Motion Picture News (Jan-Mar 1917)

146 ACCESSORY NEWS SECTION Vol. 15. No. 1 Do You Know about the Special Subscription Offer being made to Motion Picture Exhibitors by the Dramatic Mirror? You can secure 52 issues of the authoritative theatrical and motion picture paper on surprisingly liberal terms. Drop us a postal card for full particulars. THE NEW YORK DRAMATIC MIRROR 1493-1505 Broadway New York INFORMATION I am interested in Motion Picture Photography and would like Without Obli gallon on my part to obtain information on the equipment as checked CAMERAS CAMERA ATTACHMENTS TRIPODS LENSES FILM STOCK STUDIO LIGHTS LABORATORY APPARATUS DEVELOPING AND PRINTING (Tear out this advertisement and mail to MOTION PICTURE NEWS, 729 7tli Avenue, New York.) Name Theatre Address is the leading comedian. But he should confine his efforts to his special field. To quote an authority on the subject: " A comedy is the only battle field for the live drummer. He should try to work in all possible effects to get a good laugh from the audience. But he should not get the laugh owing to the confusion arising through being always too late with his instruments. I have heard a dog bark while a lady spoke — a locomotive bell ring for an ambulance!" Musical Review of the I-atest Numbers Most Suited for Picture Playing 1 — Bits of Remick's Hits No. 17. Compiled and arranged by J. Bodewalt Lampe, containing this season's popular song successes. (Jerome H. Remick Edition.) 2 — " Do You Remember? " Song by Carrie Jacobs Bond, the composer of 3uch famous songs as " Perfect Day," " Little Pink Rose," " The Shepherdess," etc. (Edition — Carrie Jacobs Bond — Chicago.) 3 — Dialcgx'e by Erik Meyer-Helmund. A delightful and charming 2/4 Andante Movement, very melodious and effectively arranged. (Most appropriate for love themes and scenes.) (Boston Music Co.) 4 — Adieu, Melody by Kargancfl. (Printed together with " Coquetterie " by Mathews.) Two exceptional compositions for the motion picture musician. (G. Schirmer Edition.) 5 — Two Fine Waltzes have now been published by the Forster Music Co. — Chicago. " Missouri Waltz " and " Moonlight Waltz." 6 — " Broken Melody," Intermezzo Pathetique by A. Van Viene, arranged for orchestra by Charles J. Roberts. A noble, impreosive melody, and easily the crowning inspiration of this great artist's career. (Suitable for dramatic situations.) (Carl Fischer Edition.) " MIXED BLOOD " (Red Feather Photoplay) "MEXICAN KISSES" (3/4 Allegor Moderate) by Roberts is the Theme 1 — " Albumleaf " (4/4 Andante) by Kretschmer (Watch big bell) until — T: "The little town of San Carlos, etc." 2 — OUa Podrida 2 / 4 Allegretto Giscoso) by Ch. Puerner until — T: " When I finish I come." 3 — Theme until — T: " Lottie Nagle, Joe's Girl." 4 — Manzano Utermezzo (2/4 Allegro Moderato) by Brooks until — T: •■ The fight." 5 — Agitato No. 4 by Becker until — T: "After the fight." 6 — Continue Manzano until — T: "The American law." 7 — Serenade (3/4 Allegretto Grazioso) by Chaminade until — T: " The Mex. in Nita, etc." 8 — " Moraima " (2 4 Allegretto quasi Andante) by Espinoso until — T: "She is the first Mex." 9 — " Naila " (Intermezzo) by Delibes until — T: " He told me to get Carlos." 10 — Theme until — T: "With the night the vulture, etc." 11 — ^" La Paloma " (Spanish Serenade) by Yradier until — T: "I've fallen for you, etc." 12 — Presto by Lake until — T: "The fight." 13 — Agitato No. 45 by Tobani until — T: "Take your girl, etc." 14 — Dramatic Tension by Winkler until — T: "A woman." 15 — Dramatic Andante by Ascher until — T: " Everything I do for you." 16 — Agitato No. 6 by Lake until — S: " Old woman helping sheriff." 17 — Dramatic Adagio by Kretschmer until — T: "Just before dawn." 18 — Prelude (4/4 Lento) by Rachmanioff until — S: "Church bell ringing." 19 — Silence just produce effect until — T: " Nita the woman." 20 — Pathetic Andante by Margis Berger (Watch church bell) until — S: "Nita finds the sheriff." 21— Theme until— ****** END. "WHOM THE GODS DESTROY" (The Greater Vitagraph) THEME: "Dear Little Shamrock, Irish Song" 1 — " Sounds from Ireland " (Selection of Irish Melodies by W. Bendix) until — T: " No word for me." 2 — Theme until — T: " In the North Sea." 3 — Agitato No. 4 by Becker (Watch Shots) until — T: "Esmond's mother." 4 — "At Sunrise," Idylle (Andante con Moto) by Bratton until — S: " Mary receiving letter." 5 — Novelette (Moderato) by Wheatley until — S: "Sir Dennis lands." 6 — Theme until — T : " Our Secret informs us." 7 — For Thee (Andante) by Kate Vannah until — T: "Esmond." 8 — Hurry No. 4 by Lake until — T: " No not to save you." 9 — Continue to action until — T: "When the conspirators met." 10 — Allegro Hurry No. 42 by Becker until — S; "Crowds begin to gather." 11 — Allegro Agitato No. 39 by Becker until — T: " Oh. my brothers." 12 — Furioso No. 2 by Lake until — T: "The Naval Code signal." 13 — Mysterioso Agitato by Becker until — T: " I command you all." 14 — Agitato No. 11 by Becker until — T: " You gave your word." 15 — Dramatic Tension by Winkler until — T: " She wanted to see Ireland." 16 — '■ Laces and Graces " (Allegretto Moderato) by Bratton until — T : " The penalty." 17 — " Amo," Melodie (Andante con effectuoso) by Robyn until — T: " In London." 18 — Any good Military March until — T: "He realized at last." 19 — "Rosemary" Reverie (Andante Moderato) by Barton until — T: " Back in Ireland." 20 — "Dawn" (Andante) by Kate Vannah until — T: "The day of atonement." 21 — Theme until — T: "King and father." 22 — Organ to action until — T: "A pardon from the King." 23 — Pathetic Andante by Margis-Berger until — T: "His reward." 24— Theme until— ****** END.