Motion Picture News (Sept-Oct 1921)

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The Biggest Kind of Hit ! " Miss Ferguson touches heights she never has reached before. The nearest approach to art in films. The star wears clothes the like of which my poor eye hath never beheld. Both in her comedy and her emotion the star scored immensely. The story is not only clever and original, but convincing." ALAN DALE in N. Y. American. All signs point to record popularity for this picture. Rarely do we see such a wholesome and sparkling story. There are few actresses who bring into their work such fine artistry as does Miss Ferguson in this. The characterization has infinite variety and much feminine reality. The direction is unusually fine." SUZANNE SEXTON in New York Telegraph. The Only Picture Ever Booked for Three Weeks by The Rivoli, New York, In Advance of Showing! " Uncommonly fine acting. Colorful and elaborately mounted picture." New York World. " Very appealing scenes, truly effective gowns, and the star demonstrates her versatility throughout." New York Herald. Adolph Zukor presents " It's just fine. There's not a minute that we're not with the star, tooth and nail. My goodness. Miss Ferguson, why can't you have a ' Footlights ' every release? It's a grand film. We were crazy about the gowns and stage sets." MAE TINEE in Chicago Tribune. ELSIE FERGUSON in "Footlights" by Rita Weiman Directed by John S. Robertson. Scenario by Josephine Lovett Ct Cparamount Q>icture [•^FAMOUS PtAYERS-IASKY CORPORATION