Motion Picture News (Jan-Feb 1920)

1122 (Equipment Service) Motion Picture N en himself of a copy of this exceptional melodious and well-constructed composition. It is a moderate con. moto of neutral character and one of those numbers of which scores can be used in one single picture. " Blue Bells," by Zamecnik, a light 6/8 composition which represents another addition to the many wonderful compositions Mr. Zamecnik has written. It is not the greatest he has written but certainly among the best. " Think Love of Me," by Grey, a song which has already met with great popularity and is being featured by the most famous artists in the country. This number is a slow melodious movement wonderful and adaptable for love scenes, dramatic and pathetic situations. This column was inaugurated for the purpose offering musicians helpful suggestions and -axaot the many things we suggest, we believe that t best suggestion we have ever made is this: G every number mentioned above, from the nean music dealer, and if you want special advice at ai time write "The Music Editor, Motion Picns News or the music house you are dealing wit itllllllltllMllllllllllllltmilllllllDIIMHIIIIIIIIIIIIIIIIIIlllllllllllllllltllll " THE HEART OF A GYPSY " Specially selected and compiled by M. Winkler The timing is based on a speed limit of 14 minutes per reel (1,000 ft.) Theme: "Serenade Romantique " (And. con moto), Borch 1 — Theme (1 minute and 30 seconds), until — S: At Screening. 2 — " Dramatic Narrative " (for scenes of reminiscence), by Pement (2 minutes and 30 seconds), until — T: " Green Terrace, the home of." 3 — " Lovelette " (Allegretto), by Levy (2 minutes and IS seconds), until — S: Close up of child with ball. 4 — "Gypsy Fantasia," by Jerwitz (2 minutes and 5 seconds), until — T: "The Gypsy Camp, where." 5 — "Gypsy Rondo" (Allegro), by Haydn (4 minutes and IS seconds), until — T: " Get off my property." 6 — "Gypsy Serenade," by Nehl (2 minutes and 5 seconds), until — T: "Like Arabs they." 7 — Theme (1 minute and 20 seconds), until — T: " I borrowed that from. 8 — " Birds and Butterflies " (Intermezzo), by Vely (1 minute and 50 seconds), imtil — T: "With evening came." 9 — "Sinister Theme" (for scenes of impending danger), by Vely (3 minutes and 30 seconds), until — T: "I see a caravan going." 10 — " Poeme Syraphonique " (And. quasi adagioj, by Borch (3 minutes and SO seconds), until — T: "At news that Rosalind." 11 — Continue pp. (40 seconds), until — T: " I knew people loved each." 12 — " Gypsy Life " (Characteristic), by Koelling (2 minutes and 40 seconds), until — T: "With the night came." 13 — Theme (1 minute and 35 seconds), until — T: "Surely you have aright. 14 — "Dramatic Reproach," by Berge (2 minutes and 20 seconds), until — T: " You saw him climb." 15 — "Dramatic Suspense" by Winkler (1 minute and 35 seconds), until — T: " Breakfast time next." 16 — "Dramatic Agitato" (for general use), by Hough (1 minute and SO seconds), until — T: "I must stop him before." . ., ™ 17 — "Dramatic Conflict" (Hurry Heroique), by Levy (3 minutes), until — T: " Dane forgot that his wife." . 18 — •' Misterioso Agitato " (descriptive), by Smith (2 minutes and 25 seconds), until — T: "My danger is yours." . ■ 19 — " Erl King" (Dramatic Mysterioso), by Schubert (2 minutes and 10 seconds), until — T: "When morning came once more." ., „ ^, 20 — "Lento Allegro," by Berge (2 minutes and 5 seconds), until — T: The Coroner's inquest." . x l /-. ^-it jm 21 — " Andante Appassionato " (depicting dramatic emotion), by Castillo \4 minutes and 5 seconds), until — T: "The trial." ■ ■ v u d 22 — '■ Misterioso Dramatico " (depicting mystery and agitation), by Borch (2 minutes and 10 ?econds). until — T: "Where were you between." 23 — Theme ff (50 seconds), until— S : After the trial. THE END 1 ! "SEALED HEARTS" Specially selected and compiled by M. Winkler The timing is based on a speed limit of 14 minutes per reel (1,000 ft.) Theme: "Dramatic Reproach," by Irene Berge 1 — Theme (2 minutes and SO seconds), until — S: At Screening. 2 — "Poeme Symphonique " (And. quasi adagio), by Borch (3 minutes and 55 seconds), until — T: "Yes, Grace, come right. 