Motion Picture Reviews (1930)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

FEATURE FILMS Unless otherwise indicated the following pictures have been seen in all dialogue form. ALIAS FRENCH GERTIE. Be be Daniels, Ben Lyon. Based on play “The Chatterbox”, by Bayard Veiller. Direction by George Archainbaud. R. K. 0. An entertaining melodrama holding one’s interest to the end. The plot is possible and logically developed, the cast well chosen and ably directed, and criminal life is pictured as being dearly paid for — although we must confess the moral is rather overshadowed by the remembrance of attractive criminals and easily won gold. But accepted in as light a mood as the usual crime novel, it is as diverting and as relaxing, and it is recommended for those who feel that their sense of moral values is safely established! Adolescents, 12 to 16. Children, 6 to 12. Possibly, but No. rather glamorous. — o — ALL QUIET ON THE WESTERN FRONT. Louise Ayers and all star cast. From the book by Erich Maria Remarque. Direction by Louis Milestone. Universal. “All Quiet on The Western Front” is a remarkable achievement. Those who were interested in the book will be gratified by the artistry of the manner in which the printed page has been translated into action. It is undoubtedly the most finished work in this line ever presented on the screen. It is of course, also, probably the clearest preachment against war’s futility and cruelty which we have had. The production is recommended with real enthusiasm because of its outstanding qualities, intellectually and artistically. Adolescents, 12 to 16. Children, 6 to 12. Depends upon No, too tragic, individual. THE ARIZONA KID. Warner Baxter. Original story by Ralph Block. Direction by Alfred Santell. Fox. Romantic melodrama of frontier days in which Warner Baxter portrays the role of a reckless and fascinating Mexican bandit whose adventure in love nearly lead him to disaster. The credible plot is full of action and romance. The outdoor scenes are very beautiful and it is highly entertaining. Adolescents, 12 to 16. Children, 6 to 12. Very entertaining. Entertaining. — o — BE YOURSELF. Fanny Brice. Direction by Franklin Freeland. United Artists. An amusing farce which is carried by the dynamic personality of Miss Brice. As a cabaret entertainer she holds the love of a pugilist until a championship and a remodeled nose makes him attractive to another woman. However when his nose is “smashed” again he comes back to her. Adolescents, 12 to 16. Children, 6 to 12. Perhaps. No. THE BIG POND. Maurice Chevalier. Based on stage play by George Middleton and A. E. Thomas. Direction by Hobart Healey. Paramount. America’s pet foibles are held before our eyes and greatly satirized in this amusing farce. Our slang, — successful “business methods” — and our great national thirst all receive sly digs, and appear as ridiculous as possible. M. Chevalier’s charming personality dominates the production and entertains delightfully. Adolescents, 12 to 16. Children, 6 to 12. Sophisticated but Not especially entertaining. suitable. -3