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, Davies
in "Lights of
Jack Mulhall, Cori
nne Griffith
Old Br<
>adway"
Crane in
'•Classified
ley and Rudolph
"The Eagle
others is excellent, but more than excellent as turned in by the Gilbert-Adoree combination.
The second part of the picture presents the war flavor — and how eloquent it all is — how terrifying, how moving, how thrilling ! The lumbering lorries, the zero hour, the individual deeds of heroism, the breaking out of a hellish war in all its fury.
A magnificent picture, vivid and compelling — one striking deep at the emotions and touching all the humanities. King Vidor has made a masterpiece. It has been a labor of love and entJiusiasm — evident in the honesty of its humor and pathos. And tlic colorful realism of if all. — Metro-Goldwyn.
Stella
Dallas
— Di
ama
""There have I 1 on the screen
>een grt
idt mofha
'-l<n
•c pi
•tares recorded
, but no
ue can coi
npai
■c to
"Stella Dallas."
-which comes to
us on
a tidal wo
of maternal passion.
It is tender— it i be described as
s poigm a flesh
int — it is 1
beat
itiful,
. It might best
and-blood pi
C t u r e >, heart
which tugs at tin
strings with a i
tremen
I^Rl w^5
dons urge.
Inyone
endowed with
half o
■iLiI
heart cannot h
dp ■ re
sponding to it.
? story
-end the appeal
of its
the
King
this
nett, > mother.
your Ik ache in vulgar and tin
uple.
etiquette or deportment
1. It fairly wrings ng to cope" with the woman, one who is ho is pure gold thru husband who is the oise. He leaves her 1 who has inherited
n when this mother, -and ignorant of
what constitutes good taste in dress — is humbled with the knowledge that her daughter is "ashamed of her. She tries to hide her shame, but the girl's keen intuition discovers the sham.
This is all expressed with tremendous heart appeal. These poignant touches sound the biggest note of pathos ever recorded in the annals of screen production. And Belle Bennett gives a performance which is an achievement of mute suffering. Sh.c sniilcs thru her tears, but her heart is broken. Hers is a portrait which wins the highest praise that can be bestowed upon sheer artistic pantomime. Her work is marvelously real. You smile and cry with her. The other players are good — but as good as they are. Miss Bennett dwarfs their ;
By all means see this magnificently touching picture. It carries a mighty heart-beat. All hail to Henry King for his honesty and sympathy and understanding. There is -lory for him — there is glory for all who worked with, him to make this an achievement in screen art. — Goldwyn-L'nited Artists.
The Eagle— Romf^a
■WALEXTIXO * (7 A'
in his latest romantic
tn re has color and person
looks more
white h
desert
that /w
ley Mason in "Lord Jim"
Valentino does not distinguish himself here, n that matter does anyone identified with the picture Louise Dresser as Catherine the drear. Tl . much to the "comic opera" in desigi tion — in
that the young Cossack lieutenant spurns the royal lady and masquerades as a bandit to escape herv^ath. Then he proceeds to fall in love with the daugh -T .lj *' a land baron who had been the nemesis in his father"*)} \*~
The characters dont come to life at all a^S<(n< plunges along in blind fashion without a