Motion Picture News (Jan-Mar 1918)

758 (Accessory) Motion Picture News 11 — Continue to action until — T: "An impossible, etc." 12 — Cymbal Crash ff until — S: Automobile in view. 13 — "Vanity" (Caprice) by Jackson until — T: "After fording the desert." 14 — " Darktown Strotters Ball" (Trot) (Leo Feist Edition) until — T: " I'll see you at the Hotel." 15 — Theme until — T: " In the Canyon." 16 — Silence until — T: " Chin De Dah, the Indian." 17 — " Indian Love Theme" by Winkler until — T: "After Dinner at El Tovar." 18 — "Indian Dance" by Smith until — T: "Golly! what a Gully!" 19 — " Dramatic Recitative " by Sol. P. Levy until — S : Indian tEdking to Fairbanks. 20 — Repeat "Indian Love Theme" (Same as Cue No. 17) until — T: " The next morning." 21 1 man? ' 1 22— 1 23— i walk." 1 24— Le Retour " (Romance) by Bizet until — T: "Who was that Dramatic Agitato" by Hough until — T: Indian Lament" by Tohomas until — T: Remember the last." " I'm no Bird, I'll Heavy Mysterioso " by Sol. P. Levy until — T: "Where did you 1 get that castle? " 1 25 — Strong Hurry to action until — T: "Now write what I will say." i 1 26 — Silence until — S: Fairbanks pulling man up. I 27 — Hurry pp until — S: Fairbanks galloping on horse. 1 28 — Galop H" until — T: "I'll give you a hundred thousand." I 29 — Theme until * * ♦ ♦ END. I " THAIS " 1 (Goldwyn Production) I (Reviewed on page 594) 1 IMPORTANT NOTE i The entire Music Score of " Thais " composed by Massenet, as also all 1 extracts of this Opera published in single torm for Violin, Piano or any I other combination of instruments, are subject to the Music Tax imposed I by the various " Societies of Composers, Authors and Publishers." 1 Only those Orchestras or individual musicians are permitted to play the I Original " Thais Music " whose employers are members of one oi the E various " Societies of Composers, Authors and Publishers," otherwise it I means " VIOLATION " of the United States Copyright Law. I A good many of the present Composers and PuDiishers are not members I of any of sucn Societies, and their compositions and publications can be 1 performed in any p£u-t of the world for just " The Purcfiasing Price." i Our Music Cues have been, and will be, compiled of only " FREE 1 NUMBERS," but in the case of our Super Proauction " Thais," which I is based on the same Libretto of " Thais ' for which Massenet composed I the music, we were compelled to make an exception — in order to secure = the proper musical accompaniment for this picture. We leave it to your i own judgment to see whether you are permitted to perform the original I " Thais Music." I For all those who are not in possession of such license we call atten I tion to the last page of our " Music Cue," where we have mentioned I " Substitutes " for every one restricted by the " Societies of Composers, 1 Authors and Publishers. ' I Kindly note the above facts, as we will under no circumstantes assume 1 the responsibility in case of any violation on your part concerning the 1 Copyright Laws of the United States or the entire world. 1 WE HAVE WARNED YOU I ALL JUovementa and excerpts an indicated in Cues Nos. 1, 7, 9, 10, 15, 1 12, are taken from the " Thais Fantasia " arranged for Orchestra by Emile I Tavan and published by " Heugel " in Paris (Prance). I Theme: "Meditation from Thais" by Massenet I I — "Thais Fantasia" by Massenet until — T: "In Egypt on the I shore." I Note. — Beijin with first movement "Andante tres Calme." 1 2 — "At Sunrise" from the "Desert Suite" by H. Grunne until — T: 1 " Here, Romans, Greeks and Egyptians, etc." i 3 — " Angelus " (Sacred) from " Scenes Pittoresques " by Massenet I until — T: "And the early Christians." 1 4— Continue to action until — T: "While in the heart of the golden I City." I 5 — Theme until — T: "While Paphnutius wearied of the idols, etc." 1 6 — Continue to action until — T: " Nicius still enthralled by the false, i etc." I 7 — 4/4 Andante movement (four bars after letter B) from the "Thais i Fantasia" by Massenet until — T: "When will you stop parading, etc.?" I 8 — Theme until — T: "And always waiting at her door.' I 9 — Allegro movement from letter C from the " Thais Fantasia " by 1 Massenet until — T: "In the great Theatre, etc." I 10 — " Moderato Maestoso " movement (letter D) from the " Thais I Fantasia" by Massenet until — T: "At dusk Thais returns." I 11 — March from "Scenes Pittoresques" Suite No. 1 by Massenet until I — T: "And Lollius waiting, etc." I 12 — Theme until — S: Lollius with dagger near door. I 13 — "Dramatic Agitato" by H. Hough until — T: "And with the i morning." 1 14 — Prelude to Act 4 from " Herodias " by Massenet until — T: 1 " Cease your chatter, bring me word, etc." I IS — Allegro Moderato movement (letter F) from the "Thais Fantasia" I by Massenet until — T: "And it came to pass, etc." I 16 — Theme until — T: "And again the feet of Paphnutius." . I 17 — Continue pp until — T: "And in the golden City." I 18 — " Credo " from " St. Cecilc Mass " (Allegro Maestoso) by Gounod I until — T: "Paphnutius once dragged unwillingly, etc." I 19 — " Aubade ■' by Massenet until — T: "But not to the vile life, etc." 20 — "Dramatic Recitative" by Sol P. Levy until — T: "The Pagan feast at Cotas." 