Motion Picture Production Encyclopedia (1949)

PRODUCTIONS 1948 409 Gibson. Still man, Ed Henderson. CAST — William Cargan, Virginia Welles, Richard Crane, Irving Bacon, Mary Newton, Frank Ferguson, Douglass Dumbrille. Days in production, 14. Reviewed I 1-16-48. EASTER PARADE MCM (Technicolor). Producer, Arthur Freed. Director, Charles Walters. Screenplay Sidney Sheldon, Frances Goodrich, Albert Hackett. Original, Frances Goodrich, Albert Hackett. Photography. Harry Stradling. Technicolor direction, Natalie Kalmus, Henri Jaffa. Special effects, Warren Newcombe. Operating cameraman, Sam Leavitt. Art direction. Gedric Gibbons, ]ack Martin Smith. Set decorations, Edwin B. Willis, Arthur Krams. Music score-songs, Irving Berlin. Orchestrations, Conrad Salinger, Van Cleave, Leo Arnaud. Musical director, Johnny Green. Edited by Albert Akst. Sound, Douglas Shearer, James K. Brock. Production manager, Al Shenberg. Assistant director, Wallace Worsley. Script supervisor, Les Martinson. Hair stylist, Sydney Guilaroff. Makeup, Jack Dawn. Dance director, Richard Alton. Grip, Richard Borland. Costumes designed by (women's) Irene; (men's) Valles. Still man, Eddie Hubbell. CAST — Judy Garland, Fred Astaire, Peter Lawford, Ann Miller, Jules Munshin, Clinton Sundberg, Jenie LeGon. Days in production, 42. Reviewed 5-26-48. EMBRACEABLE YOU WB. Producer, Saul Elkins. Director, Felix Jacoves. Screenplay, Edna Anhalt. Original story Dietrich V. Hannekin. Aleck Block. Photography, Carl Guthrie, Special effects, Ray Davidson, Edwin DuPar. Operating cameraman, Lou Jennings. Art direction, Ted Smith. Set decorations, William Wallace. Music score, William Lava. Orchestrations, Charles Maxwell. Edited by Thomas Reilly. Sound technician, Stanley Jones. Production manager, Don Page. Assistant director, Les Guthrie. Script supervisor. Fred Applegate. Hair dresser, Agnes Flannigan. Grip, Herschel Brown. Still man, Eugene Richee. CAST — Dane Clark, Geraldine Brooks S. Z. Sakall, Wallace Ford, Richard Rober, Lina Romay, Douglas Kennedy, Mary Stuart, Philip Van Zandt, Rod Rogers. Days in production, 60. Reviewed 7-27-48. THE EMPEROR WALTZ PARA. (Technicolor). Producer, Charles Brackett. Director, Billy Wilder. Original screenplay, Charles Brackett, Billy Wilder. Photography, George Barnes. Technicolor direction, Natalie Kalmus, Robert Brower. Operating cameraman, Lathrop Worth. Special effects, Gordon Jennings. Process, Farciot Edouart. Art direction, Hans Dreier, Franz Bachelin. Set decorations, Sam Comer, Paul Huldschinsky. Music score, Victor Young. Vocal arrangements, Joseph J. Lilley. Musical associate, Troy Sanders. Songs, Johnny Burke, James Van Heusen. Edited by Doane Harrison. Sound technicians, Stanley Cooley, John Cope. Production manager, Hugh Brown. Assistant director, C. C. Coleman, Jr. Script supervisor, Ronald Lubin. Makeup, Wally Westmore. Dance director, Billy Daniels. Grip, Fred True. Costumes designed by Edith Head, Gile Steele. Still men, Ed Henderson, G. E. Richardson, Malcolm Bulloch. CAST — Bing Crosby, Joan Fontaine, Roland Culver, Lucille Watson, Richard Haydn, Harold Vermilyea, Sig Ruman, Julia Dean, Bert Prival, Alma Macrorie, Roberta Jonay, John Goldsworthy. Days in production 89. Reviewed 5-3-48. THE ENCHANTED VALLEY lack Schwarz-EL. (Cinecolor). Producer, Jack Schwarz. Director, Robert Emmett Tansey. Original screenplay, Frances Kavanaugh. Photography, Ernest Miller. Operating cameraman, Ernest Smith. Set decorations, Elias H. Reif. Music score, Lucien Cailliet. Musical director, David Chudnow. Edited by George McGuire. Sound technician, Ben Winkler. Production manager, Don Verk. Assistant director, Eddie Stein. Script supervisor, Jules Levy. Hair stylist, Peggy Johnson. Makeup, Dick Johnson. Grip, Vincent Bratton. Still man. John Jenkins. CAST — Alan Curtis, Anne Gwynne, Charlie Grapewin, Donn Gift, Joseph Crehan, Joseph Devlin, Al La Rue, John