Motion Picture Production Encyclopedia (1949)

PRODUCTIONS 1948 407 THE CREEPER Reliance-20rh-FOX. Executive producer, Ben Pivar. Producer, Bernard Small. Director, Jean Yarbrough. Screenplay, Maurice Tombragel. Original story idea, Don Martin. Photography. George Robinson. Operating cameraman, Edward Coleman. Art direction, Walter Koessler. Set decorations. Fay Babcock. Music score, Milton Rosen. Edited by Saul A. Coodkind. Sound technician, Frank McWhorter. Production manager, James Dent. Assistant director, Eddie Stein. Script supervisor, Bobbie Sierks. Hair stylist. Betty Pedretti. Makeup, Ted Larsen. Crip, Walter Dalton. Still man, C. Ken Lobben. CAST — Eduardo Ciannelli, Onslow Stevens, June Vincent, Ralph Morgan, Janis Wilson, John Baragrey, Richard Lane, Philip Ann, Lotte Stein, Ralph Peters. David Hoffman. Days in production, 10. Reviewed 10-4-48. CROSSED TRAILS Creat Western-MONO. Producer, Louis Cray. Director, Lambert Hillyer. Original screenplay, Colt Remington. Photography, Harry Neumann. Operating cameraman, William Margulies. Set decorations. Vin Taylor. Musical director, Eddie Kav. Edited by Fred Maguire. Sound technician, |ohn Carter. Production manager, Charles Bigelow. Assistant director, Eddie Davis. ScriDt supervisor, Helen McCaffrey. Crip, Ceorge Booker. Still man, James Fullerton. CAST — Johnny Mack Brown. Raymond Hatton, Lynne Carver. Kathy Frye. Douglas Evans, Steve Clark, Ted Adams, Zon Murray, Pierce Lyden, Milt Morante. Bob Woodward. Bud Osborne. Mary McLaren, Frank LaRue, Henry Hall, Boyd Stockman, Hugh Murray, Artie Ortego. Days in production, 6. Reviewed 10-1-48. CRY OF THE CITY 20th-FOX. Producer, Sol C. Siegel. Director Robert Siodmak. Screenplay, Ralph Murphy. Original novel, Henry Edward Helseth. Photographv, Lloyd Ahem. Snecial effects, Fred Sersen. Ooeratipg cameraman, Paul Lockwood. Art direction. Lyle Wheeler, Albert Hogsett. Set decorations. Thomas Little, Ernest Lansing. Mus'C score Alfred Newman. Orchestrations, Herbert Spencer. Musical director, Lionel Newman. Edited by Harmon Jones. Sound technicians, Eugene Grossman, Roger Heman. Production manager, Sid Bowen. Assistant director. Jasper Blystone. Script supervisor, Rose Steinberg. Hair stylist, Linda Cross. Makeup Ben Nye, Harry Maret, Pat McNallv. Grip, Eddie Ledgerwood. Costumes designed by Bonnie Cashin. Still man Cliff Maupin. CAST — Victor Mature, Richard Conte, Fred Clark, Shelley Winters, Bettv Garde. Berry Kroeger. Tommy Cook, Debra Paget, Hope Emerson, Roland Winters, Walter Baldwin, lune Storev. Tito Vuolo, Mima Aguglia. Dolores Castle. Cl?udette Ross, Tiny Francone, Elena Savonarola Thomas Ingersoll, Vito Scotti, Konstantin Shayne. Howard Freeman, Robert Karnes, Charles Tennen. Oliver Blake, Antonio Filauri, loan Miller, Ken Christy, Emil Rameau, Eddie Parks, Charles Wagenheim, Kathleen Howard. Days in p'Cduction, 51. Reviewed 9-10-48. DAREDEVILS OF THE CLOUDS REP. Associate producer, Stephen Auer. Director, George Blair. Screenplay, Norman S. Hall. Original, Ronald Davidson. Photography, John MacBurnie. Operating cameraman, Joe Novak. Art direction, Frank Hotaling. Set decorations, John McCarthy, Jr., Charles Thompson. Musical director, Morton Scott. Edited by Richard L. Van Enger. Sound technician, Earl Crain, Sr. Assistant director, Lee Lukather. Script supervisor, Joan Eremin. Hair stylist, Louise Landmier. Grip, Whitey Lawrence. Still man, Mickey Marigold. Costumes designed by Adele Palmer. CAST — Robert Livingston, Mae Clark, James Cardwell, Grant Withers, Edward Garpan, Ray Teal, Jimmie Dodd, Pierre Watkin, Jayne Hazard. Bob Wilke, Frank Melton, Russell Arms, Hugh Prosser, Charles' Sullivan. Days in production, 10. Reviewed 7-22-48. DARK PAST COL. Producer. Buddy Adler. Director, Rudolph Mate. Screenplay, Philip MacDonald, Michael Blankfort, Albert Duffy. Original play, "Blind Alley," James