Motography (Jan-Jun 1918)

100 MOTOGRAPHY Vol. XIX, No. 3. beat."— A. R. Anderson, Orpheum Theater, Twin Falls, Idaho. The Dog Catcher's Love, with "Teddy" (Keystone)— "A real comedy, something hard to get nowadays."— C. M. Pfeiffer, Opera House, Kenton, Ohio. The Waiter's Ball, with Roscoe Arbuckle (Keystone)— "The best Arbuckle comedy ever produced. We have run it three times." — C. M. Pfeiffer, Opera House, Kenton, Ohio. KLEINE-PERFECTION Efficiency Edgar's Courtship, with Taylor Holmes (Essanay-Perfection) — "A clean comedy-drama but not as good as this star's Two Bit Seats." — R. J. Relf, Star Theater, Decorah, Iowa. The Small Town Guy, with Taylor Holmes (Essanay-Perfection)— "A very pleasing picture. Satisfied everybody. Drew pretty good business." — M. J. Weil, Lake Shore Theater, Chicago. — In high class neighborhood. Two Bit Seats, with Taylor Holmes (EssanayPerfection) — "This is some picture. Everyone came out smiling. Good business." — Cecil C. Reed, Malone Theater, Sikeston, Mo. Skinner's Dress Suit, with Bryant Washburn (Essanay-K. E. S. E.) — "Very good. Pleased everyone. Good business." — J. D. Palmer, Palmer Theater, Black Lick, Pa. METRO The Haunted Pajamas, with Harold Lockwood (Metro) — "For an old picture, this is about the one best bet of the year." — C. Everett Wagner, Dreamland Theater, Chester, S. C. Sowers and Reapers, with Emmy Whelen (Metro) — "Everyone thought this a great picture. I myself think it about the best ever put in six reels. Capacity business." — C. Everett Wagner, Dreamland Theater, Chester, S. C. The Adopted Son, with Bushman and Bayne (Metro) — "This is just like all the other Bushman pictures, too much Bushman and always posing." — C. Everett Wagner, Dreamland Theater, Chester, S. C. MUTUAL Sunny Jane, with Jackie Saunders (HorkheimerMutual) — "This picture is good. No suggestiveness. No 'eternal triangle.' Just a rollicking girl in a good story with a healthy dash of comedy." — House and Justice, Grand Theater, Marion, N. C. The Bride's Silence, with Gail Kane ' (AmericanMutual) — Picture fair. Star drew well." — Cecil C. Reed, Malone Theater, Sikeston, Mo. The Mirror, with Marjorie Rambeau (Mutual) — ■"This star is well liked here. Good business." — Cecil C. Reed, Malone Theater, Sikeston, Mo. Betty Be Good, with Jackie Saunders (Horkheimer-Mutual) — "An old picture which brought good business. Mutual pictures, advertised as such regardless of the star, are getting the business. "Theater, Alpena, Mich. -L. Stevens, Bijou At the Edge of the Aqueduct (Mutual) — "A very good two-reel feature." — J. C. Palmer, Palmer Theater, Black Lick, Pa. Hedda Gabler, with Nance O'Neil (Mutual) — "We are sorry we ran this picture. Some of our patrons asked for their money back." — C. M. Pfeiffer, Opera House, Kenton, Ohio. Melissa of the Hills, with Mary Miles Minter (American-Mutual) — "A fair production. Star quite popular here. Business good." — C. M. Pfeiffer, Opera House, Kenton, Ohio. The Pawn Shop, with Charlie Chaplin (Mutual) — Business better." — S. C. Vale, Pictorium Theater, Dennison, Ohio. "Picture good The Highest Bid, with William Russell (American-Mutual)— "Very good picture. Business fair." — S. C. Vale, Pictorium Theater, Dennison, Ohio. The Girl Who Couldn't Grow Up and Miss Jackie of the Navy, both with Margarita Fischer (Mutual) — "Wonderful pictures for grown-ups and children. We play such pictures on Fridays when we get the school children for matinee as well as evening." — S. C. Allen, Millard Fillmore Theater, East Aurora, N. Y. The Cure, with Charlie Chaplin (Mutual)— "The best Chaplin I have run to date." — R. V. Griner, Ideal Theater, Centralia, Wash. The Mate of the Sally Ann, with Mary Miles Minter (American-Mutual)— "A very pleasing picture. One of the star's best. Fairly good business."— M. J. Weil, Lake Shore Theater, Chicago. — In high class neighborhood. American Maid, with Edna Goodrich (Mutual) — "A very good picture. Satisfied all. Very good business."— -M. J. Weil, Lake Shore Theater, Chicago. — In high class neighborhood. PARAMOUNT The Price Mark, with Dorothy Dalton (Paramount)— "Good drama and clean thrills." — W. H. Coble, Liberty Theater, Bend, Oregon. Fatty at Coney Island, with Roscoe Arbuckle (Paramount) — "A big hit, with one laugh after another." — W. H. Coble, Liberty Theater, Bend, Oregon. The Trouble Buster, with Vivian Martin (Paramount)— "Pleased everybody. The kind of picture people say leaves a good taste after seeing it." — W. H. Coble, Liberty Theater, Bend, Oregon. The Amazons, with Marguerite Clark (Paramount)— "A tom-boy story. Good of its kind but not what most people like to see. Miss Clark does good work."— John T. Cliff, Elite Theater, Mt. Pleasant, Utah. Oh Doctor, with Roscoe Arbuckle (Paramount) — "A poor production, not a laugh in the two reels. Pa