Motion Picture Magazine (Aug 1926-Jan 1927)

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Michigan Blvd., Suite 496, Chicago i of pimples, blackheads I The only perfect substitute for re diamonds know n to sma Diamonds an worn by Fashionable :-■,< ;. ty arid no one is the wiser! I.O0 value) fa from onrreg ' ■ "no foronlvjl if you act now. ' of remittance and strinj? SPECIALTY COMPANY Department B-8 Advertising Section blond man came over. He turned on a phonograph. '•(). EC," called McAllister. "Dance around a few turns. The camera will pick you up dancing. Understand. Then you, with the racquet. You come in." Inez Uland, the star, came on the set. A maid followed her. McAllister arose and greeted her. Judith admired the soft rose chiffon gown and the large black lace hat she was wearing. "Is Miss Estabrook anywhere about?" McAllister asked and the girl who had been the source of speculation in the outer office came up. He introduced her and Miss Uland, and another chair was brought. Then he showed Miss Estabrook how to come on the scene with Miss Uland. They were to order tea at a side table near the fireplace. "We'll rehearse it once," he agreed. "Everybody know their business? All right. Go ahead." Another man came on the set. He was rather attractive, Judith noted as she waited for the rehearsal to begin. Miss Uland was brushing fresh powder over her make-up while her maid held the large make-up box with the mirror back. "Who is he?" she asked her partner. _ "Harvey Dunn," he told her. "He is assistant publicity director. Clever fellow, I understand. Writes very well." Judith looked at him again. She decided that he had bearing. He had a well built frame, curly black hair and bigbrown eyes. His chin was small and pointed. "Too bad," Judith thought, "still he is attractive." "All right. Rehearse it now," McAllister called and the stagehands cleared the set as Miss Uland and Miss Estabrook came on and the extras proceeded to go thru their motions. Judith danced with her partner. They danced well together. "All right," shouted McAllister. "We'll take it. "You with the golf clubs, dont come in quite so soon after that pair with the tennis racquets. It will look like a sport ing outfit display if you follow on each other's heels. "Talk a little more vivaciously when you enter and pass the camera. It may a hard day's work to you people bul got to look like fun on the screen me?" Everyone laughed. Laughing at t' director's good lines was part of the game. "Quiet," he called now. "Lights. Ready? he turned to the cameraman as the scene was flooded with a greenish glare and there was a sputtering and a sizzling overhead. "ACTION!" The camera began to grind. The assistant director put on a record off-stage as Judith's partner appeared to tune in on the radio. Then they started their dance. The couple with the tennis racquets came A Camera With Sea Legs Such a camera was a necessity when they filmed the deck scenes for "Old Ironsides" on the famous frigate "Constitution." They wanted to record the rolling of the ship but the camera had to remain stationary. Finally they fixed the camera by means of a swivel and a counterbalance of weights | _ 110 G£. in MOTION PICTURE MAGAZINE is guaranteed