Motion Picture Production Encyclopedia (1950)

PRODUCTIONS 1949 473 Henry Freulich. Operating cameraman, Irving Klein. Art direction, Sturges Carne. Set decorations, James Crowe. Musical director, Mischa Bakaleinikof f . Edited by Gene Havlick. Sound technician, Howard Fogetti. Production manager, jack Fier. Assistant director, Paul Donnelly. Script clerk, Dorothy Wilson. Hair stylist, Helen Hunt. Crip, Ray Rich. Still man, Wm. Crosby. CAST — Ted Donaldson, Gloria Henry, Stephen Dunne, John Litel, Ann Doran, Thurston Hall, Rudy Robles, Harlan Briggs, Dwayne Hickman, David Ackles, Ronnie Ralph, Robert E. Scott, Ellen Corby, Harry Harvey, Emmett Vogan, Flame (dog). SUMMARY — Man, who inherits uncle's estate thru error, must entertain for year 5 boys uncle liked. Antagonisms in which dog. Rusty, shares ironed out after Rusty saves man's life in pool. Days in production, 10. Reviewed 2-2-49. RUSTY'S BIRTHDAY COL. Producer, Wallace MacDonald. Director, Seymour Friedman. Screenplay, Brenda Weisberg. Original characters, Al Martin. Photography, Henry Freulich. Operating cameraman, Gert Anderson. Art direction, Harold MacArthur. Set decorations, Frank Tuttle. Musical director, Mischa Bakaleinikoff , Edited by James Sweeney. Sound technician. Lodge Cunningham. Production manager, Jack Fier. Assistant director, Carter DeHaven. Script supervisor, Pearl Leiter. Hair stylist, Helen Hunt. Makeup, Dave Grayson. Grip, Pat Sutherland. Gaffer, Walter Holt. CAST — Ted Donaldson, lohn Litel, Ann Doran, Jimmy Hunt, Mark Dennis, Ray Teal, Lillian Bronson. Ronnie Ralph. Teddy Infuhr, Dwayne Hickman, David Ackles, Robert B. Williams, Myron Healey, Raymond Largay Lelah Tyler, Flame (dog). SUMMARY — Rusty, stolen by bum, is found by small boy whose father lets him keep dog. Father and son. traveling toward Rusty's real home, finally get together with Rusty's real owners: puppy, fathered by Rusty, given small boy. Days in production, 10. Reviewed 10-10-49. SAMSON AND DELILAH Cecil B. DeMillcPAR A. (Technicolor). Producerdirector, Cecil B. DeMille. Screenplay, Jesse L. Lasky, Jr., Fredric M. Frank. Original treatments, Harold Lamb, Vladimir Jabotinsky, based on story of Samson and Delilah in the Holy Bible, Judges 13-16. Photography, George Barnes. Special effects, Gordon Jennings, Paul Lerpae, Devereaux Jennings. Process, Farciot Edouart, Wallace Kelley. Holy Land photography, Dewey Wrigley. Technicolor direction, Natalie Kalmus, Robert Brower. Operating cameraman. Jack Warren. Art direction, Hans Dreier, Walter Tyler. Set decorations, Sam Comer, Ray Moyer. Musical director-score, Victor Young. Edited by Anne Bauchens. Sound technicians, Harry Lindgren, John Cope. Production manager. Russ Brown. Assistant director, Edward Salven. Script supervisors, Claire Behnke. Bill Shanks. Hair stylist, Nellie Manley. Makeup, Wally Westmore, Harold Lierly, Wm. Wood. Dance director, Theodore Kosloff. Grip, Darrell Turnmire. Gus Peters. Costumes designed by Edith Head, Gile Steele, Dorothy Jeankins, Gwen Wakeling, Elois Jenssen. Still man, G. E. Richardson. CAST — Hedy LaMarr, Victor Mature, George Sanders, Angela Lansbury, Henry Wilcoxon, Olive Deering, Fay Holden, Julia Faye, Rusty Tamblyn, William Farnum, Lane Chandler, Moroni Olsen, Francis J. McDonald, William Davis, John Miljan, Arthur Q. Bryan, Laura Elliot, Victor Varconi, John Parrish, Frank Wilcox, Russell Hicks, Boyd Davis, Fritz Leiber, Mike Mazurki, Davidson Clark, George Reeves, Pedro de Cordoba, Frank Reicher, Colin Tapley. SUMMARY — Biblical storv. Days in production, 70. Reviewed 10-21-49. SAN ANTONE AMBUSH REP. Associate producer, Melville Tucker. Director, Philip Ford. Original screenplay, Norman S. Hall. Photography, John MacBurnie. Special effects, Howard and Theodore Lydecker. Operating cameraman, Enzo Martinelli. Art direction, Frank Hotaling. Set decorations, John McCarthy, jr., James Redd. Music score, Stanley Wilson. Edited by Tony Martinelli. Sound technician, Frank T. Dyke. Assistant director. Herb Mendelson. Script supervisor, Marie Messinger. Hair stylist, Lynn Burke. Makeup, Bob Mark, Dan