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ZINE 1
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Permanent tytyavc
Consider this^
QUALITY in permanent waving varies greatly. You should know first the method that is used. And if it is the Frederics Method, you are assured of a permanent wave of utmost beauty,distinction and lasting charm.
It is the method of practically all this country's most noted experts. Look for the sign below which identifies these better parlors of permanent waving. If you do not know one, we will gladly send you the name of a Frederics Method Parlor nearby.
Free illustrated folder telling how to care for your permanent wave and explaining the superiority of Frederics Method mailed upon request.
S. Frederics, Inc.
32 W. 39th St. New York, N. Y.
FOR THE HAIR
OF
WOMEN WHO CARE
dhe Frederics Method
OF
PERMANENT WAVING
"FOR THE HAIR OF WOMEN WHO CARE"
CLYDE DOERR
Of Clyde Doerr and His Orchestra, ffi. with his Bues .#3 cher True //,*,>; ToneSaxo /<gfcj
phone.
1
True-Tone
Saxophone
Easiest of all instruments 'to play and one of the most beautiful. Threefirst lessons sent free giveyoua quick easy start — in a few weeks you can be playing popular tunes. No teacher necessary. You can take your place in a band or
orchestra in ninety days, if you jry BO desire. Most popular instru' jfj ment for dance orchestras, home ^/entertainments, church, lodge and school, i /A Saxophone playeris always popular socially V i,^' and has many opportunities to earn money. vi. Sjx Days' Trial and easy payments arranged.
Free Saxophone Book and Zfvla first !esseon™nart!
also pictures of famous professionals and orchestras. Just send your name for a copy. Mention any other instrument in which you may be interested. . „ .
BUESCHER BAND INSTRUMENT CO. (166) Bvervthino lit Hand and Orchestra Instruments 663 BUESCHER BLOCK, • ELUHART. INDIANA
Advertising Section
O'Brien, Eugene — playing in Siege. O'Brien, George — playing in Once lo Every Mart. O'Hara, George — playing in The Pace-Makers Series.
Oland, Warner — playing in Don Q. Olmstead, Gertrude — playing in Cobra. O'Malley, Pat — playing in Proud Flesh. O'Neil, Sally — playing in Palsy. Owen, Seena — playing in The Hunted Woman.
Percy, Eileen — playing in Cobra. Peters, House — playing in The Titans. Philbin, Mary — playing in The Prince. Pickford, Jack — playing in The Goose Woman. Pickford, Mary — playing in Little Annie Rooney. Pitts, Zasu — playing in Hero Stuff. Prevost, Marie — playing in Kiss Me Again. Pringle, Aileen — playing in Wildfire.
Ralston, Esther — playing in TheLittle French Girl. Ralston, Jobyna — latest release. Hot Water. Rawlinson, Herbert — playing in Are Parents People.
Ray, Allene — playing in Sunken Silver. Ray, Charles — playing in Some Pumpkins. Reynolds, Vera — playing in The Limited Mail. Rich, Irene — playing in Eve'sLover. Rich, Lillian — latest release, A Kiss in the Dark. Rin-Tin-Tin — playing in Below the Line. Roche, John — playing in Kiss Me Again. Rubens, Alma — playing in She Wolves.
Sebastian, Dorothy — playing in Winds of Chance.
Semon, Larry — latest release, The Wizard ofOz.
Shearer, Norma — latest release, Lady of the Night.
Sills, Milton — playing in The Making of O'Malley.
Standing, Wyndham — playing in The Teasers.
Stanley, Forrest — playing in Beauty and the Bad Man.
Starke, Pauline — playing in Adventure.
Stedman, Myrtle — playing in ChickieJ
Sterling, Ford — playing in The Exquisite Sinner.
Stewart, Anita — playing in Baree, Son of Kazan.
Stewart, Lucille Lee — playing in Friendly Enemies.
Stone, Lewis — playing in Just a Woman. Swanson, Gloria — playing in Madame Sans-Glne. Sweet, Blanche — playing in • His Supreme Moment.
Talmadge, Constance — playing in The Man She Bought.
Talmadge, Norma — playing in Grauslark.
Talmadge, Richard — playing in Tearin' Thru.
