Motion Picture Production Encyclopedia (1950)

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468 PRODUCTIONS 19 4 9 tions, John McCarthy, Jr., James Redd. Music score, Stanley Wilson. Musical director, Morton Scott. Edited by Tony Martinelli. Sound technician, Earl Crain, Sr. Assistant director, Dick Moder. Script supervisor, Larry Lund. Hair stylist, Louise Landmier. Makeup, Bob Mark, Steve Drumm. Crip, Ben Bishop. Caffer, Hap Hodges. Still man, Ira Hoke. CAST — Monte Hale, Paul Hurst, Jeff Donnell, Roy Barcroft, John Callaudet, Milton Parsons, Tommy Ivo, Minerva Urecal, Ted Mapes, George H. Lloyd, Steve Darrell. SUMMARY — Father of Jeff and Tommy Ivo, jailed for stealing transportation cash, wants to return money for sake of children but confederate stops him. Hale, who is in love with Jeff, tracks down crooks with help of girl. Days in production, 6. Reviewed 8-19-49. OUTPOST IN MOROCCO Moroccan Pictures. Inc-UA. Executive producer, Samuel Bischoff. Producer-original, Joseph N. Ermolieff. Director, Robert Florey. Screenplay, Charles Crayson. Paul de Sante Colombo. Photography, Lucien Andriot. Operating cameraman, Curtis Felters. Art direction, Arthur Lonergan. Set decorations, Robert Priestley. Music score, Michel Michelet. Edited by George Arthur. Sound technician, Fred Lau. Production manager, Ben Hersh. Assistant director. Joe Depew. Script supervisor, Bobbie Serkes. Hair stylist. Ann Locker. Makeup, Mel Berns. Grip, John D. Thompson. Gaffer, Vic V. Jones. Still man, Wm. E. Thomas. CAST — George Raft, Marie Windsor, Akim Tamiroff. John Litel, Erno Verebes, Eduard Franz, Crane Whitley, Damian O'Flynn. SUMMARY — Foreign Legion beseiged by revolting Arabs; officer is in love with educated daughter of chieftain who is killed in final battle when rain storm helps Legion break seige. Days in production, 30. Reviewed 3-21-49. PAID IN FULL Hal Wallis-PARA. Producer, Hal B. Wallis. Director, William Dieterle. Screenplay, Robert Blees, Charles Schnee. Original story in Reader's Digest by Frederic M. Loomis. Photography, Leo Tover. Special effects, Gordon Jennings. Process, Farciot Edouart. Art direction, Hans Dreier, Earl Hedrick. Set decorations, Sam Comer, Bertram Granger. Musical director-score, Victor Young. Song, "You're Wonderful," Victor Young, Jay Livingston, Ray Evans. Edited by Warren Low. Sound technicians. Gene Merritt, Walter Oberst. Production manager, Richard A. Blaydon. Assistant director, Richard McWhorter. Script supervisor, Irving Cooper. Hair stylist, Carla Hadley, Merle Reeves. Makeup, Wally Westmore. Grip, Charles Sickler. Gaffer, Roy Roberts. Still man, Malcolm Bullock. CAST — Robert Cummings, Lizabeth Scott, Diana Lynn, Eve Arden, Ray Collins, Frank McHugh, Stanley Ridges, Louis Jean Heydt, John Bromfield, Kristine Miller, Laura Elliott, Ida Moore, James Nolan, Rolland Morris, Geraldine Wall, Lora Lee Michel, Marearet Field, Jane Novak. SUMMARY — Sisters in love with same man; one marries him and after almost-fatal childbirth, decides to divorce him. Single sister, knowing she would probably die in childbirth, after accident causing death of sister's child, marries former brother-in-law, has child to take place of first. She dies and 1st sister re-marries husband. Days in production, 45. Reviewed 12-20-49. PINKY 20th-FOX. Producer. Darryl F. Zanuck. Director. Elia Kazan. Screenplay, Philip Dunne, Dudley Nichols. Original novel, Cid Ricketts Sumner. Photography, Joe MacDonald. Special effects, Fred Sersen. Operating cameraman, Til Gabbani. Art direction, Lyle Wheeler, J. Russell Spencer. Set decorations, Thomas Little, Walter M. Scott. Orchestrations, Edward Powell. Musical director-score, Alfred Newman. Edited by Harmon Jones. Sound technician, Eugene Grossman, Roger Heman. Production manager, Joe Behm. Assistant director, Wingate Smith. Script supervisor, Rose Steinberg. Hair stylists, Lillian Hokom, Addie Baker. Makeup, Ben Nye, Frank Prehoda. Grip, Frank Corey. Costumes designed by Charles LeMaire. Gaffer, Les Everson. Still