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The old story of the clown who cuts capers while his heart is breaking had its counterpart in a recent span in Ben Turpin's life when he daily put on his trick whiskers and funny clothes, in which he played slap-stick while his wife was dying
The Play Must Go On
(Continued from page 31)
Charlie Mack has gone into "The Eternal Silence."
Dorothy Cummings as Mary, Mother of Christ, in "The King of Kings" played her scenes at the foot of the Cross on the day of her father's death.
Mr. Cummings died at seven-thirty A. M. At nine o'clock Miss Cummings was on the set. Mr. De Mille suggested postponing the scenes until a later date. But Miss Cummings refused to postpone them. The play must go on. Those who have seen the picture, say that in the crucifixion scenes, when Mary looks up in agony to the face of the dying Christ, Miss Cummings' portrayal crashes thru all precedent.
"Her face is a mask of tragedy," said one of the studio officials. "She was living tragedy, and the screen reveals it."
Possibly Miss Cummings' work will lift her to the heights achieved by Belle Bennett in "Stella Dallas." When the role of Stella Dallas was being cast, this unknown actress, with some thirty others, took tests for the part. Her tests were not satisfactory, but Henry King, the director, saw some promise in her work and called her for a second test.
While she was putting on her make-up, the shocking news reached her that her young son had just been killed in a motorcar accident.
Belle Bennett went on with her test.
She has told me since that she does not know how she did it, nor how she played the role which remains unforgetable.
"There are whole sequences in 'Stella Dallas' which I do not remember taking," she said. "I look at the picture on the screen and sa}' '\\ hen did I do these scenes — or those?' It is a peculiar sensation to have a photographic proof of work which one does not remember doing."
So powerful was Miss Bennett's work in "Stella Dallas" that she was immediately acknowledged as one of the screen's greatest character actresses. Nothing can console her for the loss of her son, but she has another son to live and work for, and in superb selflessness she buries her sorrow in her work.
{Continued on page 105)
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