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Excerpts From tKe rtewsp'apcr criticisms
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'Othello" is a full-blooded motion picture. It has vitality, it is direct and Itrue, it is a thing of action. It rises by many degrees of excellence above the lusual offering on the screen. — New Yolrk. Times.
\" Othello" is acted with surpassing, strength. The great German character odor, \Emil J armings, and that other distinguished German, Kraus, combine two superb \performances and bring to Broadway what is beyond question the fimsi acting \that is on ti to here at this time.—Quinn Martin— N. Y. World. "Othello" excels in film form. A powerful, efficient work. Emil j armings as the Moor and Kraus as Iago shine in a brilliantly balanced cast. Technically and artistically pleasing to the mind and eye. A prestige that is given few | motion pictures. — Louella Parsons — Morning Telegraph. "Othello" is presented with all of the splendor and with all of the enormous gather' I ings which distinguish the foreign productions. Superbly acted with Emil Jannings in the title role. A wonderful production.
Harrieltc Underhill—N. Y. Tribune, I Emil Jannings is impressive as Othello. He makes the Moor of Venice more human than we have ever seen him before. A motion picture one should not miss. Superbly acted. — Evening Sun.
Shahtspeare-in-the-mwies gains new and powerful impetus from this production | of "Othello." Jannings looks and acts the part in a manner thai is s<re o add to fame. The tragic pathos of his interpretation haunts one. Here . ; an Othello f seems to lice the role. — Evening Telegram. 'Othello" magnificent. — Eve Globe.
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