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(J5M
|OTI0N PICTURE MAGAZINE L
\
I I
Paramount Pictures
listed in order of release
December 1, 1921, to March 1,1922 f
Ask your Theatre Manager when he will show them
Ethel Clayton in "Exit — the Vamp by Clara Beranger.
'"Get-Rich-Quick Wallingford"
From George M. Cohan's famous play
A Cosmopolitan Production.
Directed by Frank Borzage.
Wallace Reid, Gloria Swanson
and Elliott Dexter in
"Don't Tell Everything!"
by Lorna Moon.
"Just Around the Corner"
by Fannie Hurst. A Cosmopolitan Production.
William S. Hart in "White Oak' A William S. Hart Production.
Gloria Swanson in "Under the Lash"
From the novel, "The Shulamite"
by Alice and Claude Askew.
Betty Compson in
"The Little Minister"
by James M. Barrie.
A Penrhyn Stanlaws Production.
A William de Mille Production
"Miss Lulu Bett"
with Lois Wilson, Milton Sills,
Theodore Roberts and Helen Ferguson
From the novel and play by
Zona Gale.
Wallace Reid in "Rent Free" by Izola Forrester and Mann Page*
"Back Pay," by Fannie Hurst. Directed by Frank Borzage. A Cosmopolitan Production.
Thomas Meighan in
"A Prince There Was"
From George M. Cohan's play and the
novel, "Enchanted Hearts"
by Darragh Aldrich.
Agnes Ayres in
"The Lane That Had No Turning"
by Sir Gilbert Parker.
Cecil B. De Mille's Production
"Fool's Paradise"
Suggested by Leonard Merrick's story
"The Laurels and the Lady."
"Boomerang Bill"
with Lionel Barrymore
by Jack Boyle.
A Cosmopolitan Production.
John S. Robertson's Production
"Love's Boomerang," with Ann Forrest.
From the novel, "Perpetua," by
Dian Clayton Calthrop.
A George Fitzmaurice Production.
"Three Live Ghosts," with
Anna Q. Nilsson and Norman Kerry.
"One Glorious Day," with
Will Rogers and Lila Lee
by Walter Woods and O. B. Barringer.
Betty Compson in
"The Law and the Woman."
Adapted from the Clyde Fitch play
"The Woman in the Case."
A Penrhyn Stanlaws Production.
George Medford's Production "Moran of the Lady Letty"
with Dorothy Dalton. rom the story by Frank Norris.
Marion Davies in
"The Bride's Play," by Donn Bryne.
Supervised by
Cosmopolitan Productions.
Elsie Ferguson and Wallace Reid
in "Forever."
A George Fitzmaurice Production.
Based on the novel, "Peter Ibbetson"
by George Du Maurier and the
play by John Nathan Raphael.
Ethel Clayton in
"Her Own Money."
Adapted from the play by Mark Swan.
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Not all motion pictures
are Paramount Pictures
but most of the good ones are
/^VNE good picture is an event for some ^-^ producers.
But how long does one picture keep you keen fans satisfied?
Two hours or less.
You know that you need great entertainment all the year round, and that's just the knotty problem Paramount is solving.
Compare the brands. You know how. You can tell first-rate from second-rate before half a reel is shot.
Anybody can make a picture and say it's great.
Who can make eight or ten pictures a month right along and have 11,200 audiences say they are great?
Paramount, and nobody else.
Follow every Paramount Picture for a while and you will see what we mean.
(Paramount tyictur&s
If it's a Paramount Picture it's the best show in town
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:^Hft FAMOUS PLAYERS -LASKY CORPORATION :'t
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