Motion Picture Production Encyclopedia (1950)

PRODUCT IONS 1949 493 THE WYOMING BANDIT REP. Associate producer, Cordon Kay. Director, Philip Ford. Original screenplay, M. Coates Webster. Photography, John MacBurnie. Operating cameraman, Enzo Martinelli. Art direction, Frank Arrigo. Set decorations, John McCarthy, )r., Charles Thompson. Music score, Stanley Wilson, Musical director, Morton Scott. Edited by Harold Minter. Sound technician, Earl Crain. Assistant director, Johnny Crubbs. Script supervisor, Joan Eremin. Makeup. Whitey Lawrence. Gaffer, Wilbur Kinnett. Still man, Milton Cold. CAST — Allan "Rocky" Lane, Eddy Waller, Trevor Bardette, Victor Kilian, Rand Brooks, William Haade, Harold Goodwin, Lane Bradford, Bob Wilke, John Hamilton, Edmund Cobb, Black Jack (Horse). SUMMARY — Helping to clean out bandits, Lane comes across ex-bandit visiting sons being raised by friend. One of sons is killed and father vows vengeance and helps Lane find bandits. Days in production, 8. Reviewed 7-21-49. YES SIR, THAT'S MY BABY Ul (Technicolor). Producer, Leonard Goldstein. Director, George Sherman. Original screenplay, Oscar Brodney. Photography, Irving Classberg. Technicolor consultant, Monroe W. Burbank. Operating cameraman, Dick Towers. Art direction, Bernard Herzbrun, John F. DeCuir. Set Decorations, Russell A. Gausman, A. Roland Fields. Music score, Walter Schart. Songs, "Look At Me," "They've Never Figured Out A Woman," "Men Are Little Children;" lyrics, Jack Brooks; music, Walter Schart. Edited by Ted J. Kent. Sound, Leslie I. Carey, Glenn E. Anderson. Production manager, Gilbert Kurland. Assistant director, Jesse Hibbs. Script supervisor, Pat Betz. Hair stylists, Joan St. Oegger, Olive Collings. Makeup, Bud Westmore, John Holden. Dance director, Louis Da Pron. Grip, E. Brown. Costumes designed by Rosemary Odell. Gaffer, Nord Kurland. Still man, Sherman Clark. CAST — Donald O'Connor, Charles Coburn, Gloria De Haven, Joshua Shelley, Barbara Brown, Jim Davis, James Brown, Michael Dugan, Hal Fieberling, Patricia Alphin, June Fulton. SUMMARY — Feud between two college profs cause married students to give up football, ostensibly due to marriage and fatherhood; when old prof. abt. to lose job and football to be eliminated from school, students back prof, and return to football, incidentally clearing up feud. Days in production, 30. Reviewed 8-10-49. THE YOUNCER BROTHERS WB (Technicolor). Producer, Saul Elkins. Director, Edwin L. Martin. Screenplay, Edna Anhalt. Original, Morton Grant. Photography, William Snyder. Technicolor direction, Natalie Kalmus, Robert Brower. Special effects, Robert Burks. Operating cameraman, Al Myers. Art direction, Charles Clarke. Set decorations, G. W. Berntsen. Music score, William Lava. Orchestrations, Charles Maxwell. Edited by Frederick Richards. Sound technician, Stanley Jones. Production manager, Don Page. Assistant director, William Kissel. Script supervisor, Bill Hole. Makeup, Perc Westmore, Frank McCoy. Grip, E. F. Dexter. Gaffer, Charles O'Brannon. Still man, Lloyd MacLean. CAST — Wayne Morris, Janis Paige, Bruce Bennett, Geraldine Brooks, Robert Hutton, Alan Hale, Fred Clark, James Brown, Monte Blue, Tom Tyler, William Forrest, Ian Wolte. SUMMARY — Four brothers paroled from prison, trying to go straight, become innocently embroiled in killing and in holdup being staged by Jams Paige and her gang, to place blame on brothers. They turn tables on gang. Days in production, 37. Reviewed 5-3-49. YOU'RE MY EVERYTHING 20th-FOX (Technicolor). Producer, Lamar Trotti.Director, Walter Lang. Screenplay, Lamar Trotti, Will H. Hays, Jr. Original, George Jessel. Photography, Arthur E. Arling. Technicolor direction, Natalie Kalmus, Leonard Doss. Special effects, Fred Sersen. Operating cameraman, Don Anderson. Art direction, Lyle Wheeler, Leland Fuller. Set decorations, Thomas Little, Ernest Lansing. Orchestrations, Herbert Spencer, Earle Hagen. Musical director, Alfred Newman. Song, "I Want To Be Teacher's Pet," lyrics by Mack Gordon; music by Josef Myrow. Edited by J. Watson Webb, Jr. Sound technicians, George Leverett, Roger Heman. Production manager, A. F. Erickson. Assistant director, Gaston Glass. Script supervisor, Jerry Bryan. Hair stylists, Irene Brooks, Ann Kirk, Catherine Reed. Makeup, Ben Nye, Frank Prehoda, Ernie Parks. Dance director, Nick Castle. Grip, Roger Murphy. Costumes designed by Bonnie Cashin. Gaffer, Fred Hall. Still man, Emmett Schoenbaum. CAST — Dan Dailey, Anne Baxter, Anne Revere, Stanley Ridges, Shan Robinson, Henry O'Neill, Selena Royle, Alan Mowbray, Robert Arthur, Buster Keaton, Phyllis Kennedy, Chester Jones, Nyas and Warren Berry, John Hiestand, Hal K. Dawson, Charles Lane, Robert Emmett Keane, Ruth Clifford, Joe Haworth, Libby Taylor, Geraldine Harris, Vincent Graeft. SUMMARY — Show business in the 20s and early 30s. Hoofer marries daughter of staid Boston family, who, altho failure on stage, wins screen test he flunks. Then he moves in on pix after talkies end her career. Their daughter later success. Days in production, 60. Reviewed 7-1-49. ZAMBA Fortune-EL. Executive producer, Bert M. Stearn. Producer, Maurice H. Conn. Associate producer, Harry Hendel. Director, William Berke. Screenplay, Barbara Worth. Original story, "The Girl and the Gorilla," Maurice H. Conn. Photography, James S. Brown. Special effects, Ray Mercer. Art direction, Fred Preble. Set decorations, Elias H. Reit. Musical director-score, Raoul Kraushaar. Edited by Martin G. Cohn. Sound technician, Garry Harris. Production manager, Robert Beche. Assistant director, Al Westen. CAST — June Vincent, Jane Nigh, Jon Hall, Beau Bridges, George Cooper, George O'Hanlon, Harry Lauter, Darby Jones, Theron Jackson, Pierre Watkin, Alphone Martel, Ray Corrigan. SUMMARY — Mother and son, bailing out of disabled plane, are lost from each other in African jungle; she rescued but he taken under wing ot gorilla, who adopts him. Finally mother and party find boy; he wants to stay with gorilla but later memory restored, chases animal away. Reviewed 10-5-49.