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Advertising Section
ARGOSY-ALLSTORY
America's Greatest All-Fiction Weekly
A magazine of clean fiction planned to please and entertain the whole family — each issue contains one hundred and sixty pages of the best selection of mystery, romance, love, adventure and humor produced
Many of the stories first published in ArgosyAllstor-y Weekly later became successful plays — popular photoplays featuring such stars as Douglas Fairbanks, Thomas Meighan, Viola Dana, Corinne Griffith, George Arliss, William Farnum, Tom Mix, John Gilbert and others. Over one hundred and ninety of these serials have been published in book form selling at from $1.50 to $2.00 a copy.
Below are the more recent listings in these several fields from stories which first appeared in Argosy-Allstory .
Popular Plays
The Bat The Nervous Wreck
The Crimson Alibi White Collars A Full House
Photoplays
Wolves of the North The Beloved Brute The Confidence Man Out of the Silent North
The Mark of Zorro Madness of Youth A Noise in Newboro Brass Commandments
Books
The Three Host\ges, by John Buchan
The Way of the Buffalo, by Charles Alden Seltzer
The Locked Book, by Frank L. Packard
Hopalong Cassidy Returns, by Clarence E. Mulford
The Whisper on the Stair, by Lyon Mearson
The Mystery of the Opal, by Rupert Sargent Holland
Tarzan and the Ant Men, by Edgar Rice Burroughs
The Passing of Charles Lanson, by Louis Tracy
Pawned, by Frank L. Packard
The Four Stragglers, by Frank L. Packard
The Doom Dealer, by David Fox
Big Game, by Louis Lacy Stevenson
Be up to the minute on the recent hits of the stage, features of the silver screen and the most popular books of to-day — read the stories when they first appear in the ARGOSYALLSTORY and be able to discuss them when they become popular. Make sure of your copy each week — send in the coupon for a trial subscription of 3 months (13 issues) at $1.00.
Coming Feature Issues:
A _ *| THE GOLD-DUST
/\PllI RAJAH' by Eleanor
JT Gates, the feature of
4 this issue, is a com
plete novelette. The famous author of "The Poor Little Rich Girl" has been unsparing with her genius for plot and action in this absorbing romance. In addition to three continued serials, there are five short stories of excellent craftsmanship.
4 »| SOFT MONEY, by
A 1)1*11 r'ed Mae Isaac, a
my three-part serial, is
Ha fascinating story. Only our millionaire readers can afford to be indifferent to its Aladdin-like appeal. Assuredly, the others will with the intriguing question: "What wculd I do with all that wealth?"
The complete novelette is THE MAN WITH THE SMILING EYES, by George M. Johnson.
i
A • I Edgar Franklin's
Am*1 1 D ! NNE R FOR
**r,MCYNTHIA makfs 1 O this issue notable. IX A master of farce has been generous in his specialty and the result is a novel of brilliance and beauty. It would be unfair to the reader to even hint at the laughter-invoking plot.
Also in this issue THE DUKE OF DISDAIN, by Frank BUghton — a complete novelette.
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As the college boy in his new picture
Harold Tells on Himself
{Continued from page 59)
He tells a pathetic little story of a friend of his who went to the opera in Vienna and listened to a tenor with a cracked and discordant voice. To his amazement, when the aria was finished, the audience, instead of throwing vegetables, applauded and cheered with every appearance of delight.
''Do you call him a good singer?" he asked the man beside him. The native stared. "Of course not !" he replied, "but he ivas."
"But Americans have to have something new all the time." Harold sighed a sincere sigh. "New gags on universal experiences— that's our problem. Thrills were a comedy novelty when I made Safety Last, but I dont use them now. The fans have got so hard-boiled that, instead of laughing and gasping when the hero of the picture stubs his toe on the edge of a sky-scraper roof, they have to explain to their neighbor that Lloyd really isn't in the slightest danger — they know how that trick is done.
"In order to get a sure-fire laugh over a comedy hero's difficulties and dangers." he explains,' "you have to establish an affection for the character first so that the audience will care what happens to him. He has to be a real person to win real laughter. The timid youth of Grandma's Boy, the neurasthenic of Why Worry, the stutterer of Girl Shy are not lay figures, but You and Me. And what they do must be possible — tho not necessarily probable. That's why everyone shrieks and clutches everyone else's arm when they start to roll off awnings, or are chased by tramps with hands like hams.
"The best gag in the world will fall flat if it isn't plausible." Harold waves his arms emphatically and you see that his handsome dress suit is merely basted together, ready to be pulled to pieces in the next scene. "Take the picture I'm working on right now ; the hero is a shortsighted college freshman who reports for football practice wearing leather helmet, nose-guard and horn-rimmed spectacles. Since we've worked up that gag we have had reports from several universities of football players who actually do wear their glasses while playing — of course, with all
104
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