3 — " Dramatic Conflict " (Hurry Heroique) , by Levy (3 minutes and 5 seconds), until — T: " May the day come when you." 4 — " Dramatic Suspense," by Winkler (1 minute and 20 seconds), until — ^T: " I am not your father." 5 — "Serenade" (Moderato), by Widor (2 minutes), until — T: The straight road. 6 — "Cupid's Frolic" (Moderato), by Miles (1 minute and 40 seconds), until— T : And for the first time. y 7 — "Finale Allegro" (From Symphonette Suite), by Berge (1 minute and ISi seconds), until — T: Faithful to his pact. " 8 — "In Lover's Lane" (Mel. Allegretto), by Pryor (4 minutes), until — T:| Marchbands becomes another. • 9 — "Love Song" (Dramatic), by Flegier (3 minutes and SO seconds), until — ^T: ' 'I refuse to be a chattel." 10 — Theme (2 minutes and 30 seconds), until — T: "Will your failure mean?" U — "Lost Spring" (Dramatic), by Flegier (2 minutes), until — T: And mid days that were. 12 — "Stampede," by Simon (1 minute and 30 seconds), until — T: "Then you'r* going mad." 13 — Organ improvise to action wedding march (1 minute and 25 seconds), until ■# T : The bargain closed. ft 14 — 'Impish Elves" (Intermezzo), by Borch (3 minutes and 30 seconds),' until — T: An empty honeymoon. 15 — Theme (1 minute and 10 seconds), until — T: And though the air was. 16 — " Why? " (Ballad Fox Trot), by Levy (1 minute and 45 seconds), imtil— T: From her and every. 17 — Continue pj) (1 minute and SS seconds), until — T: "She married for hi*." 18 — " Dramatic Agitato " (For general use), by Hough (1 minute and 5 seconds), until — T: "You are making a laughing." 19 — " Dramatic Tension " (For general use), by Levy (3 minutes and SO seconds), until — T: And the dawn that followed. 20 — Theme (1 minute and 45 seconds), until — T: " It is the end, I am." 21 — " Dramatic Tension " (For strong tense emotional scenes), by Shephard (3 minutes and 45 seconds), until — T: "Let me go with you." 22— " L' Adieu (Dramatic), by Karganoff (2 minutes and 20 seconds), until — T: The House of Torture. 23 — " Cavatine " (Dramatic), by Bohm (2 minutes and 30 seconds), until — ^T: To whom God's most. 24 — Theme ff (1 minute and S seconds), until — T: " It is just as I feared." THE END I "THE OAKDALE AFFAIR" Specially selected and compiled by M. Winkler The timing is based on a speed limit of 14 minutes per reel (1,000 ft.) Theme: "Mood Pensive" (Andante Moderato), Applefield 1 — "Slumbering River" (Allegretto Moderato), by Stewart (2 minutes), until — S: At Screening. 2 — Theme (2 minutes), until— T: Gail Prim, Jonas' daughter. 3 " Dramatic Tension," by Andino (3 minutes and 30 seconds), imtil — S: When Gail reads letter (auto effects). . ,„ j x 4 " In the Ruins " (Andante Grave), by Kempinski (2 imnutes and 30 seconds), until — T: In the nearby town of. 5 — " Dramatic Tension," Andino (2 minutes and 30 seconds), until — T: A Knight of the road. > . ^ . • , ,„ 6 "Canterbury Bells" (Capricious Annette), by Tonning (1 minute and 30 seconds), until— S : When scene fades to restaurant. 7 "Mysterioso No. 3," by Minot (1 minute), until — S: When Gail climbs ^^"'Allegro Agitato No. 8," by Andino (3 minutes), until — S: When Gail makes noise. ' , ^ , 9 "Dramatic Tension," by Borch (3 minutes), until — T: The general. 10 "Storm Furioso," by Minot (2 minutes and 30 seconds), until — S: When tramp looks at sky (storm effects). 11— Theme (3 minutes), until— S : When tramp sings. 12 "Agitato N<Jf49," by Shephard (1 minute and 30 seconds), until — S: When chauffeur stops car (shot). „ , , , , n t 13 "Gruesome Mysterioso," by Borch (3 minutes and 30 seconds), until — 1: "It is a man's body" (clanking chain). .,„.„.,. 14 — "Dramatic Suspense," by Winkler (2 minutes), until — T: I thought you ^*isl_" Agitato No. 6," by Kiefert (3 minutes), until — S: When Gail hears noise. 16_" Galop No. 7," by Minot (1 minute), until — S: When Gail leaves house. 17 — "Eccentric Comedy Theme," by Roberts (5 minutes), until — T: " I am tak 18— " p'lirty Flirts" (Intermezzo Rubato), by Levy (3 minutes), until — T: Clem Burton, a city. , . _ , , , , 19 "In Flowerland" (Valse Intermezzo), by Golden (2 minutes and 30 seconds), until — T: "There was a big jewel." 