Motion Picture Magazine (Feb-Jul 1923)

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You cannot help admiring it because of the beauty of the figure, the woods, the water, the action, the composition, the tones, the wonderful depths, the sky light, in fact all that goes to make this picture what it is. It is A PICTURE Made for discriminating persons who desire to regain individuality in their art collections. Persons who know, understand and appreciate the every beauty and loveliness of fine art technic will find in this picture and our other studies, treasures of loveliness. No collection soon will be complete without it and „ one has only started Copyright 1919 well with it. We are making the study in two sizes, 6x10 or 10x20. The pictures are obtainable framed, mounted on rich brown mounts or merely the plain pictures to suit the choice. Prices and sizes furnished as given below: Size Plain Copies Mtd. Copies Fr'md Pict's 6xlO $ .60 $ .75 S2.75 10x20 $1.60 $1.85 S5.50 If your dealer is a live wire he may have our pictures to show you, if not send us your order today. Send 10c for our illustrated pamphlet of the higher grade photographs. Fords Foto Studios, Ellensburg, Wash. 98 GS. The Editor Gossips {Continued from page 88) They were fascinating. But they hardly seemed substantial enough to carry her, small as she is, to the car waiting outside. And of Sessue Hayakawa, it was the subtle poetry softening his Oriental mask which held our attention. We remembered too his great comprehension and intelligence, evident even to the first casual observance of an interviewer. Later at the Henry Miller theater, where we went to see Jane Cowl as the loveliest Juliet of them all, we espied Harrison Ford a few rows ahead of us, accompanied by a Dark Lady. Speaking of Jane Cowl in Romeo and Juliet, her voice thrilled us immeasurably. It seemed of liquid fire, warm and fluid. And we kept regretting that our motion picture has not yet the voice to enhance it. Frequently, this is no particular loss, but when one hears a voice like Jane Cowl's they realize with appreciation just how beautiful the human voice can be. It' was the night of March 26th— the night of the passing of Sarah Bernhardt. At the end of the second act, Jane Cowl came before the curtain. The applause was deafening but when her hands were raised beseeching silence the response was almost instantaneous. Miss Cowl then explained that the curtain would be raised again to find the entire company assembled on the stage. She asked the audience to rise and join with the company in a few moments' meditation and prayer as a tribute to Mme. Bernhardt who had just passed, remembering how much she had given the drama. With something akin to reverence the audience acceded to her request and it was a stirring tribute. And too, it was a charming and gracious thing for Jane Cowl to do — all the more charming perhaps because we stop so seldom in the rush of our age for any manifestations whatever. More and more has come to be taken for granted. Even tho we must accept the passing of Madame Bernhardt without regret, knowing that she enjoyed many full years of living, we probably do not yet realize the loss we suffer in her death. Altho of the world's first rank in the spoken drama, she became tremendously interested in the motion picture. And, at the time she was taken ill, she was appearing in a motion picture which was being filmed in her Paris home. Of the motion picture, Mme. Bernhardt said: "I think every actor and actress who has attained fame should give his art to the films for posterity. If we could only see moving pictures of the court of Louis XIV, and the great figures of centuries gone by ! Just imagine if we could witness on the screen the art of great actors now dead! 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