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November, 1932
Motion Picture Projectionist
MCTICN PICTURE PRCJECTICNI/T
November, 1932
Vol. 6, No. 1
EDITORIAL BOARD Cecil B. Fowler Robert J. Marcy Kaskel Kallman
Production.
Published monthly by Mancall Publishing Corp., 7 West 44th St., New York City. Subscription rates in U. S. and Canada: twenty-five cents per copy; two dollars per year; three dollars for two years. Add fifty cents for Canadian, one dollar for foreign postage. Changes of address should be submitted three weeks in advance of publication do-e to insure receipt of current issue. ...Entered as second class matter October 25, 1927, at Post Office, New York, N. Y., under the act of March 3, 1879.
Canadian Representative
H. N. Elliott, 203 Vaughan Road,
Toronto, Canada.
Australian Representative
McGill's Agency
179 and 218 Elizabeth Street
Melbourne, Australia.
Editorial & Advertising Offices
7 West 44th Street
New York City
AJational Advertising Manager
Boone Mancall
OUR PLATFORM
To maintain always the integrity of the original policy of this publication: that it be a means of raising the standards of projection by a ceaseless campaign of education among the many thousands of projectionists in the United States and Canada.
That every available inch of space in each issue be devoted to this end.
That we be interested in neither the politics or the personalities involved in the politics of the International Alliance of Theatrical Stage Employees and Moving Picture Operators or of any other group or body of projectionists, because such interference with internal affairs of labor organizations will make this a partisan and political paper and destroy its value to the craft which lies in educational work only.
That by maintaining our policy of education we will enjoy the support of projectionists everywhere for many years to come as we have enjoyed this support for the last five years as the leading projection publication in the country.
The Editors and Advisory Editors and the organizations with which they are affiliated do not necessarily endorse all the statements or opinions offered in this magazine. The author who signs an article assumes full responsibility for the statements it contains.
DON'T
SPLICE FILMS THE OLD, MESSY WAY . . .
EASTMAN Sound Film Patches do the job more quickly, neatly, and dependably. Because of their design, they are practically inaudible in projection. At the same time they obscure a minimum of the sound track, and assure fast, accurate, and clean treatment of all splices. Together with their precise registration block they represent a valuable yet inexpensive feature of Eastman service to the motion picture industry. Eastman Kodak Company. (J. E. Brulatour, Inc., Distributors, New York, Chicago, Hollywood.)
use EASTMAN
SOUND FILM PATCHES
Universal Film Splicing
Machine
MODEL NO. 3 Pat March 22:22
First-Class Results on New or Old Film Permanent Gauge No Adjusting
FOR THEATRES, EXCHANGES LABORATORIES, SCHOOLS
Price S6.00
GENERAL MACHINE CO., INC.
816-826 East 140th St., NEW YORK, N. Y. For sale by all Supply Dealers