We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
WTJ^™
The Sins of St. Anthony
(Continued from page 44)
at your suggestion. I began this bagatelle.
Why did you suggest all this, Jane?"
The woman at his table smiled at him. Tony got the impression of an immeasurable strength. Then she said : "To help you, Tony. You told me that you loved Persis. I knew her type. I wanted you to have her because you wanted to. That is all."
Tony did not immediately answer. All sorts of things welled up within him, but somehow did not formulate. He wanted to say incoherent, strange, unprecedented things . . . and couldn't. He became, for the first time, acutely aware of the woman before him. He knew that he had never been so acutely aware of a woman before. He tried to think of Persis. and she appeared upon his mental horizon as a pale shade, a nebulous figment of his own imagination. She seemed to lack substance and reality. This made him laugh. There was nothing nebulous or unreal about Persis. She was a very obvious little materialist.
For a materialist. Persis had a very hard time of it about this time. Her overseas officer turned out to be an impostor who had seen Persis' father listed in Dun and Bradstreet. and had cared for the rating. Persis di>co\ered this in time, and at the same time, that she was, and always had been, madly in love with St. Anthony. Ah. if only he were Saint Anthony again! Why had she ever complained? How gladly now would she welcome the square-toed shoes and the flowing ties and the little test tubes and the abstractions ! All these had spelled love for her, for Persis. This new Anthony . . . only the night before she had passed his studio and had seen, delineated plainly against the blind, the figure of a woman, plying a needle. The figure of Anthony had bent over the woman, with solicitation. Persis suffered up to the limits of her little capabilities. She imagined she was having a very bad time of it. If she had been delicate, she would have developed neurasthenia. If she had been literary, she would have written anonymous novels, entitled, vaguely: "Me. Persis Meade." or something of the kind. Being neither, but just a shallow, pretty, exceedingly spoiled and selfish little girl she sulked and made everybody else as miserable as possible and told her troubles to every friend she had and every acquaintance she made.
She ended up by a fit of fury against Jeanette. and in the throes of the fury reported Anthony to the Society for Law and Order. The now famous studio of St. Anthony was raided and the report came back to Persis that the widely disd housekeeper was a wooden manikin, and that everything, so far as th< cicty c^nld ascertain, was quite a> it should be. Mr. Osgood, they said, was apparently a good and law-abiding citizen.
Persis then indulged in a fit of acute penitence. She invited Anthony to dinner. The invitation was potent with ise. Persis gurgled over the 'phone. "We'll forget die old microbe and . . . and everything, Tony." she said, sweetly. . . . Anthony refu
A pict!: d in his brain and had
seeped its way to his heart. It was the picture of a woman with low bent head darning a forlorn sock. It was a picture of a woman who could talk to him; who could sympathize with him. when he worked and when he played, when he and when he
He went home and found leanette there
V
Oral I! Do Mil
"-1
I
? Co rb J ley
,
Mr
SOOO New
Photoplays
Wanted this Year
Producers and stars are searching the country for new, motion picture stories. The industry is face to face with a famine in good photoplays. More men and women must be trained to write lor the screen if the industry is to survive. Literary genius is not a prime factor to success. Learn how you can now master this new remunerative art more easily than you may believe.
$250 to $2,000 For Motion Picture Stories
If you have a spark of creative imagination — if you have any story-ideas — even if you have never written a line for publication, the motion picture industry now offers you an exceptional opportunity. Big prices are being paid for ideas and stories that can be used for motion pictures — S100 to $500 for short comedies ; $250 to $2,000 for five-reel dramatic scripts.
A little over two years ago the famine in photoplays began to become acute. Public taste changed. Play-goers began to demand real stories. Plenty of manuscripts were being submitted, but most were unsuitable ; for writers did not know how to adapt their stories to the screen. A plan for home study had to be devised. So Frederick Palmer, former staff writer for Keystone, Triangle, Fox and Universal Studios, and writer of hundreds of scenarios that have been produced, was Induced to organize a correspondence course in photoplay writing and selling. The leading producers enthusiastically endorse the Palmer Plan as the one proven method for developing new photoplay writers.
$3,000 for One Story
One of our students sold his first story for S3, 000. The screen success. "His Majesty the American" (starred by Douglas Fairbanks), and "Live Sparks," In which J. Warren Kerrigan starred, were written by our students. James Kendiick of Texas has sold six stories since enrolling less than a year ago. Many of our members have taken staff positions in studios and many of our successful members begin to sell their stories shortly after enrolling. For you start work on your picture plav almost Immediately.
Palmer students are entitled to the free and unlimited use of our Consulting Service for one year. This service gives our members the privilege of calling on our staff for help and counsel at any time desired.
Special Contributors
Included in the Palmes Course is a series of printed lectures by prominent motion picture people, whose pictures are shown in this announcement. They cover every technical phase of motion picture production.
Advisory Council
The educational policy of the Palmer Photoplay Corporation is directed by the biggest figures in the industry. (See the four illustrations at the top of this advertisement.)
Send for this Free Book
'For those who are really interested in this great, new opportunity, we have prepared an elaborate book. "The Secret of Successful Photoplay Writing:." It lays before you the Pai.mfr Course and Service In greaterdetail. Mail the coupon for it now. Palmer Photoplay Corporation
Department <■/ Education 740 I. W. Hellman Building, ^^"
Los Angeles, Cal, ^ ^
^^ PALMER Photoplay.
«•* Corporation
-«*-' Department of Education
** 7-tO I. W. riellmnn Building, Los Angeles, Cal. 1 1 m lose 6c in stamps to cover cost of mai'ing me your new book, "The Secret of Successful Photoplay Writing." Also "Proof Positive," containing Success Stories of many Palmer members, etc.
i
1
Name
Address
City Slate.
Ill
PC\C
f