Motion Picture Production Encyclopedia (1950)

524 PRODUCTIONS 1948 McLeod, Joseph Schildkraut, Andy Devine, Estelita Rodriguez, Virginia Brissac, Grant Withers, Tito Renaldo. Roy Barcroft. Henry Brandon, Julian Rivero, Earle Hodgins, Augie Gomez. Days in production, 20. Reviewed 4-6-48. ON AN ISLAND WITH YOU MCM (Technicolor). Producer, Joe Pasternak. Director, Richard Thorpe. Screenplay, Dorothy Kingsley, Dorothy Cooper, Charles Martin, Hans Wilhelm. Original, Charles Martin, Hans Wilhelm. Photography, Charles Rosher. Technicolor direction, Natalie Kalmus, Henri Jaffa. Special effects, A. Gillespie. Operating cameraman, John Nickolaus, Jr. Art direction, Cedric Gibbons, Edward Carfagno. Set decorations, Edwin B. Willis, Richard A. Pefferle. Musical director, Georgie Stoll. Songs, Nacio Herb Brown, Edward Heyman. Edited by Douglas Biggs, Ferris Webster. Sound, Douglas Shearer, James K. Brock. Production manager, Walter Strohm. Assistant director, Al Jennings. Script supervisor, John Banse. Makeup, Jack Dawn. Hair stylist, Sydney Guilaroff. Dance director. Jack Donohue. Grip, Frank Barnes. Costumes designed by Irene. Still man, Jerry Hester. CAST — Esther Williams, Peter Lawford, Ricardo Montalban, Jimmy Durante. Cyd Charisse, Xavier Cugat, Leon Ames. Kathryn Beaumont, Dick Simmons. Days in production, 61. Reviewed 4-27-48. ON OUR MERRY WAY Bogeaus-UA. Producer, Benedict Bogeaus. Production associate, Arthur M. Landau. Assistant to producer, Carley Harriman. Directors, King Vidor, Leslie Fenton. Screenplay, Laurence Stallings, Lou Breslow. Original, Arch Obler. James Stewart-Henry Fonda episode, John O'Hara. Photography, John Seitz, Ernest Laszlo, Joseph Biroc, Gordon Avil. Art direction, Ernst Fegte, Duncan Cramer. Set decorations, Eugene Redd, Robert Priestly. Music score, Heinz Roemheld. Orchestrations, Henry Russell. Musical director, David Chudnow. Song, Frank Loesser. Edited by James Smith. Sound technician, William Lynch. Production manager, Ken Walters. Assistant director, James Depew. Makeup. Otis Malcolm, Robert Cowan. Dance director, Nick Castle. Costumes designed by Greta. CAST — Paulette Goddard, Burgess Meredith, James Stewart. Henry Fonda, Harry James, Dorothy Lamour, Victor Moore, Fred MacMurray, William Demarest, Hugh Herbert. Charles D. Brown, Eduardo Ciannelli, Betty Caldwell, Eilene Janssen. Carl Switzer, Dorothy Ford, Frank Moran, David Whorf. Reviewed 2-2-48 under title of "A Miracle Can Happen." ONE SUNDAY AFTERNOON WB (Technicolor). Producer, Jerry Wald. Director, Raoul Walsh. Screenplay, Robert L. Richards. Original play, James Hagan. Photography, Sid Hickox and Wilfred M. Cline. Technicolor direction, Natalie Kalmus. William Fritzsche. Operating cameraman, Mike Joyce. Art direction, Anton Grot. Set decorations, Fred M. MacLean. Music score adapted by David Buttolph. Orchestrations (vocal), Dudley Chambers. Musical director, Ray Heindorf. Songs (original), Ralph Blane. Edited by Christian Nyby. Sound technician, Les Hewitt. Production manager, Chuck Hansen. Assistant director, Russell Saunders. Script supervisor, Irva Mae Ross. Hair stylist. Ruby Felker. Makeup, Perc Westmore, Joe Hadley. Grip. Dudy Mashmeyer. Costumes designed by Leah Rhodes. Still man. Jack Wood. CAST — Dennis Morgan, Janis Paige, Don DeFore, Dorothy Malone, Ben Blue, Oscar O'Shea, Alan Hale, Jr., George Neise. Days in production, 60. Reviewed 12-7-48. ONE TOUCH OF VENUS Lester Cowan-UI. Producer, Lester Cowan. Associate producer, John Beck. Director. William A. Seiter. Screenplay, Harry Kurnitz, Frank Tashin. Based on musical play by Kurt Weill, S. J. Perelmen, Ogden Nash; suggested by "The Tinted Venus" by F. Anstey. Photography, Frank Planer. Special effects, David S. Horslev. Operating cameraman. David Ragin. Art direction, Bernard Herzbrun, Emrich H. Nicholson. Set decorations. Russell A. Gausman, Al Fields. Music score-new lyrics, Ann Ronell. Musical director, Leon Arnaud. Edited by Otto Ludwig. Sound, Leslie