The Motion Picture Story Magazine (Feb-Jul 1914)

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TkS MOTION PICTURE MAGAZINE ul ose lesson is going to influence Ives of thousands; but the pay for Buch work is very small indeed, and the competition very keen. The movies have opened a new field for . in which the financial remuneration is much more satisfac Somehow, tho, I feel by going into such work one loses the dignity of his profession. In short, L have had tremendous sacrifice, the hardship the picture actor is obliged to assume? This was impressed upon me when I was in Bermuda this winter. Annette Kellerman was down there heading a large company producing 'Neptune's Daughter. ' "I dont know much about the plot of the play, but it seems that a small child, who is the principal character, \' i ■ AXXKTTi; KELLERMAN an ' i big Moving Picture Balary, and I do know whether to take it or not think about ; "Suppose yon consider/' I ai "thai 1 know nothing about art i Kcept what p Poland m college, oswer 1 ating -n of the qui hich Do unacted with Do yon the dies and is born again as a mermaid and daughter of Neptune, and thereafter lives under the sea. It seems that while at play she eneounters a mortal who kills her. When her father learns of her death, he swears eternal revenge, and bids his other daughters seek the murderer and avenge their sister's death. After a Long search, Annette Kellerman, who takes the part of one of the daughters, meets the mortal, fights with him and kills him. The scenes representing