Bleifer, Rocky Cameron, Jerry Riggio. Days in production, 13. ENCHANTMENT Samuel Ccldwyn-RKO. Producer, Samuel Goldwyn. Director, Gregg Toland. Screenplay, John Patrick. Original novel, "Take Three Tenses," first published as serial "A Fugue In Time" by Rumer Godden. Photography, Gregg Toland. Operating cameraman, Bert Shipam. Art direction, George Jenkins. Set decorations, Julia Heron. Music score, Hugo Friedhofer. Musical director, Emil Newman. Edited by Daniel Mandell. Sound technician, Fred Lau. Production manager, Raoul Pagel. Assistant director, Joe Boyle. Script supervisor, James Yarbrough. Hair stylist, Marie Clark. Makeup, Robert Stephanoff. Dance director, Billy Daniels. Grip, Ralph Hoge. Costumes designed by Mary Wills. Still man, Hal McAlpin. CAST — David Niven, Teresa Wright, Evelyn Keyes, Farley Granger, Jayne Meadows, Leo G. Carroll, Philip Friend, Shepperd Strudwick, Henry Stephenson, Colin Keith-lohnston, Gigi Perreau, Peter Miles, Sherlee Collier, Warwick Gregson, Edmond Breon, Gerald Oliver Smith, Melville Cooper, Dennis McCarthy, Gaylord Pendleton, Matthew Boulton, Robin Hughes, William Johnstone. Days in production, 55. Reviewed 12-7-48. ESCAPE (Made in Britain) 20th-FOX. Producer, William Perlberg. Personal assistants to producer, Freddie Fox, R. E. Dearing. Director, Joseph L. Mankiewicz. Screenplay, Philip Dunne. Original play, John Galsworthy. Photography, Frederick A. Young. Operating cameraman, Russell Thompson. Art direction, Vetchinsky. Music score, William Alwyn. Musical director, Muir Mathieson. Edited by Alan L. Jaggs, K. HeeleyRay. Sound technician, W. H. Lindop. Production manager, Frank Bevis. Assistant director, Ray Parkinson. CAST — Rex Harrison, Peggy Cummins, William Hartnell, Norman Wooland, Jill Esmond. Frederick Piper, Marjorie Rhodes, Betty Ann Davies, Cyril Cusack, John Slater, Frank Pettingell, Michael Golden, Maurice Denham. Reviewed 5-26-48. EVERY CIRL SHOULD BE MARRIED RKO. Executive producer, Dore Schary. Producerdirector, Don Hartman. Screenplay, Don Hartman. Stephen Morehouse Avery. Original short story Eleanor Harris. Photography, George E. Diskant. Special effects, Russell A. Cully. Operating cameraman. Emmet Bergholtz. Art direction, Albert S. D'Agostino, Carroll Clark. Set decorations, Darrell Silvera, William Stevens. Music score, Leigh Harline. Musical director, C. Bakaleinikoff . Edited by Harry Marker. Sound technicians, Francis Sarver, Clem Portman. Production manager. Ruby Rosenberg. Assistant director, Sam Ruman. Script supervisor, Bill Shanks. Hair stylist, Hazel Rogers. Makeup, Gordon Bau. Grip, Ralph Wildman. Costumes designed by Sharaff. Still man, Rod Tolmie. CAST — Cary Crant, Franchot Tone, Diana Lynn, Betsy Drake, Alan Mowbray, Elisabeth Risdon, Richard Gaines, Harry Hayden. Chick Chandler, Leon Belasco, Fred Essler, Anna Q. Nilsson. Days in production, 52. Reviewed 11-10-48. EYES OF TEXAS REP. (Trucolor). Associate producer, Edward ). White. Director, Wiiliam Whitney. Original screenplay, A. Sloan Nibley. Photography, Jack Marta. Special effects, Howard and Theodore Lydecker. Operating cameraman, Joe Novak. Art direction, Frank Hotaling. Set decorations, John McCarthy, Jr., George Milo. Music score, Dale Butts. Musical director, Morton Scott. Edited by Tony Martinelli. Sound technician, Herbert Norsch. Production manager, Johnny Grubbs. Assistant director, Jack Lacey. Script supervisor, Joan Eremin. Makeup, Bob Mark. Grip, Gerry Lambrecht. Still man, Mickey Marigold. Costumes, Adele Palmer. CAST — Roy Rogers, Lynne Roberts, Andy Devine, Nana Bryant, Roy Barcroft, Danny Morton, Francis Ford, Pascale Perry, Stanley Blystone, Bob Nolan and the Sons of the Pioneers, Trigger (horse). Days in production, 22. Reviewed 7-19-48. FAMILY HONEYMOON Ul. Producers, John Beck, Z. Wayne Griffin. Director, Claude Binyon. Screenplay, Dane Lussier. Original novel, Homer Croy. Photography. William