Motography (Jan-Jun 1918)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

May 4, 1918. MOTOGRAPHY 835 makes good." — Leo Peterson, Iris Theatre, Belle Fourche, S. D. Rose of the World, with Elsie Ferguson (Artcraft) — "A good picture. Some night battle scenes that stood out well." — R. ]. Relf, Star Theatre, Decorah, la. The Devil Stone, with Geraldine Farrar (Artcraft) — "This was liked the best of any of the Farrar pictures. Surely an all-star cast." — R. J. Relf, Star Theatre, Decorah, la. Wolves of the Rail, with \Y. S. Hart (Artcraft) — "Drew a capacity house and is some picture. Everybody was well satisfied. Hart is very popular here." — George H. Done, Gayety Theatre, Payson, Utah. Stella Maris, with Alary Pickford (Artcraft) — "A very good production. Mar)' in a dual role. Drew an average crowd and pleased them very much."— George H. Done, Gayety Theatre, Payson, Utah. The Little American, with Mary Pickford (Artcraft)— "Easily one of this famous star's best. Went over big to capacity business." — C. Everett Wagner, Dreamland Theatre, Chester, S. C. The Pride of the Clan, with Mary Pickford (Artcraft)— "Very good. Star well liked." — S. L. Foster, Rubv Theatre, Rubv, Mont. Wild and Woolly, with Douglas Fairbanks (Artcraft)— "Fine. Western people like western stuff." — S. L. Foster, Ruby Theatre, Ruby, Mont. Bluebird The Red, Red Heart, with Monroe Salisbury (Bluebird)— "Did bigger business than with most specials. Bluebirds have a following all their own." — P. L. Knight, Rivoli Theatre, Saugus, Mass. Fires of Rebellion, with Dorothy Phillips (Bluebird)— "This is one of the best five-reel features I ever had." — C. F. Nolte, Wonderland Theatre, Wonderland, la. A Kentucky Cinderella, with Ruth Clifford (Bluebird)— "A fine subject, but the leaders and titles were in poor condition. Picture pleased the patrons." — C. F. Nolte, Wonderland Theatre, Buckeye, la. The Little Orphan, with Ella Hall (Bluebird) — "Ella always pleases. This drew good business." — C. F. Nolte, Wonderland Theatre, Buckeye, la. A Doll's House, with Dorothy Phillips (Bluebird) — "Good. It is pleasing to hear your patrons say as they go out, 'It was great.' " — C. F. Nolte, Wonderland Theatre, Buckeve, la. Bringing Home Father, with Franklyn Farnum (Bluebird) — "A dandy. Did big business." — C. F. Nolte, Wonderland Theatre, Buckeye, la. Southern Justice, with Myrtle Gonzalea (Bluebird ) — "Fair. Did only small business because of bad weather." — C. F. Nolte, Wonderland Theatre, Buckeye, la. Hands Down, with Monroe Salisbury (Bluebird) — "A great picture. The star is surely coming to the front. He is wonderful. Book all of his pictures," — E. D. Yost, Colonial Theatre, Orange, Calif. Fox Du Barry, with Theda Bara (Fox Standard) — "A good picture of its kind but my people don't want costume plays." — C. Everett Wagner, Dreamland Theatre, Chester, S. C. Mutt and Jeff Comedies (Fox) — "Going great. Run in connection with a serial." — E. W. Laun, Lyric Theatre, Platte Center, Nebr. Western Blood, with Tom Mix (Fox) — "A very clever, clean-cut comedy drama. Mix does some very clever work. The picture went over exceptionally well with us and I believe it will make good either in a neighborhood house or one playing to a transient patronage."— Harry Miller, Acme Theatre, Chicago. — High class neighborhood house. A Daughter of France, with Virginia Pearson (Fox) — "After the censor board got through with this, it was a question whether it was a scenic or a drama. About the only things left of the original were the titles and the finish. It is a crime to let a censor board destroy a picture in this manner. It would have been better if Fox had held this up rather than release it so cut up." — Harry Miller, Boston Theatre, Chicago. — Downtown house Rough and Ready, with William Farnum (Fox) — "As usual, Bill is still fighting. This picture was well received. Patrons were pleased and business good." — H. C. Miller, Alcazar Theatre, Chicago. — Dozvntozvn house. The Pride of New York, with George Walsh (Fox) — "This is the greatest program picture I ever played during my ten years in the business. Star at his best. Capacity all day." — C. Everett Wagner, Dreamland Theatre, Chester, S. C. Heart's Revenge, with Sonia Markova (Fox) — "Drew a large crowd and was well liked by all. The title drew more of the crowd than the star." — George H. Done, Gayety Theatre, Payson, Utah. Tom and Jerry Mix, with Tom Mix (Fox)— "A good comedy. Mix is getting more popular here every time we show him." — George H. Done, Gayety Theatre, Pavson, Utah. Hungry Lions in a Hospital (Fox-Sunshine) — "One of the funniest two-reel comedies we have shown. One continuous roar from start to finish." — Charles H. Ryan, Garfield Theatre, 2844 Madison street, Chicago. Goldwyn Our Little Wife, with Madge Kennedy (Goldwyn)— "Madge Kennedy is a favorite here and the picture went over well." — R. J. Relf, Star Theatre, Decorah, la. The Splendid Sinner, with Mary Garden (Gold