Tashman, Lilyan — playing in I'll Show You the Town.
Taylor, Estelle — playing in Manhattan Madness.
Tearle, Conway — playing in Just a Woman.
Tellegen, Lou — playing in After Business Hours.
Terry, Alice — playing in Any Woman.
Thomson, Fred — playing in The Bandit's Baby.
Tilden, William T. — playing in Haunted Hands.
Torrence, Ernest — playing in Night Life oj York.
Valentino, Rudolph — playing in Cobra. Valli, Virginia — playing in Peacock Feathers. Vaughn, Alberta — playing in The Pace-Maker Series.
Vidor, Florence — playing in Are Parents People.
Walker, John — playing in Children of the Whirlwind.
Walsh, George — playing in American Pluck.
Walthall, Henry B. — playing in Kings of the Surf.
Walton, Gladys — playing in The Little Girl in a Big City.
Washburn, Bryant — playing in Passionate . Youth.
Webb, Clifton — playing in Heart of a Siren.
Welch, Niles — playing in The Little Girl in a Big City.
Williams, Earle — playing in Lena Rivers.
Wilson, Lois — playing in Welcome Home.
Windsor, Claire — playing in Just a Woman.
Worthing, Helen Lee — playing in Night Life of New York.
Young, Clara Kimball — playing in Lying Wives.
Cheers and Hisses
(Continued from page 82)
We Cant Tell You Why
T am an ardent movie fan and consequently deplore any practice that tends to detract from realism. This is my pet aversion.
A room is shown with a solitary occupant. Another character enters (with no show of stealth) and approaches. The first character -gives no sign of being aware of another presence until seemingly compelled to take notice. This is absurd. The scene has many variations but always gives the same impression — namely, that some of our film favorites are quite deaf !
I can be lost to my surroundings, living in an enchanted world, so great is the spell of a good picture, for me. Then, alas ! some little faux pas, like the above-mentioned, and I come back to earth with a jar ! Why do they do it?
Jane Walk,
Toledo, O.
A Tip For Comedians
\X7hy isn't there a society for the pre'* vention of cruelty to movie actors? I suppose there are some noble souls who are quite willing to fall off horses or into rivers if their art demands it; but I speak principally of the comedians. I honestly think a law should be passed forbidding promiscuous pie-throwing, hose-spraying, and falling into mud-puddles, dirt heaps, flour barrels, etc. I assure you it would be a great boon to the audiences as well. Harold Lloyd and Buster Keaton seem to find plenty of trouble to get into without, apparently, wrecking their studios, and the films they turn out are usually the best of, all. Everybody enjoys a good comedy, but dont you think it takes rather more than wholesale destruction to make one — particularly when the wholesale destruction is so frightfully nauseating?
Mary Crary, Chicago, 111.
A Flapper Protests
"1X7 hy, oh why, do the producers over* * draw things so tragically? Take, for example, these pictures on the modern generation. I wont mention any screen titles, because the pictures are too numerous. In these pictures, parties are held where the girls dance on tables, the fellows carry hip-flasks and every one smokes like a chimney. It would indeed be a tense situation if these things were true, but, thank heaven, they're not ! I've never gone to a party like those described and my set is in a position to give them. My friends and I are fed up on these whirlwind pictures of the jazz age that blow along like a cyclone, crash at the climax and they try to point a moral to help out a rather vague plot.
So please, Mr. Editor, tell the producers
to take notice of my protest in behalf of
my generation and cut out picturing this
age as someone imagines it and not as it is.
E. M.,
" Buffalo, N. Y.
Winged Horse Needs Spurs
T ast week I saw Douglas Fairbanks in J-/ The Thief of Bagdad. Mr. Fairbanks' acting and the picture, on the whole, were entertaining. The settings and atmosphere were wonderful.
I have but one criticism to make, and that is Mr. Fairbanks' ride on the Winged Horse. It reminds me of a Larry Semon comedy in which Larry had taken some "snow" by mistake, and with the aid of the slow-motion camera, was flying thru the air at the rate of about two miles an hour. Imagine a horse flying with his wings barely moving.
I recommend this ride for a Hysterical History Comedy. Irene Aide,
Kansas City, Mo. (Continued on page 117)
94
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