20 " Camelia " (Andante Moderato), by Tonning (3 minutes and IS seconds), until — T: "It's the bear and he's." ., ^ „ , ^ „ 21 — Theme (2 minutes and IS seconds), until — T: I cant believe you are. 22 "Frills and Furbelows" (Rondo Rococo), by Crespi (1 minute and 30 seconds), until— T: The magic road to anywhere. 23 "Gypsy Life Waltz" (5 minutes), until — T: Leading whither. 24 "Hurry No. 33," by Minot (3 minutes), until — S: When boy detective sees gypsies (auto effects — shot). 25 "Dramatic Tension," by Shephard (3 minutes), until — S: When detectives *"'fr^" Capricious Annette" (Moderato Caprice), by Borch (2 minutes and 30 seconds), until — T: "They're after that reward." 27 — Theme (1 minute and 30 seconds), until — T: "This ain t no place for. 28 "Agitato No. 37," by Andino (2 minutes), until — T: When crowds gather. 29 — Theme (1 minute and 45 seconds), until — T: "Daddy, daddy." 30 "Clematis" (Moderato poco agitato), by Tonning (3 minutes), until — S: sf-Jrheme ("minute and 45 seconds), until — S: When Bridge joins Gail. THE END " LOMBARDI, LTD." Specially selected and compiled by M. Winkler The timing is based on a speed limit of 14 minutes per reel (1,000 ft.) Theme: "Birds and Butterflies" (Capricious Allegretto), Vely 1 — That Naughty Waltz (a la jazz), by Levy (3 minutes), until — S: At screening. 2 — La Ballerina (Schottisch Characteristic), by Johnstone (2 minutes and IS seconds), until — T: "I'll speak to him now." 3 — Birds and Butterflies (Allegretto Capricioso) (Theme), by Vely (3 minutes and IS seconds), until — T: "Me no feel like." 4 — Bluette (Allegretto Grazioso), by Sanford (4 minutes), until — T: "There are so many outstanding." 5 — Eccentric Comedy Theme, Roberts (1 minute and 30 seconds), until — T: " You are da new mannequin." 6— Air de Ballet (Allegretto Moderato), by Borch (4 minutes), imtil — S: When Daisie is put on (telephone bell). 7 — Oriental fox trot (1 minute and 30 seconds), until — T: " Tell-a to me." 8 — La Comedienne (Moderato Caprice), by Hosmer (2 minutes and 30 seconds), until — S: When Ricky talks to Daisie (telephone bell). 9 — Flirty FUrts (Intermezzo Rubato), by Levy (2 minutes and 45 seconds), until— T: " PhylUs Manning, Strohm's." 10 — Theme (2 minutes and 45 seconds), until — T: " You are wonderful, Tito." 11 — Sleeping Rose (Valse Lento), by Borch (2 minutes and 15 seconds), until — T: "Then came the night of the." 12 — Andante Pathetiqtie, by Berge il minute and 15 seconds), until — T: " Dees-a little girl, Lida." 13 — Dramatic Tension, by Andino (1 jninute), until — T: "Gee, you're lucky to have." 14 — Poeme Symphonique, by Borch (3 minutes), until — S: When Phyllis meets Tarrant. 15 — Vampire Theme (Dramatic), by Levy (1 minute and 30 seconds), imtil — T: " Tarrant usually accomplishes." 16 — Gay Butterflies (Allegro Giocoso Caprice), by Gregh (2 minutes and 30 seconds), until — T: "I picked-a dees." 17 — Theme (2 minutes and 30 seconds), until — T: " Rickey, you've been here," 18 — Camelia (Andante Moderato), by Tonning (3 minutes and 30 seconds), until— T: "That young woman." 19 — Bleeding Hearts (Andante Sentimento) ,by Ler>ry (2 minutes and 45 seconds), until — T " Nora, Nora, bambino." 20 — Theme (2 minutes and 30 seconds), until — T: "I may be able to get." 21 — Intermezzo Irlandais (Moderato). by Leigh (5 minutes and 15 seconds), until — S : When Tito leaves Hoddy's office. 22 — Dramatic Reproach, by Berge (1 minute), until — T: " I am going away for a little." ^ „ ^ 23 — Dramatic Agitato, by Hough (2 minutes), until — S: When Tito sees keys. 24 — Silent Sorrows (Andante Pathetique), by Borch (4 minutes and 30 seconds), until — T: "Closing hour." w 25 — Dramatic Narrative, by Pement (1 mmute and 45 seconds), until — i: My poor leetle Lida." 26 — Theme (1 minute), until S: When Lida leaves. 27 — Serenade Romantique (Moderato Serenade), by Borch (5 minutes and IS seconds), until — T: "In spite of the thirty." . . 28 — Theme (3 minutes and 15 seconds), until — S: When Nora joins Tito. 29 A La Mode (Popular one-step), by Rosey (2 minutes and 45 seconds), until— T: "I am not a chauffeur." „ . . ^ .. 30 — Theme (1 minute and 30 seconds), until— T : "I got-a great inspirash. THE END. ^^iiiHiiiiiitiMnimMiiiiiMiiiii