Motography (Jan-Jun 1918)

102 MOTOGRAPHY Vol. XIX, No. 3. these re-issues." Wash. -R. V. Griner, Ideal Theater, Centralia, Broadway, Arizona, with Olive Thomas (Triangle)— "One of the best clean comedy-dramas I have ever shown. Olive Thomas is great, Capacity business." — R. V. Griner, Ideal Theater, Centralia, Wash. The Tar-heel Warrior, with Walt Whitman (Triangle)-— "A good play. Whitman is a great character actor. Business poor on account of the weather." — R. V. Griner, Ideal Theater, Centralia, Wash. Ashes of Hope, with Belle Bennett (Triangle) — "I think it is better than The Flame of the Yukon. Enough said." — R. V. Griner, Ideal Theater, Centralia, Wash. The Phantom Husband, with Ruth Stonehouse (Triangle) — "One of the best and cleanest comedies that you can get." — R. V. Griner, Ideal Theater, Centralia, Wash. Wee Lady Betty, with Bessie Love (Triangle) — "A good picture to good business." — L. Stevens, Bijou Theater, Alpena, Mich. Madcap Madge, with Olive Thomas (Triangle) — "An extra good picture to capacity business. I advertise Triangle pictures regardless of stars and always get the business." — L. Stevens, Bijou Theater, Alpena, Mich. Without Honor, with Margery Wilson (Triangle) -"A pretty good picture with fair drawing power." — M. J. Weil, Lake Shore Theater, Chicago. — In high class neighborhood. Until They Get Me, with Pauline Starke (Triangle)— "A fairly good picture without drawing power. The star is unknown." — M. J. Weil, Lake Shore Theater, Chicago. — In high class neighborhood. The Maternal Spark, with Irene Hunt (Triangle) -"Not much of a picture and it did not draw." — M. J. Weil, Lake Shore Theater, Chicago. — In high class neighborhood. Because of a Woman, with Belle Bennett (Triangle)— "Very good picture. Pleased the audience." — M. J. Weil, Lake Shore Theater, Chicago. — In high class neighborhood. The Flame of the Yukon, with Dorothy Dalton (Triangle) — "Repeated this picture after a lapse of three months. Capacity business again. A great western." — A. R. Anderson, Orpheum Theater, Twin Falls, Idaho. The Flame of the Yukon, with Dorothy Dalton (Triangle) — "A wonderful production, the best of its kind we have ever run. Business big."— C. M. Pfeiffer, Opera House, Kenton, Ohio. An Even Break, with Olive Thomas (Triangle) — "This new star is fast becoming one of our biggest pullers. Picture good." — C. M. Pfeiffer, Opera House, Kenton, Ohio. Charles Ray (Triangle) — "This combination is a sure guarantee of big business. Picture very good." — C. M. Pfeiffer, Opera House, Kenton, Ohio. The Aryan, with W. S. Hart (Triangle)— "Much larger crowds than when this was first shown here." — J. H. McDonald, Strand Theater, Walla Walla, Wash. The Sudden Gentleman, with William Desmond (Triangle) — "A pleasing picture. Average business." — J. H. McDonald, Strand Theater, Walla Walla, Wash. The Habit of Happiness, with Douglas Fairbanks (Triangle) — "Big crowds went away pleased." — J. H. McDonald, Strand Theater, Walla Walla, Wash. The Sawdust Ring, with Bessie Love (Triangle) — "Simply fine. It is this star's first appearance here and everybody said they liked her as well if not better than Mary Pickford. Business poor on account of a snowstorm." — A. N. Miles, Eminence Theater, Eminence, Ky. UNIVERSAL The Bronze Bride, with Eddie Polo (Universal) — "A good picture." — J. D. Palmer, Palmer Theater, Black Lick, Pa. VITAGRAPH In the Balance, with Earle Williams (Vitagraph) — "This picture played to capacity business all week. It satisfied everyone and held up wonderfully, in spite of weather conditions. It surely proved a good drawing card and brought us more money than some of the Marguerite Clark and Mary Pickford pictures we have run recently. It is a very well produced and entertaining feature. " — M. J. Weil, Castle Theater, Chicago. — Downtown house. Within the Law, with Alice Joyce and Harry Morey (Vitagraph) — "The greatest picture I have seen or run. Business fair in bad weather." — S. C. Vale, Pictorium Theater, Dennison, Ohio. The Girl Phillipa, with Anita Stewart (Vitagraph) — "I played this at twenty-five cents and all seem to think they got their money's worth." — C. Everett Wagner, Dreamland Theater, Chester, S. C, The Flaming Omen, with Mary Anderson (Vitagraph)— "A fair picture." — M. J. Weil, Lake Shore Theater, Chicago. — In high class neighborhood. The Bottom of the Well, with Evart Overton (Vitagraph) — -"Not much of a drawing card." — M. J. Weil, Lake Shore Theater, Chicago. — In high class neighborhood. WORLD The Marriage Market, with June Elvidge (World) — "A good World picture. Star not popular. I advertise World pictures, which seem to get the business regardless of the star." — L. Stevens, Bijou Theater, Alpena, Mich. The Weaker Sex, with Dorothy Dalton and The Maid of Belgium, with Alice Brady (World) — "A wonderful film. Miss Brady did her best work. Patrons are asking for a return date."— D. H. Bestor, Court Theater, Kankakee, 111.