Motography (Jan-Jun 1918)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

346 MOTOGRAPHY Vol. XIX, No. 8 "What The Picture Did For Me" ACTUAL VERDICTS ON FILMS IN THE LANGUAGE OF THE EXHIBITOR Copyright 1918 by E. R. Mock. The criticisms contained in this department of Motography are truthful statements relative to the actual box office value of the pictures. Every criticism received is published and the words are the exhibitor's own. If the picture you wish to know about is not included in the following list, write Motography and the information will be sent you promptly. If you need the information quickly, telegraph us. This department is open to all. Using the blank form herewith, write us your experience with the pictures you are showing. Address Motography, Department D., Monadnock Building, Chicago, III. ARTCRAFT Stella Maris, with Mary Pickford (Artcraft) — "Mary Pickford's best picture. The dual role puzzled many of our patrons and they could hardly be convinced that the star played both parts. I hope we may have more pictures as good as this." — M. J. Weil, Castle Theater, Chicago. — Dozvntozvn house. "Hart in a new role. Our music got all the railroad and other effects and was a big hit. The last reel can be played up to be one of the most exciting ever run." — R. J. Rolfe, Star Theater, Decorah, Iowa. Wolves of the Rail, with W. S. Hart (Artcraft) — "The best picture Hart has made. Drew fairly good business and pleased everyone." — M. J. Weil, Castle Theater, Chicago. — Downtown house. Wolves of the Rail, with W. S. Hart (Artcraft)— "The star is new here but is drawing well. A very good picture." — T. R. Baxter, Lyceum Theater, Spring City, Utah. Wolves of the Rail, with W. S. Hart (Artcraft)"The best Artcraft play in which Hart has appeared. — H. H. Kincey, Academy of Music, Selma, Ala. A Modern Musketeer, with Douglas Fairbanks (Artcraft) — "The best Fairbanks picture we have run. Capacity business in bad weather."— J. R. Baxter, Jr., Lyceum Theater, Spring City, Utah. Wolves of the Rail, with W. S. Hart (Artcraft) — The Little Princess, with Mary Pickford (Artcraft)-— "Not as good as some of Little Mary's previous What Is the Pictures Box Office Value? T S THE film you are running in your theater today a money maker ? Pass the word on ! Does the picture * draw the crowds? Tell the exhibitors in the other states. They want to book the same pictures. Tell them in Motography's "What the Picture Did for Me" Department. Your box office is the test of popularity. Fill in the blank NOW. Title Star Producer. Remarks Title Star Producer. Remarks Title Star Producer. Remarks Title Star Producer. Remarks Address City and State Name of Theater Sent in by Help the industry produce better films. Fill out the blank every week. Mail it to Motography, Monadnock Bldg., Chicago.