Motography (Jan-Jun 1918)
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January 19, 1918.
MOTOGRAPHY
101
trons displeased."— C. M. Pfeiffer, Opera House, Kenton, Ohio.
Sapho, with Pauline Frederick (Paramount) — "A fine production. Star great. Good drawing power."— S. C. Vale, Pictorium Theater, Dennison. Ohio.
Hulda From Holland, with Mary Pickford (Paramount)— "Best of all Pickford productions. Ordinary business because we did not receive advertising matter." — S. C. Vale, Pictorium Theater, Dennison, Ohio.
Hulda From Holland, with Mary Pickford (Paramount)— "A very good picture. Quaint characterization. Fair business." — J. D. Palmer, Palmer Theater, Black Lick, Pa.
The Land of Promise, with Billie Burke (Paramount)— "A very good picture. Satisfied our audience very well as a holiday attraction," — M. J. Weil, Castle Theater, Chicago. — Downtown house.
The Ghost House, with Jack Pickford (Paramount)— "We showed this Christmas day to packed houses. Pleased all." — R. J. Relf, Star Theater, Decorah, Iowa.
Molly Entangled, with Vivian Martin (Paramount)— "A very ordinary feature." — John B. Ashton, Columbia Theater, Provo, Utah.
A Girl Like That, with Owen Moore and Irene Fenwick (Paramount) — "A fair picture. Neither star is a drawing card here. Bad weather prevented attendance." — A. N. Miles, Eminence Theater, Eminence, Ky.
The Dummy, with Jack Pickford (Paramount) — "Jack draws better for us than his sister Mary. This play is an exceptionally good comedy drama. Business fair." — A. N. Miles, Eminence Theater, Eminence, Ky.
Each to His Kind, with Sessue Hayakawa (Paramount)— "Not this star's best by any means. Drew very poorly." — A. N. Miles, Eminence Theater, Eminence, Ky.
Help Wanted, with Lois Meredith (Paramount)"Picture good. Business poor on account of cold."J. C. Palmer, Palmer Theater, Black Lick, Pa.
Freckles, with Jack Pickford (Paramount) — "This is a good one and drew well." — Cecil C. Reed, Malone Theater, Sikeston, Mo.
The Heart of Paula, with Lenore Ulrich (Paramount)— "A good picture. Fair business. Scenes laid in Mexico." — J. D. Palmer, Palmer Theater, Black Lick, Pa.
Seven Sisters, with Marguerite Clark (Paramount)— "Good business and the picture pleased. Miss Clark is great." — J. D. Palmer, Palmer Theater, Black Lick, Pa.
PATHE The Streets of Illusion, with Gladys Hulette (Pathe) — "This little 'Shme Girl' always pleases my patrons." — R. J. Relf, Star Theater, Decorah, Iowa.
The Streets of Illusion, with Gladys Hulette (Pathe) — "Just an ordinary program picture." — C. Everett Wagner, Dreamland Theater, Chester, S. C.
The German Retreat From the Battle of Arras
(Pathe) — "We have run installments one and two. Wonderful pictures. Business more than capacity. Everybody wants to see them." — A. R. Anderson, Orpheum Theater, Twin Falls, Idaho.
Captain Kiddo, with Marie Osborne (Pathe)— family picture, very pleasing. Good business." — A. Anderson, Orpheum Theater, Twin Falls, Idaho.
"A R.
In the Wake of the Huns (Pathe)— "Poor."W. H. Coble, Liberty Theater, Bend, Oregon.
Twin Kiddies, with Marie Osborne (Pathe) — "Baby Marie does good work in this picture. She takes a double role. Surely a star." — John T. Cliff, Elite Theater, Mt. Pleasant, Utah.
When Baby Forgot, with Marie Osborne (Pathe) — "A good 'kid' picture. Bad weather hurt business." — R. V. Griner, Ideal Theater, Centralia, Wash.
War and the Woman, with Florence La Badie (Pathe) — "Very poor. Too much war and no attention to detail."— R. V. Griner, Ideal Theater, Centralia, Wash.
SELECT
Magda, with Clara Kimball Young (Select) — "Miss Young is as beautiful as ever. Story fair. Great photography. Drew fairly well in spite of cold weather." — D. H. Bestor, Court Theater, Kankakee, 111.
The Easiest Way, with Clara Kimball Young (Select) — "Business very poor. This star is a 'has been' here." — C. M. Pfeiffer, Opera House, Kenton, Ohio.
The Public Be Damned, with Charles Richmond (Select) — "A play that everyone should see. The city commission would not let me advertise the title. Fair business." — R. V. Griner, Ideal Theater, Centralia, Wash.
The Lone Wolf, with Bert Lytell (Select)— "A good picture. Satisfied everyone. Did not draw here because of its age." — M. J. Weil, Lake Shore Theater, Chicago. — In high class neighborhood.
TRIANGLE The Lamb, with Douglas Fairbanks (Triangle) — "Much better than Double Trouble. I wish we could have played it first. So many disliked Double Trouble that we had a very poor house on this."— A. N. Miles, Eminence Theater, Eminence, Ky.
The Bond of Fear, with Belle Bennett (Triangle) — "As good as money can buy. Cast is great. Good business." — R. V. Griner, Ideal Theater, Centralia, Wash.
The Devil Dodger, with Roy Stewart (Triangle) — "A different western play. Star is a comer. Good business." — R. V. Griner, Ideal Theater, Centralia, Wash.
Hell's Hinges, with W. S. Hart (Triangle)— "Broke all Hart records with this as a second run. Book