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Other Productions
business, frenzied finance and its accompanying victories and despairs. There is a moral, too, showing how a man is awakened to his despicable conduct by the courage of a girl. Of course this type of picture is a familiar one. It shows a girl stepping in and beating her daddy's Wall Street enemy after the pater is ruined. And so to the "third degree" and the ultimate wedding. You may anticipate the ending, but you are in for some first-rate dramatics jjefore it appears. Mahlon Hamilton, Niles Welch and Wallace MacDonald make you wonder how so many leading men could crowd themselves in one picture and not register professional jealousy. Hamilton has the fat role and gives a convincing portrayal, but Welch appears miscast as the district attorney. The picture is strong in story interest. Wait for it.
Just Tony — Fox
Do you want to see a horse express the pi^imitive emotions of love, hate, sympathy and understanding? Then go and see "Just Tony," one of the most unusual and interesting westerns that has been shown in a lonj time. The stellar honors fall upon the sleek back of Tony, Tom Mix's mount, instead of upon the reliable shoulders of its owner. And this picture as a result of carrying this real novel characterization must be cataloged as a spirited and out of the ordinary melodrama, ^lind you. there is no horseplay in the sense in which this compound word is generally applied. Tony gets right up on his hind legs and acts. He takes revenge upon Tom's enemies and plays with such sympathy that a double portion of oats must have been his reward. Lynn Reynolds, a director, has staged the picture against extremely colorful backgrounds. Trust Reynolds for atmosphere. Long stretches of plains with the white peaks of mountains collared in misty clouds from a panorama remind you of a Remington painting— especially when the mustangs are tearing full gallop across the horizon. Tony shows such intelligence that he should be as capable a director as he is an actor. Which suggests to us that many companies could use him to advantage to handle the megaphone. Be sure and send the boys to this one.
Rich Men's Wives — Lichtman
If you can reconcile yourself to the stilted, hackneyed theme of "a little child shall lead them" — a theme used here to show that the wealthy disciples of jazz have to pay the piper — than you will probably like this story.
Above, Elaine Hammerstein in "Under Oath"; at the left, Tom Mix and the well-known Tony in "Just Tony" ; while below is a scene from "Rich Men's Wives," with Claire Windsor