The Motion Picture Story Magazine (Feb-Jul 1914)

1 52 MOTION PICTURE UAQAZ1NE N', \ four letter m i thai i gave ii to the editor. He may pri.it it time i he eye for science, the month for religion, and the hand for art, La pretty philosophy. I agree with you thai the hand I* rery expressive— when it i« uttached t" a -'"<"i player. Hie in«.-t unworthy hand I know Is behindhand. i.i mi 1 1. Bh jn. George Larkin plays opposite Rnth Roland. Bo does William Brennan Bettj Gray Is with Biograph. Mary Pickford Is not bi vaudeville Bothkb. Warren Kerrigan wat with American before going t«> Victor. Flori inii.i Is still abroad. Owen M •<■ ;m<l James Cooley t •« * 1 1 1 with .Mutual. i.iimw Walkeb Wobshipeb. Mabel Van Buren was Helen In 'The Touch or a Child" (Selig). Clara Kimball foung in "The Pirates" (Vitagraph). Dolly Larkin in "Breed of the West." Eugenie Beeserer and Henry Otto In "The Mysterious Way." Mabjorie M. .Muriel Ostriche In ,4Her Right of Happiness" (Princess). William Russell in "Curfew shall v.t Ring Tonight" (Thanhouser). I am n<u old rears count for nothing. A person La as <>i<i aa be feels \ i it i r. Myrtle Btedman was Bailie in "Sallle'e Sure Shot" (Selig). Betty Gray wraa Che Bister In "The Merrill Murder Case" (Patheplay). OrmJ Hawley waa Nora in "Fashion's Toj " i Lnbin ». Lotto I >. T. charlotte Burton and James Harrison In "The Flirt and the Bandit" (American). William Brunton and Helen Holmes in k*The Hermit's Ruse" (Kalem). Howard Davis in "Playmates" (Majestic). Louise Glaum Is Carlyle Blackwell'a leading lady. .lane (Jail is with Louden Film Co. \ \ m M. B. i am sorry you were disappointed, l dont remember your letter at all. n<»\\ do you expect me to, when I read thousands of them? what we do Dot nnderstaud we have not the right to Judge. Please write again. William <;. Mona Darkfeather was Ruth in "Against Desperate <M<ls*' (Kalem). Alan Male was the younger brother in "By Man's Law" (Biograph). Ruth Roland ill "Fickle Freaks." Bailie Crute and Bliss MUford in ••The Trice or Human Li Mn i. kid M.. Los am. i lis. Edwin August in "The Blot in the 'Scutcheon" (Biograph). Wilfred Lucas in "Fate's Interception." Also in "A Pueblo Legend." Bui you must not give away your secrets. A good secret is to a woman what wine is to a man too good to keep. A secret can he kept by two— if one of them is dead. JOT, 150. — Val Cleary was Bob, Miriam Cooper was Sal. and Bob Walker and Irene Boyle in "The Sacrifice at the spillway" (Kalem). Miss Golden in that Biograph, William Bailey in •The Hermit of Lonely Gulch." Beverly Bayne in "The DeathWeight M {Continui d ji i dged ideal locale. These are advanthal have already been meted oiii to a public overflowing \\ iili the benefactions of the film magnate. Therefore, instead of sumptuous JC< ii. iy and aCCeS80riefl Mich as a dway playhouse always is ex d i«> feature, the productions on n ai the Vitagraph Theater will reveal the original scenery of i be locale, w here each play is centered : VI h( ii Mall ( 'aim's "The < 'hris ii as ,i photoplay, the Limital ions of the speaking Btage will p be so apparent, Liebler and ( lompan) . w ho produced " The < 11 ' w itii Viola A II.ii originally . and who are also assist ing in the production "t" this photoplay . have been so impressed with the lilms that they islitiahh . thai the trem< l he plaj is about ili Vitagraph 's •> as producers is to be d only «>n tl no man assume that the first-nighters have no surprises, awaiting them at this, the premiere of playhouses. On the contrary, the environment that will confront tin' inaugural audience will he such as befits "The Theater of Science, " ami such information available forces the conclusion that 1914 is destined t«> record no event of greater significance in filmdom. Always striving to Lri\c to their photoplays an adequate musical setting, it was natural thai the Theater of Science would adopt a scientific method t<> provide a musical accompaniment for them. So, instead of ;» ho.iy of orchestral pla> • 1,000 symphonic orchestra, the invention of Robert Hop. .hues, with a sinL'lr musician at the keyboard, will interpret the original scores, always appropriate to the film subject, thus forming as a whole a veritable conquest o\' th Music and t lie Drama along modern scientific li