21 — " Air de Ballet " from " Scenes Pittoresques " by Massenet until — T: " Hail Thais, the Rose of Alexandria." 22 — "Thais Fantasia" by Massenet until — T: "In the name of the father I serve." Note. — Beijin ivith " Risoluto Movement" (S bars 'before letter G). 23 — " Veil Dance " from " The Queen of Sheba Ballet " by Goldmark until — T: "And with the morn." 24 — Continue to action until — T: "They mock their own gods." 25 — "Au Cabaret " from " Scenes Alsaciennes " Suite by Massenet until — T: "And beneath the stars came, etc." 26 — Continue pp until — T: "The dawn of a new day." 27 — Allegro movement from the " Elijah Fantasia " by Mendelssohn until — T: "And the word went abroad." 28 — Continue ff until — T: "And again the shadow of death." 29 — "Elegy" (Dramatic Melody) by Massenet until — T: "The cloistered home of the penitent." 30 — " Last Dream of the Virgin" (And.) by Massenet until — T: "And day after day her eyes seEirched." 31 — Theme until — T: "And once too oft the Vision came." 32 — " Aragonaise " (Allegro) from " Le Cid " by Massenet until — T: "A body weary, a soul astray." 33 — Continue pp until — T: "And things invisible till now." 34 — Theme until — T: " Not without me, Thais! " 35— Continue ff until * * * * END. you ARE NOT PERMITTED to play the following cues if your employer is not a member of any of the " Societies of Composers, Authors and Publishers." The following cues are substitutes: THEME: "Voice of Chimes" (Lento) by Luigini. Cue No. 1 — Second Movement from " Heradiade Fantasia " (Andante con Moto) by Massenet, arr. by Th. M. Tobani. Cue No. 7 — " Ave Maria '* (Dramatic Lento) by J. Ascher. Cue No. 9 — " Le Retour ' (Allegro) by G. Bizet. Cue No. 10 — " Dramatic Maestoso " by E. Ascher. Cut No. 15 — " L'Adieu " (12/8 Dramatic) by Fararger. Cue No. 22 — " First Movement " (Allegro Maestoso) from the " Herodiade Fantasia " by Massenet, arr. by Tobani. " THE GOWN OF DESTINY " (Triangle Production) (Reviewed on page 126) Theme: "Love Song" (Dramatic) by Flegier 1 — "Intermezzo Francaise " (Moderato) by Hammer until — T: " Here again was the Bogie." 2 — "Marseillaise" pp until — T: "You oughtn't to have," etc. 3 — "Dramatic Andante" by Ascher until — T: In the office of the French Consulate. 4 — Continue ff until — T : " Knowing that she and her husband," etc. 5 — " Dramatic Recitative " by Sol. P. Levy until — T : In a little French restaurant. 6 "Doctor Cupid" (Intermezzo) by Ferrari until — S: Soldiers — parading. 7 — " March Loraine " by Ganne until — S: Interior of room. 8 — Continue ff until — T: " But was France to blame?" 9 — Continue pp until — T: " But with slumber comes no peace." 10 — "Dramatic Tension" by Borch until — T: "And now he is striving." 11 — Theme until — T: "As the dream of the night." 12 — "Mae Marsh" Waltz (Kominsky Music Co.) until — T: "It was a foregone conclusion." 13 — "Serenade" (Allegretto) by Saint-Saens until — T: "In the village of Pont a Cresson," etc. 14 — Theme until — T: "On the western coast," etc. 15 — " Bond of Love" (Waltz) by A. Roth until — T: " Once upon a time Nathalie's father," etc. 16 — "Russian Pansy" (Flower Song) by Langey until — T: The Ramsey dinner. 17 — "Sleeping Rose" (Melodious Valse Lente) by Borch until — S: Man at piano. 18 — "Tiger Rose" Two Step (Leo Feist Ed.) until — T: "And yet I can't ask you." I Note: Play ff dtirinrj dancing scenes only (otherwise pp). 19 — Theme until — T: "Good-bye soldier boy," etc. 20 — " It's a Long Way to Tipperary " (Popular Song) until — S: Interior of sitting room. 21 — "Dramatic Tension No. 1" by Sol. P. Levy until — T: "The Commandant will think." 22 — Continue pp until — T: "A little later," etc. 23 — "Constance" (A Dramatic Theme) by Golden until — S: Close up of newspaper clipping. 24 — Theme until — T: "In the morning the Major." 25 — "Dramatic Adagio" by Kretschmer until — S: Scene on battlefield. 26 — Battle, Hurry No. 21, by E. Lutz until — S: Interior of room. 27 — Theme until— S: Flashback to battlefields. 28 — Repeat "Battle Agitato" until — T: "As dawn comes over the trenches." Note: Watch explosions, etc. 29 — "Dramatic Agitato" by H. Hough until — T: In the field hospital. i Note: Watch explosions. 30 — Prelude Du Deluge (Lento-Dramatic) by Saent-Saens until — T: " If only I could have helped a little." 31— Theme until ******* ** END. THE BARTOUA* In 1918 your patrons will be more critical than ever about your mixsic. Install a Bartola Musical Instrument and you will have solved your music problem. Write for catalogue. CHAS. C. PYLE, General Sales Agent, 707-712 Mailers Bldg., Chicago, 111. Factory, Oshkosh, Wis.