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FROM DENVER POST OCT., 26, 1913.
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lead continued unabated all about the station-Car twenty minutes.r\it net a person was scratched.
But what was even more rdJ-narkabte, grd what will explain at least ijo a large measure just why It is that sfe mamy shc-ts are wasted in a gun fight \f this character, was the escape from iftj\ry of Victor Miller, camera man for Fs&he's Weekly. He stood out In the open, Ing away at his camera as 'calmly jthough he was taking moving pictures t>ne of those "aetor" battles, STRIKERS CRAWL PAST FIRING AT GUARDS.
All about him, kneeling, lying flat or crawling across tne ground almost he*frcath Ms feet, the strikers we're empty tng. their rifles at the approaching guards. Over oh a hillock came the rat-tat-tat of a .machine -gun that Was belching 250 steel-jacketed bullets aminute in the direction of the miners.
These bullets sang a sdi.g of promised death as they whirred jUjs't over Miller's head. Watching him closely, and noting from the freight cars on adjacent "sidetracks to his rear the course of the bulJ^lets, it was seen that he was directly in the path of the ,blg gun's hail ofl lead. It teemed that he must be struck. But still he continued to grind away, arid even after the gaurds had retreated to their train and it had pulled out around the distant curve. Miller remained on the job, taking "movies" of the returning miners, who had started in futile pursuit of the guards.
"DIDBTT HAVE TIME TO GET SCARED," HE SAYS.
"I didn't have time to get scared said Miller, packing up his camera was too rare a eftajvee for a real ba fiiCturo fnr roe ,to_l bin k of.
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