such as the policeman swings or the housewife wields over her flirtatious hubby. They are all alike, dangerous-looking, but all harmless enough, being
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Said the wardrobe mistress, "The queerest thing I ever did was make gold crowns for the rats in Marguerite Clark's picture, 'The Seven Swans.' " Above. Director George Melford and Moon Kwan, interpreter, after outfitting a venerable actor for a forthcoming scene: below. Assistant Director Sam Wood tells Wanda Hawley the sash is all right
made of cloth and filled with cotton. Yet those "stuffed clubs," as they arc called, inspire the audience with pity for the poor, unfortunate actor on whose head they land. Such is the power of illusion.
You will also find shoes there for every occasion and of every period Colonial slippers, with their square, gunmetal buckle-; American, French, Belgian, even German army brogans; Greek and Ro man sandals; Chinese embroidered shoes — even the mythical seven-league boots of th< fairy tale. It i-. too, indeed a paradise for one interested in guns and rifles of every make, old armor and daggers, swords and flags.
Tin ; a ■ i r\ i olorful one, and il i •
rather a pit} that all those gay and brilliant line arc losi on : ■■ u. Yet phot., raphy
brings out the relative value of eai h shade, and if the picture do.- nol pos ess rich™ {Continued l()2)
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