man, Anthony Ugrin. CAST — Jeanne Crain, Ethel Barrymore, Ethel Waters, William Lundigan, Basil Ruysdael, Kenny Washington, Nina Mae McKinney, Griff Barnett, Fred erick O'Neal, Evelyn Varden, Raymond Greenleaf, Dan Riss. William Hansen, Arthur Hunnicutt. SUMMARY — After love affair with white doctor sends light colored nurse back to washerwoman grandmother in South, she fights segregation and, after first disliking then admiring wealthy white woman, is made her heir. Community protests but she wins out. Days in production, 52. Reviewed 9-30-49. PORT OF NEW YORK EL. Producer, Aubrey Schenck. Associate producer, James T. Vaughn. Director, Laslo Benedek. Screenplay, Eugene Ling. Original, Arthur A. Ross, Bert Murray. Additional dialog, Leo Townsend. Photography, George E. Diskant. Montage, John I. Hoff man. Special effects, Roy E. Seawright. Art direction, Edward llou. Set decorations. Armor Marlowe. Music score, Sol Kaplan. Musical director, Irving Friedman. Edited by Norman Colbert. Sound, Leon S. Becker, Hugh McDowell. Assistant director' Ridgeway Callow. Hair stylist, Edith Westmore. Makeup, Ern Westmore. CAST — Scott Brady, Richard Rober. K. T. Stevens, Yul Brvnner, Arthur Blake, Lynne Carter John Kellogp, William Challee. SUMMARY — Dope smuggling gang high-jack medical supplies from ship; Government investigators track them down, with one killed in fight Reviewed 1 1 -23-49. POST OFFICE INVESTIGATOR REP. Associate producer, Sidney Picker. Director, George Blair. Original screenplay. John K. Butler! Photography, John MacBurnie. Operating cameraman, Enzo Martinelli. Art direction, Frank Arrigo. Set decorations, John McCarthy, Jr., James Redd. Music score, Stanley Wilson. Edited by Harold Minter. Sound technician, Frank T. Dyke. Assistant director, Art Vitarelli. Script supervisor, Larry Lund. Hair stylist. Lynne Burke. Makeup. Bob Mark. Grip, Whitey Lawrence. Gaffer, Babe Stafford. Still man, Ira Hoke. CAST — Audrey Long, Warren Douglas, Jeff Donnell, Marcel Journet, Tony Cannon, Richard Benedict, Jimmie Dodd, Thomas Brown Henry, CI if f Clark, Vera Marshe, Patricia Knox, Peter Brocco, Holmes Herbert, Jason Robards, Emmett Vogan. SUMMARY — Mailman gets in trouble by giving Audrey Long letter from chute without proper signature on papers. Learning letter contained fortune in precious stamps, he tracks down girl and stumbles on international gang, which he turns over to P.O. Dept. Days in production. 10. Reviewed 8-19-49. PREJUDICE New World Film-M. P. SALES CORP. Executive producer, Edmund L. Dorfman. Producer, Paul F. Heard. Director, Edward L. Cahn. Screenplay, Jarvis Couillard, Ivan Goft, Ben Roberts. Original, Jarvis Couillard. Photography, Jackson Rose. Process, Mario Castegnaro. Art direction, Lewis H. Creber. Set decorations, Harry Reif. Music score, Irving Gertz. Edited by Phil Cahn. Sound technician, Garry Harris. Production manager, Elbert Spurlin. Assistant director, Bert Glazer. CAST — David Bruce, Mary Marshall, Tommy Ivo. Bruce Edwards, Barbara Billingsley, James Seay, Joe Crehan, Billy Kimbley, Jimmy Conlin, Sharon McManus, Ann Nagle, Frank Cady, Mira McKinney, Grace Field, Ruth Clifford, Kay Christopher, John Dehner, Buddy Swan, Margaret Bert, Belle Mitchell, Clarence Hennecke. SUMMARY — Executive, who prides himself on tolerance, has assistant tired due to fear of being superceded and also because assistant is Jew. Minister shows executive error of ways, especially as displayed in children's preiudices, inculcated by parents. Reviewed 2-17-49. PRINCE OF FOXES (Made in Italy! 20rh-FOX. Producer, Sol C. Siegel. Director, Henry King. Second unit director, Robert D. Webb. Screenplay, Milton Krims. Original novel, Samuel Shellabarger. Photography, Leon Shamroy. Special effects, Fred Sersen. Art direction, Lyle Wheeler, Mark Lee Kirk. Set decorations, Thomas Little. Orchestrations, Edward Powell. Musical director-score, Alfred Newman. Edited by Barbara McLean. Sound technicians, Charles Hisserich, Roger Heman. Assistant director, Joe Behm. Script super