Motion Picture Magazine (Aug 1928-Jan 1929)

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They are the only Quick, Easy, Artistic. 1ni K0jPaBiej No Fold way to mount lOT Kodak Prints. A dime brines 100 RlI'VC" OOdSamples to try. Write -Z?f~ „^NGEI MpG CO. 2 OQ Dept.23L, 4711 N. Clarii St.. Chicago GOTOHIl AT Make up tha education you missed. Study at home in spare time. Your choice of subjects. Expert instruction. Personal service. You make quick progress because you are in a class by yourself. Diploma. Mail coupon today for interesting FREE BOOKLET. INTER NATIONAL CORRESPONDENCE SCHOOLS Box 6596-B, Scranton. Penna. Vi lthnut cost or obligation, please send me full particulars about the course I have checked — □ College Preparatory Course □ High School Commercial Course D High School English Course Name.. { Address Although there is a portrait of Wallace Reid on the wall in their drawing-room, its reality is far less than the remembrance of him that both his widow and her son, Billy, hold forever green in their hearts lounged and rested." A small place with black sills and moulding. Long French windows looking down the sheer mountainside, into the valley. She went out. We stood at the windows. We shook our shoulders. Was it imagination or did we really feel someone standing there looking at that beautiful vista with us? We rejoined the woman. We weren't so sure about this staying-there-all-night business! "The dogs — do they never seem to feel anything?" we queried. "Just once " she paused, as though unwilling to continue. We were back in the upper courtyard; the Great Danes hovered about us. THE RESTLESS DOGS "T AST week! It was after midnight. I -L' heard them growling. I got out of bed, came down through the garage. The dogs were standing still, growling, their heads raised toward the ridge of the roof." Again that perceptible hesitation. " I looked at the roof, followed their eyes from one end to the other. I could see nothing. They moaned and yowled for many minutes. Perhaps it was a rat or a mountain cat." But, if it wasn't? I took a cot with me. It was ten-thirty the next evening, the anniversary of Valentino's death, when I entered the bedroom of Rudy and put up my camping equipment. I stayed in the one room until morning. Perhaps we should say that nothing happened. But You have been in a house completely devoid of all furniture. You have gone to rent a house or even an apartment which has nothing but emptiness in it. You have felt that vacant, lonely sensation. You have mentally placed your furniture as you passed through it to counteract that hollow feeling. Yet, I swear to you by any oath you might like me to take on the matter, that never once during that long, peculiarly breathless night, was I lonely. Not once did I suffer from that vacant feeling. Was this, indeed, a house without furniture, without habitation? . There was not even a cold or a clammy feeling. The air outside was brisk, even biting. You know the California mountain air in the evening. The air inside — and that house is large with its six bedrooms down stairs, three baths and innumerable closets — was warm! And the porthole window — above the spot where the great bed had formerly stood — was open. I could not understand it. I had dreaded that vacant feeling. But I could not shake off the warmth, the sensation of being a guest sleeping in one room of a place which was inhabited. THE BLACK HORSE FRIGHTENED? Yes, I was frightened. More frightened perhaps than I would have been had I felt merely desperately lonely. There is a fireplace at one end of the room. By the flickering light of my candle, the charred black from the two-year-ago burnings appeared to me in the shape of a horse. "One of the Four Horsemen," I involuntarily murmured. In the morning, at daylight, it showed the same figure. There were only two incidents which hinted of the unnatural or, perhaps, the supernatural. I had fallen asleep. It must have been well toward morning because I did not close my eyes until after midnight. I awakened. There was no sound. But I felt someone had entered the room above me. In my mind's eye I could even see the chair in which some person was sitting. I could not distinguish who — did not try to distinguish. The room above is the library of Rudolph Valentino. There is no chair in it. It was dawn. I had spent the night. Why linger? I had brought a chair. It 102