We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
Motion Picture News P^rPPPPPPPPPPPPppopppppppppppppppPnnqaoQOOQQOC,aQQQOaooooonoonoo0oaQOQaoqnonoooooono
Good Pictures Make
And here are just a few of the Paramount pictures which will make the season of 1921-22 the greatest season you ever had. You don't have to worry about business when you show these.
September
Wallace Reid in "THE HELL DIGGERS," another Byron Morgan story full of he-man thrills and rugged combat. Directed by Frank Urson. Cast includes Lois Wilson.
Gloria SwanSOn in Elinor Glyn's "THE GREAT MOMENT," destined to be, without any question, one of the half-dozen greatest productions of the present generation. Directed by Sam Wood. Scenario by Monte M. Katterjohn.
Betty CompSOn in -AT THE END OF THE WORLD," adapted by Adelaide Heilbron from the play by Ernst Klein. Scenario by Edfrid A. Bingham. Directed by Penrhyn Stanlaws. Her first Paramount picture — a tale of adventure in Shanghai's underworld.
"DangerOUS Lies" a Paul Powell Production with DAVID POWELL. By E. Phillips
Oppenheim. Scenario by Mary O'Connor. A big society drama.
"The Golem, the stupendous sensation which has broken all records at the Criterion Theatre, New York, in the hottest summer on record.
Cecil B. DeMllleS production 'THE AFFAIRS OF ANATOL," by Jeanie Macpherson, suggested by Arthur Schnitzler's play and the paraphrase thereof by Granville Barker. With Wallace Reid, Gloria Swanson, Elliott Dexter, Bebe Daniels, Monte Blue, Wanda Hawley, Theodore Roberts, Agnes Ayres, Theodore Kosloff, Polly Moran, Raymond Hatton, J ulia Faye.
October
Elsie FergUSOn in "FOOTLIGHTS," a John S. Robertson production, by Rita Weiman. Miss Ferguson's greatest, and a guaranteed knockout. Photoplay by Josephine Lovett,
Thomas Meighan in "GAPPY RICKS," from Peter B. Kyne's lovable Saturday Evening Post stories; rich in human interest and heart appeal. Photoplay by Albert Shelby LeVino, from the novel by Mr. Kyne and the play by Edward E. Rose. Directed by Tom Forman.
George Melfords production -THE GREAT IMPERSONATION," with James Kirkwood. By E. Phillips Oppenheim. Photoplay by Monte M. Katterjohn.
RoSCOe (Fatty) Arbuckle in -GASOLINE GUS," from the Saturday Evening Post stories by George Pattulo. Directed by James Cruze. Scenario by Walter Woods. The millions who have read these stories know how ideal they are as vehicles for -Fatty."
George P itzmaurice S production -EXPERIENCE," with Richard Barthelmess. By George V. Hobart. Photoplay by Waldemar Young. The play that broke records in New York, Chicago, Boston, Philadelphia and almost all other big cities.
(paramount (pictures