Motion Picture Magazine (Aug 1924-Jan 1925)

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John Arnold might be called Viola Dana's partner. He has photographed every Dana picture except one. And, on the extreme right, is Charles Rasher with Mary Pickford and Ernst Lubitsch. He is always behind Mary's camera and is, without a doubt, one of the greatest cameramen the movies have ever trained The Men Who Giving a Litt/e Credit So Much "Lights! Camera! ! Action! ! !" calls the director— and any habitue of the studios knows the vital importance of the cameraman in this moment. To the left is Charles Van Enger with Marie Prevost and Monte Blue. And on the right is Arthur Edeson, a wizard with a lens. He filmed "The Thief of Bagdad," and after "Robin Hood," Douglas Fairbanks introduced him as the man responsible for much of the success of that production Trick photography is an art in itself. And who is better qualified in this manipulation of the camera than Walter Lunden, who films the Harold Lloyd You might say Frank B. Good had a lazy life. He always sits down to photograph Jackie Coogan. Mr. Good has come up from the ranks, but he is recognized as a master I >#*££§? '*' 40 GL