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%**. (Delica
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i'hotograph by Campbell
"When I retire, I should like to manage a small group of artists in whom I had belief. Maybe only one. Maybe two. I wouldn't do it for money — rather because it would interest me to put the beliefs my experience has brought me into effect"
We Interview Mary
{Continued from page 22)
admiring the flowers. They are lovely.
(A. IV. F. is silent — not from loyalty — rather from astonishment.)
Mary: Yesterday was my birthday. Mother sent me those (indicating a tall basket of American Beauties). Jack and Marilyn sent those (nodding at the trellised basket of old-fashioned flowers, reminiscent of a sunny, quiet garden). The others came from friends. You need flowers in a hotel. They make it more like home.
G. H. (still conscious of the early hour) : Does your day always start so early?
Mary : Later than this sometimes when we are here in New York. But home I am always up at seven o'clock. So is Douglas. But then, too, I go to bed early. I must have nine hours' sleep. I am not an Edison. Here entertainment and the theater necessitate my nine hours extending into the morning.
A. W. F. (looking triumphantly at G. H.) : Is there truth in the rumor that you are going to produce "Rain" ?
Mary : No. I wish there was. It wouldn't be fair to my company for me to take the time away from my own productions to direct Miss Eagels in the story.
I'm not decided what I will do next. I was going to make a picture in England. Charlie Chaplin was to direct me. But now Charlie tells me that he wants to make two more pictures of his own — with a rest in between. You know how long it
takes Charlie to make a picture. By the time he was ready to give me his attention I'd be so old I'd be fairly hobbling on the screen.
Charlie is impractical. That's the genius in him, I suppose. I'm afraid I'm not really great. I'm too normal. I like to have reasons for what I do. I like to have facts in my mind, all correlated. Charlie and Douglas aren't reasonable people, like I am. They go off on tangents . . . perfectly wild tangents.
Genius is comparable with abnormality. It is the gift given to those who swing somewhere in the balance between the sane and the insane.
A. W. F. (getting on with the next question) : How do you like Douglas' "The Thief of Bagdad"?
Mary (her face illumined with that rare sweetness which touches it more especially when she speaks of Douglas) : I love it. I am proud of it . . . and of Douglas. I feel that in this picture he has done something fine, created something of real beauty. And it is proving to be such a success, because of its beauty, I do . believe.
G. H. (skeptically) : You think, then, that people appreciate beauty?
Mary : Oh yes. Beauty is, or should be, universal. Otherwise, to me, it is not beauty. Perhaps there are some of us, many of us, who do not appreciate the splashes and lines which the Moderns tell