Motion Picture News (Jun-Aug 1920)

August 2 1, I p 2 0 1573 " THE ANSWER OF THE SEA " Theme: "Undine Overture," by Lortzing Specially selected and compiled by M. Winkler The timing is based on a speed limit of 14 minutes per reel (1,000 ft) 1 — "Frivolettc" (Entr'Acte), by Baron (1 minute and IS seconds), until — S: At screening. 2 — " Fairy Phantoms," by Friedman (4 minutes and 15 seconds), until — T: " In the realms of Undine." 3 — "Laughing Beauties" (Moderate), by Berge (3 minutes and 10 seconds), until — T; "Undine, the most gifted." 4 — Continue to action (2 minutes and 5 seconds), until — T: "Each day contained." 5 — ^Theme (1 minute and 45 seconds), until — T: " Walde, a hunter." 6 — Ad. lib. trumpet call, " Ala Fanfare," followed by " Moonlight Shadows" (Valse Lente), by Baron (3 minutes and 45 seconds), until — T; " As twilight approaches." NOTE: Watch }or trumpet calls through entire numher. 7 — " Love's Enchantment " (Intermezzo D'Amour), by Varley (2 minutes and 50 seconds), until — T: "The enchanted waterfall."' 8 — " Adagietto " (From Symphonette Suite), by Berge (3 minutes and 30 seconds), until — T: " The nymph of the wood." 9 — " Phantom Visions" (Skeleton dance), by Stevenson (1 minute and 25 seconds), until — T: "They have robbed the sea." 10 — "Love Song" (Dramatic), by Flegier (2 minutes and 20 seconds), until — T: "And so little Bertalda." NOTE: Effect o] fanfare caUs. 11 — "Forest Whispers" (Char. Merceau), by Lozey (1 minute and 35 seconds), until — S: Closc-up of witch. 12 — "The Roses That Die Bloom Again" (Sentimental Ballad), by Levy (4 minutes), until — T; "With the dawn." 13 — Theme (2 minutes and 5 seconds), until — S: Nymph calls witch. 14 — Continue to action (1 minute and 45 seconds), until — T: "The transformation." 15 — "Capricious Annette" (Intermezzo), by Borch (1 minute and 45 seconds), until — T: "And so the kind." 16 — " Celebrated Menuet," by Boccherini (2 minutes and 50 seconds), until — T: "So Bertalda became." 17 — "Woodland Whispers" (Characteristic), by Czibulka (3 minutes and 4 seconds), until — T: " Huldbrand starts on his." 18 — "Serenade Romantique " (And. con moto), by Borch (2 minutes and 40 seconds), until — T: "Huldbrand would not turn." 19 — " Babillage," by Castulke (3 minutes and 20 seconds), until — T: " It was a case." 20 — " Impish Elves," by Borch (1 minute and 50 seconds), until — T: " Good Friar of." 21 — Theme (3 minutes and 5 seconds), until — T: " So Undine was married." THE END " MILESTONES " Specially selected and compiled by M. Winkler The timing is based on a speed limit of 14 minutes per reel (1,000 ft.) Theme; "Roses That Die Bloom Again" (Sentimental Ballad), Levy (chorus only) I — "Dramatic Recitative" (for heavy intensive dramatic scenes), by Levy (2 minutes and 20 seconds), until — S: At Screening. _ 2— "Flirty Flirts" (Mel. Rubato), by Levy (I minute), until— T: "You inventors will be." ^TT' " '■^^''^ Dramatic), by Favarger (2 minutes and 30 seconds), until — T: "John Sibley, second number." A — Continue pp (50 seconds), until— T: "After dinner." 5 — " (l minute and 10 seconds), until— T: " Nita Juanita." g minutes and 50 seconds), until — T: "I am going to tell "JPramatic Recitative No. 2," by Levy (3 minutes and 40 seconds), until — ^T: You had the impudence." 8— " Chant Erotique " (Dramatic), by Berge (IJ^ minutes and 30 seconds), until— T: "Ned, please hand." 9— Theme (2 minutes and 35 seconds), until— T: "In the garden of" :''rr'.P*°P Minet (3 minutes), until— T: "The carrias^e quickly. II— " Dramatic Suspense," by Winkler (2 minutes and 5 seconds), until — S: John and Rosie arrive at village. 12 — " Menuet," by Boccherini (1 minute and 30 seconds), until — T "The new mistress. 13 — "Dramatic Narrative" (for scenes of reminiscence), by Pement (2 minutes and 2S seconds), until— S: Close up of old man Time. 14 — Theme (4 minutes and 50 seconds), until — T: "Another romance" 15— " Moonlight Shadows" (3/4 Moderato), by Baron (3 minutes and SO seconds), until — T: ' Sams coming out." J6_" Cavatine " (Dramatic), by Bohm (4 minutes and 30 seconds), until — T: I can make nineteen tons." ^^^T'i^™" (3 minutes and 30 seconds), until— S: Closeup of crying baby. 18 — Reproach, by Berge (4 minutes and 20 seconds), until— T "It is arranged that." 19 — Continue pp (35 seconds), until — S; Close up of old man Time. 20 "Budding Spring," Plalzman (1 minute and 30 seconds), until T "And a new generation," 21 — Theme (3 minutes and 15 seconds), until — T: "The young Lord." 22 — "Andante Dramatico " (for dramatic emotion), by Borch (4 minutes and 50 seconds), until — T: "The times are full of danger." 