Motion Picture Magazine (Aug 1921-Jan 1922)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Ifll'l I MAGAZINE I THE DECEMBER Shadowland has a sensational feature in the second of a series of articles by Theodore Dreiser one of America's foremost men of letters and the master realist of our literature on Hollywood: Its Morals and Manners Mr. Dreiser is now in the Western center of motion picture making, and his articles, of a distinctly sensational nature, will present his findings. The November Shadowland carries his first article, and the second is even more sensational. There are a number of other notable features, aside from the many beautiful pictures. Be sure to get the DECEMBER Shadowland aajajajsiajaMBMSfararaMSfafaMSMSjaMSMa I Teach Piano a Funny Way T So People Told Me When I First Started in 1891. But now, after over twenty-five years of steady growth, I have far more students than were ever before taught by one man. I am able to make them successful players of the piano or organ in quarter the usual time at quarter the usual cost. To persons who have not previously heard ol my method this may seem a pretty bold statement. But I will gladly convince you of its accuracy by referring you to any number of my graduates in any part of the world. There isn't a state in the Union that doesn't contain many players of the piano or organ who obtained their training from me by mail. Investigate by writing for my 64-pagc free booklet, "How to Learn Piano or Organ." My way of teaching piano or organ is entirely different from all others. Out of every four hours of study, one hour is spent entirely away from the keyboard — learning something about Harmony and the Laws of Music. This is an awful shock to most teachers of the "old JBB» school," who still think j^^^^ Bk, * that learning piano is — JF ^St" 4 solely a problem of "fin 1— .3 ger gymnastics." When you do go to the keyboard, you accomplish twice as much, because you understand what you are doing. Within four lessons I enable you to play an interesting piece not only in the original key, but in all other keys as well. I make use of every possible scientific help — many of which are entirely unknown to the average teacher. My patented invention, the COLOKOTONE, sweeps away playing difficulties that have troubled students for generations. By its use, Transpositionusually a "nightmare" to students — becomes easy and fascinating. With my fifth lesson I introduce another important and exclusive invention. QUINN -DEX. Ouinn-Dex is a simple, hand-operated movingpicture device, which enables you to see, right before your eyes, every movement of my hands at the keyboard. You actually see the fingers move. Instead of having to reproduce your teacher's linger movements from MEMORY— which cannot always be accurate— you have the correct model before you during every minute of practice. The COLOKOTONE and OUINN-DEX MARCUS LUCIUS QUINN CONSERVATORY of MUSIC Studio MG3 2 598 Columbia Road, Boston, 25, Mass. '^% >-& DR. QUINN AT HIS PIANO From the Famous Sketch by Schneider, Ex= hibited at the St. Louis Exposition save you months and years of wasted effort. They can be obtained only from me and there is nothing else anywhere even remotely like them. Men and women who have failed by other methods have quickly and easily attained success when studying with me. In all essential ways you are in closer touch with me than if you were studying by the oral method — yet my lessons cost you only 4,? cents each — and they include the many recent developments in scientific teaching. For the student of moderate means, this method of studying is far superior to all others; and even for the wealthiest student, there is nothing better at any price. You may be certain that your progress is at all times in accord with the best musical thought of the present day, and this makes all the difference in the world. My course is endorsed by distinguished musicians, who would not recommend any course that did not maintain the highest musical standards. It is for beginners or experienced players, old or young. You advance as rapidly or as slowly as you wish. All necessary music is supplied without extra charge. A diploma is granted. Write today, without cost or obligation, for 64-page free booklet, "How to Learn Piano or Organ." •FREE BOOK COUPON QUINN CONSERVATORY, Studio MG=32, 598 Columbia Road, Boston, 25, Mass. Please send tue, without cost or obligation, your free booklet, "How to Learn I'iauo or Organ," and full particulars uf your Course and special reduced Tuition Offer; Name. Address. RpmpmKpr ^* Advertising in Motion Picture Magazine J^-"n IDcr js guaranteed by Brewster Publications, Inc. ■Bliri: PROFESSIONAL TONE ■■ fttt MUSICAL INSTRUMENTS I and lessons sent on free trial. Violin, Tenor Banjo, Hawaiian Guitar, Ukulele, Mandolin, Cornet, Banjo Mandolin. Banjo Ukulele, Guitar, Dan jo Guitar. or Banjo. Wonderful new copyrighted system of teaching note music by mall. Four lessons will teach you several pieces. Over 100.000 successful players. Do not miss this free trial offer. Write for booklet. No obligations. SLINGERLAND SCHOOL OF MUSIC, Inc.. 1815 Orchard Street. Depl. 127 Chicago, Illinois 80 PAG