Warwick. Adaptation, Malvin Wald, Oscar Saul. Photography, Joseph Walker. Operating cameraman, Fayte Browne. Art direction, Cary Odell. Set decorations, Frank Tuttle. Music score, George Duning. Musical director, M. W. Stoloff. Edited by Viola Lawrence. Sound technician, George Cooper. Assistant director, Milton Feldman. Script supervisor, Dorothy Cummings. Hair stylists, Helen Hunt, Flora Jaynes. Makeup, Clay Campbell. Grip, Harold Hanks. Costumes designed by Jean Louis. Still man, Homer Van Pelt. CAST — William Holden, Lee J. Cobb, Nina Foch, Adele Jergens, Stephen Dunne, Lois Maxwell, Berry Kroeger, Steven Geray, Wilton Graff, Robert Osterloh, Kathryn Card, Bobby Hyatt, Ellen Corby, Charles Cane, Robert B. Williams. Days in production, 25. Reviewed 12-24-48. A DATE WITH JUDY MCM. ( Technicolor I . Producer, Joe Pasternak. Director, Richard Thorpe. Screenplay, Dorothy Cooper, Dorothy Kingsley. Original characters, Alan Leslie. Photography Robert Surtees. Special effects, Warren Newcombe. Technicolor direction, Natalie Kalmus, Henri Jaffa. Operating cameraman, Al Lane. Art direction, Cedric Gibbons. Paul Groesse. Set decorations, Edwin B. Willis, Richard A. Pefferle. Orchestrations. Leo Arnaud, Albert Sendrey, Robert Franklyn. Musical director, Georgie Stoll. Songs, Jimmy McHugh, Harold Adamson, Don Raye, Gene dePaul, Stella Unger, Alec Templeton. Edited by Harold F. Kress. Sound, Douglas Shearer. Norwood A. Fenton. Production manager, Hugh Boswell. Assistant director. Jerome Bergman. Script suDervisor, Mollie Kent. Hair stylist, Sydney Guilaroff. Grip, Albert Hunter. Dance director, Stanley Doney. Still man, V'rgil Apger. Costumes designed bv Helen Rose. CAST — Wallace Beery. Jane Powell, Elizabeth Taylor, Carmen Miranda, Xavier Cugat, Robert Stack, Scottv Beckett, Selena Royle, Leon Ames, Clinton Sundberg George Cleveland, Lloyd Corrigan Jerry Hunter, Jean McLaren. Days in production, 35. Reviewed 6-8-48. THE DECISION OF CHRISTOPHER BLAKE WB. Producer-screenplay. Ranald MacDougall. Director, Peter Godfrey. Original play, Moss Hart, as produced on stage by Joseph M. Hyman and Bernard Hart. Dialog director, Howard Lynn. Photography, Karl Freund. Special effects, Harry Barndollar, Edwin DuPar. Operating cameraman Ray Ramsey. Art direction, John Beckman. Set decorations, Jack McConaughy. Music score. Max Steiner. Orchestrations, Murray Cutter. Musical director. Leo F. Forbstein. Edited by Frederick Richards. Sound technician, C. A. Riggs. Production manager, Al Alleborn. Assistant director, Claude Archer. Script supervisor Bill Holo Hair stylist, Jean Burt. Makeup, Perc Westmore, Harry Butterworth. Costumes designed by Milo Anderson. Still man. Pat Clark. CAST — Alexis Smith, Robert Douglas, Cecil Kellaway, Ted Donaldson, John Hoyt, Harry Davenport, Mary Wickes, Art Baker, Lois Maxwell, Douglas Kennedy, Bert Hanlon. Days in production, 54. Reviewed 1 1 -30-48. DEEP WATERS 20th-FOX. Producer, Samuel G. Engel. Director, Henry King. Screenplay. Richard Murphy. Novel, "Spoonhandle," Ruth Moore. Photography, Joseph La Shelle. Special effects, Fred Sersen. Operating cameraman, Don Anderson. Art direction, Lyle Wheeler. George W. Davis. Set decorations, Thomas Little. Music score, Cyril Mockridge. Orchestrations. Maurice De Packh. Musical director, Lionel Newman. Edited by Barbara McLean. Sound technicians, Bernard Freericks, Roger Heman. Production manager, F. E. Johnston. Assistant director, Joseph Behm. Script supervisor, Teresa Brachetto. Hair stylist. Lillian Hokom. Makeup, Ben Nye, Harry Maret. Grips. Harry Jones. Ed Davis. Wardrobe direction, Charles Le Maire. Still men. Cliff Maupin, Frank Serjack. CAST — Dana Andrews, Jean Peters, Cesar Romero, Dean Stockwell, Anne Revere, Ed Bagley. Leona Powers, Mae Marsh, Will Geer. Bruno Wick, Cliff Clark, Harry Tyler, Raymond Creenleaf. Days in P'oduction. 54. Reviewed 6-30-48.