23— " Slimy Viper," by Borch (1 minute and 10 seconds), until— T: "The radical members." 24 — "Sorrow Theme" (for general use), by Roberts (1 minute and 35 seconds), until — S; Girl at piano. 25 — " Half Reel Hurry." Levy (3 minutes), until — S: Close up of marching strikers. NOTE: Pp. durino interior scenes. 26 — Theme (2 minutes and 45 seconds), until — S: Strikers leave. 27 — "Silver Threads Among the Gold" (1 minute and 35 seconds), until — T: " Where is she." 28 — "Juanita Song" (1 minute), until — S: Old Woman at piano. 29 — ^Theme S (40 seconds), until — S: Ol3 woman stops playing. THE END " IT'S A GREAT LIFE " specially selected and compiled by M, Winkler The timing is based on a speed limit of 14 minuics per reel (1,000 ft.) Love Theme: "Kiss a Miss" (Vatse Chanteel. Baron Cannibal Theme: "Cannibal Carnival'' (Cannibal Characlerislic), Levy 1 — Love Theme (2 minutes and 50 seconds), until — S: At Screening. NOTE: WaU-h door bell. 2 — "Summer Showers" (Intermezzo), by Logan (4 minutes and IS seconds), until — T: "In the breakfast heat." 3 — "Birds and Butterflies" (Intermezzo), by Vely (2 minutes and 25 seconds), until — T: "I'm through, I'm done." 4 — "Wild Roses" (Valse Brilliante), by Johnson (3 mnutes and 55 seconds), until — T; " E.xpiation." 5 — "Pizzicato Misterioso " (for burglary and stealth), by Minot (1 minute and 45 seconds), until — T: "The chimney was the." 6— Cannibal Theme (5 minutes), until — T ; " You know the Salmon Islands." NOTE; To action pp or ff. 7 — Love Theme (2 minutes and 25 seconds), until — T: "The wop was worried." 8 — "Fairy Phantoms" (3 minutes and 35 seconds), until — T: "The next afternoon." 9 — Cannibal Theme (50 seconds), until — T: "We'll be making history." 10 — " Laughing Beauties " (Moderato), by Berge (3 minutes and 15 seconds), until — T: " Not on your life." NOTE: Watch shot. 11 — Love Theme (2 minutes and 40 seconds), until— T: "That night." 12 — " Adolescence " (Entr' Acte). by Collinge (2 minutes and 25 seconds), until — T: "The dinner resulted." 13 — "March Indicnne," by Bellcnik (45 seconds), until — T: "I'm going to have the best." 14 — " Frivolette," by Baron (2 minutes), until — S: Watchman near door. 16 — "Butterflies Caprice," by Johnson (1 minute and 55 seconds), until — T: " You were invited." 17 — Cannibal Theme (50 seconds), until — T: "A question which has." 18 — " Sweet and Low'" (Waltz), by Johnson (2 minutes), until — T: "The wop was glad." 19 — Cannibal Theme (25 seconds), until — T: "Boil him." 20 — Repeat: "Sweet and Low" (2 minutes and 25 seconds), until — S: Flashback to former scene." 21 — " Snookums Rag," by Forster (2 minutes and 10 seconds), until — T: "Aw, go chase yourself." 22 — " Impish Elves " (Intermezzo), by Borch (4 minutes and IS seconds), until — T: "That afternoon." 23 — Love Theme (4 minutes and 30 seconds), until — T: "Hello, little boy." 24 — " Furioso " (for riot or storm scenes), by Kiefert (I minute and 40 seconds), until — T: " Midnight and rain." NOTE: To action pp. or ff. 25 — Cannibal Theme (1 minute and 10 seconds), until — S: Close up o£ Cannibal village. 26 — Continue ff (1 minute and 10 seconds), until — T: "The next morning." 27 — " Comedy Allegro," by Berg (1 minute), until — T: " Four days later," 28 — Love Theme (2 minutes and 30 seconds), until — T: "On a weekend trip," 29 — Cannibal Theme (45 seconds), until — T: "I know where there are." 30 — Continue pp (20 seconds), until — T: " How are you. Stoddard? " THE END An Appreciation Mr. Charles D. Isaacson, 502 Washington Avenue, Brooklyn, N. Y. Dear Mr. Isaacson : I am indeed glad to see you enter the field of the motion picture. With your wide and practical knowledge of music I feel sure that you are prepared to better a condition that is sadly in need of development. Volumes could be written about the relation of music to the motion picture and in my opinion it is almost the very life of it. It you can make the exhibitors realize this one thing you will have accomplished a life work. There have been great strides made in the past two years, but I am afraid that we are all in a rut and having in mind the experience such as you now bring to the motion picture, I for one. welcome you with open arms and ask you to feel that you can count on every cooperation from the writer and his staff at all times. Very cordially yours, S. L. ROTHAPFEL, Capitol Theatre, New York.