Greenway. Grip, C. B. Lawrence. Gaffer, Babe Stafford. Still man, Mickey Marigold. CAST — Monte Hale. Bette Daniels, Paul Hurst, Roy Barcroft, James Cardwell, Trevor Bardette, Lane Bradford, Francis Ford, Tommy Coats, Tom London, Edmund Cobb. SUMMARY — Army Lt. given fake orders so paymaster's wagon he is guarding is held up. He works with loyal Texan to discover outlaws, who have been giving money to ranchers, almost ruined by dishonest Land Commissioner. Days in production, 8. Reviewed 10-7-49. SAND 20th-FOX (Technicolor). Producer. Robert Bassler. Director, Louis King, creenplay, Martin Berkeley, Jerome Cady. Original novel. Will James. Photography, Charles G. Clarke. Technicolor direction, Natalie Kalmus, Leonard Doss. Operating cameraman Lou Kunkel. Art direction, Lyle Wheeler, Chester Gore. Set decorations, Thomas Little, Ernest Lansing. Musical director-score, Daniele Amfitheatrof. Edited by Nick De Maggio. Sound technicians, W. D. Flick, Harry M. Leonard. Production manager, Gene Bryant. Assistant director, Jasper Blystone. Script supervisor, Jerry Bryan. Hair stylist, Irene Brooks. Makeup, Ben Nye. Grip, Walter Fitchman. Gaffer, Charles Graham. Still man, Emmett Schoenbaum. CAST — Mark Stevens, Coleen Gray, Rory Calhoun, Charley Grapewin, Bob Patten, Mikel Conrad, Tom London, Paul Hogan, Jack Gallagher, William (Bill) Walker, Davison Clark, Ben Erway, Harry Cheshire, Iron Eyes Cody, Joseph Cody, Jay Silverheels. SUMMARY — Horse fancier loses prize stallion on train trip; in tracking down horse, with help of girl, he finds stallion has become wild. Finally calms down horse. Days in production, 58. Reviewed 4-21-49. SANDS OF IWO JIMA REP. Associate producer, Edmund Grainger. Director, Allan Dwan. Screenplay, Harry Brown, James Edward Grant. Original, Harry Brown. Photography, Reggie Lanning. Special effects, Howard and Theodore Lydecker, Jack Coffee. Operating cameraman. Herb Kirkpatrick. Art direction, James Sullivan. Set decorations, John McCarthy, Jr., Otto Siegel. Musical director-score, Victor Young. Edited by Richard L. Van Enger. Sound technician, T. A. Carman, Howard Wilson. Production manager, Lee Lukather. Assistant director, Nate Barrager. Script supervisor, Robert Walker. Hair stylist, Peggy Gray. Makeup, Bob Mark, Vern Murdock. Grip, Nelson Mathias. Gaffer, Syd Swaney, Jr. Still man, Don Keyes. CAST — John Wayne, John Agar, Adele Mara, Forrest Tucker, Wally Cassell, James Brown, Richard Webb, Arthur Franz, Julie Bishop, James Holden, Peter Coe, Richard Jaeckel, Bill Murphy, George Tyne, Hal Fieberling, John McGuire, Martin Milner, Leonard Gumley, William Self, Col. D. M. Shoup, Lt. Col. H. P. Crowe, Capt. Harold G. Schrier, and the three living survivors of historic flag raising on Mt. Suribachi — actually put up by the late Sgt. Ernest I. Thomas, Jr., 2-23-45 — Pfc. Rene A. Gagncn, Pfc. Ira H. Hayes, PM 3/c John H. Bradley. SUMMARY — Hard-boiled sergeant leads men into the battle of Iwo. Factual. Days in production, 37. Reviewed 12-14-49. SATAN'S CRADLE Inter-American-UA. Producer, Philip N. Krasne. Assistant to producer, Mel Mark. Associate producer, Duncan Renaldo. Director, Ford Beebe. Original screenplay, Jack Benton. Photography, Jack Greenhalgh. Operating cameraman, Ernest Smith. Art direction, Frank Sylos. Set decorations, Helen Hansard. Music score, Albert Glasser. Edited by Martyn Cohn. Sound technician, Ben Winkler. Assistant director, Louis Germonprez. Script supervisor, Don Weis. Makeup, Arthur DuPris. Grip, Charles Turner. Gaffer, George Breslow. Still man. Milton Gold. CAST — Duncan Renaldo, Leo Carrillo, Ann Savage, Douglas Fowley, Byron Foulger, Claire Carleton, Buck Bailey, George DeNormand, Wes Hudman. SUMMARY — Mine owner murdered in mine explosion. Woman claims to be widow and takes over, bringing in crooks to run town. Padre, protesting crookedness, beaten, but Cisco and Pancho save him, and uncover fake marriage license of woman. Days in production, 8. Reviewed 11-25-49. SAVACE SPLENDOR RKO (Technicolor). Producer, Armand Denis. Assistant producer, Lewis Cotlow. Original screenplay,