I. Carey, Joe Lapis. Production manager. H. Christie. Assistant director, William Holland. Script super visor, Pat Betz. Hair stylist, Carmen Dirigo. Makeup, Wally Westmore. Dance director, Billy Daniels. Grip, Everett Smith. Costumes designed by Orry Kelly. Still man, Sherman Clark. CAST — Robert Walker. Ava Gardner, Dick Haymes. Eve Arden, Olga San Juan, Tom Conway, James Flavin, Sara Allgood. Days in production, 41. Reviewed 8-19-48. OPEN SECRET Marathon-EL. Producer, Frank Satenstein. Associate producer, Robert L. Joseph. Director, |ohn Reinhardt. Screenploy, Henry Blankfort, Max Wilk. Original, Max Wilk, Ted Murkland. Additional dialog, John Bright. Photography, George Robinson. Art direction, George Van Marter. Set decorations, Earl Wooden. Music score, Herschel Gilbert. Musical director, Herschel Gilbert. Edited by Jason Bernie. Sound, Hugh McDowell. Production manager, George Moskov. Makeup, Ted Larsen. CAST — John Ireland, Jane Randolph, Roman Bohnen, Sheldon Leonard, George Tyne, Morgan Farley, Ellen Lowe, Anne O'Neal, Arthur O'Connell, John Alvin, Bert Conway, Rory Mallinson, Helena Dare, Leo Kaye, King Donovan, Tom Noonan. Days in production, 11. Reviewed 1-13-48. OUT OF THE STORM REP. Associate producer, Sidney Picker. Director, R. C. Springsteen. Screenplay, John K. Butler. Original, Gordon Rigby. Photography, John MacBurnie. Special effects, Howard and Theodore Lydecker. Operating cameraman. Herb Kirkpatrick. Art direction, James Sullivan. Set decorations, John McCarthy, Jr., George Milo. Musical director, Morton Scott. Edited by Richard L. Van Enger. Sound technician, Earl Crain, Sr. Assistant director, Lee Lukather. Script supervisor, Polly Crause. Hair stylist, Louise Landmier. Makeup, Bob Mark, Louis Phillippy. Grip, C. B. Lawrence. Costumes, Adele Palmer. Still man, Ira Hoke. CAST — James Lydon, Lois Collier, Marc Lawrence, Richard Travis, Robert Emmett Keane, Helen Wallace, Harry Hayden, Roy Barcroft, Charles Lane, Iris Adrian, Byron Foulger, Claire DuBrey, Smoki Whitfield, Charlie Sullivan, Rex Lease, Edgar Dearing. Days in production, 8. Reviewed 8-30-48. OVERLAND TRAILS Creat Western-MONO. Producer, Barney Sarecky. Director, Lambert Hillyer. Original screenplay, Jess Bowers. Photography, Harry Neumann. Operating cameraman, Wm. Margolies. Art direction, Vin Taylor. Musical director, Edward Kay. Edited by John Fuller. Sound technician, Earl Sitar. Assistant director, Eddie Davis. Script supervisor, Moree Herring. Grip, Geo. Booker. Still man, James Fullerton. CAST — Johnny Mack Brown, Raymond Hatton. Bill Kennedy, Virginia Belmont, Steve Darrell, Hollis Bane, Boyd Stockman, Robert D. Woodward, Ted Adams, Pierce Lyden, George Peters, Virginia Carroll. Carl Mathews, Lanny Rees, Milburn Morante, Roy Butler, Post Parks. Days in production, 6. Reviewed 7-9-48. THE PALEFACE PARA. (Technicolor). Producer, Robert L. Welch. Director, Norman Z. McLeod. Original screenplay, Edmund Hartman, Frank Tashlin. Additional dialog, Jack Rose. Photography, Ray Rennahan. Technicolor direction, Natalie Kalmus, Monroe Burbank. Process photography, Farciot Edouart. Special effects, Gordon Jennings. Operating cameraman, Archie Dalzell. Art direction. Hans Dreier, Earl Hedrick. Set decorations, Sam Comer, Bertram Granger. Music score, Victor Young. Songs, Joseph J. Lilley, Jay Livingston. Ray Evans. Edited by Ellsworth Hoagland. Sound technicians, Gene Merritt. John Cope. Production manager, Charles Woolstenhulme. Assistant director, Alvin Ganzer. Script supervisor, Claire Behnke. Hair stylists, LaVaughn Speer. Dean Cole. Makeup, Wally Westmore Dance director, Billy Daniels. Grip, Darrell Turnmire. Costumes designed by Mary Kay Dodson. Still man. Ed Henderson. CAST — Bob Hope, lane Russell. Robert Armstrong, Iris Adrian, Robert Watson, Jack Searl, Joseph Vitale, Charles Trowbridge, Clem Bevans, Jeff York, Stanley Andrews, Wade Crosbv, Chief Yowlachie. kon Eyes Cody, John Maxwell, Tom Kennedy, Henry Brandon,