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HMOTION PICTURF 101 I MAGAZINE •
n
You take no chances with Paramount
YOU fans are the insiders among the millions of motion picture patrons.
In every audience there are two or three dozen individuals who get much more out of the photoplay than the rest of the folks.
It is you whom we thank for having done an immense amount of word-of-mouth advertising for Paramount Pictures.
You know that when the plot calls for a Fifth Avenue mansion, or a Scottish castle, or the interior of a sumptuous yacht, that Paramount gives the real thing.
You appreciate the absence of skimping, and you know that Paramount can always afford the best, in all the numerous kinds of skill that go to make great photoplays.
It is this feeling of supremacy about Paramount that has gradually widened the circle of fans till it has run into millions and colors the opinion of the whole nation.
If you're not getting Paramount Pictures at your favorite theatre ask the manager why.
Keep up the good work and Paramount will keep up the great pictures.
(paramount pictures
If ifs a Paramount Picture ifs the best show in town
Paramount Pictures
listed in order of release Nov. 1, 1921, to Feb. 1, 1922
Ask your theatre manager when he will
show them
William S. Hart in
"Three Word Brand"
A Wm. S. Hart Production
George Loane Tucker's
"Ladies Must Live" with Bettv Comoson; by Alice Duer Miller.
"The Bonnie Briar Bush,"
by Ian MacLaren.
A Donald Crisp Production.
Marion Davies
in "Enchantment," supervised by
Cosmopolitan Productions.
George Melford Production
"The Sheik,"
with Agnes Ayres and
Rudolph Valentino.
From the novel by Edith M. Hull.
Jack Holt in "The Call of the North,"
adapted from "Conjuror's House,"
by Stewart Edward White.
Thomas Meighan in
"A Prince There Was."
From George M. Cohan's play and
the novel, "Enchanted Hearts,"
by Darragh Aldrich.
Ethel Clayton in "Exit — the Vamp," by Clara Beranger.
Pola Negri in "The Last Payment."
Wallace Reid, Gloria Swanson
and Elliott Dexter in
"Don't Tell Everything!"
by Lorna Moon.
William S. Hart in
"White Oak."
A Wm. S. Hart Production.
Gloria Swanson in
"Under the Lash."
From the novel, "The Shulamite,"
by Alice and Claude Askew.
A William de Mille Production "Miss Lulu Bett,"
with Lois Wilson, Milton Sills, Theodore Roberts and Helen Ferguson. From the novel and play by Zona Gale.
Bettv Compson in "The Little Minister," by James M. Barrie.
A Penrhyn Stanlaws Production.
Wallace Reid in
"Rent Free."
By Izola Forrester and Mann Page.
Cecil B. De Mille's Production
"Fool's Paradise."
Suggested by Leonard Merrick's story,
"The Laurels and the Lady."
Agnes Ayres in
"The Lane That Has No Turning,"
by Sir Gilbert Parker.
John S. Robertson's Production
"Love's Boomerang,"
with Ann Forrest.
From the novel, "Perpetua,"
by Dian Clayton Calthrop.
Betty Compson in
"The Law and the Woman."
Adapted from the Clyde Fitch play,
"The Woman in the Case."
A Penrhyn Stanlaws Production.
A George Fitzmaurice Production "Three Live Ghosts," with Anna Q. Nilsson and Norman Kerry.