Movie Classic (Sep 1932-Feb 1933)

This was followed by the lead in "Bachelor Mothers," and then he was loaned to Columbia, where he played the male lead in "Air Hostess." He seems destined for the real career he once threw away. "No more of the old-time, drinking friends," says Murray. "I learned my lesson. They are with you to help you while you have the bankroll — then they are gone, looking for another pal with a pay envelope. I have only one thought now — to make good for my own self-respect, for my wife who helped me, and for the producers who have shown faith in me and have given me another chance. My money goes into the bank now. My evenings are spent at home and quietly. They will be from now on. It took a session at Big Pine to do it, but it has been done." Murray is a perfect physical specimen now — clear of eye, springy of step, with muscles solid as a well-trained athlete's, and with a laugh that is contagious. Just a handsome Irish boy, who, at thirty-three, has seen life as few ever see it. But the bitter dregs he has tasted have not spoiled him; they have made him more of a man. And he is in love with the little girl who stayed by him through his misfortune. She had a bit in the Cantor picture, "The Kid from Spain." Murray is prouder of that than of the fact he is making a successful comeback. That's the Irish. Why Charles Farrell Is Parting from Janet Gaynor (Continued from page 65) the face if he continued along the easy path of indifference. Many a star, lulled into semiconsciousness by a lucrative contract and the bulging weekly pay envelope, has refused to read the graphic warning that a series of uncharacteristic roles usually writes on the wall — and another brilliant flame gutters and dies within the space of a few short months, which are eras in Hollywood reckoning. " I was tired of seeing a distorted version of myself stalking around in strange fulldress clothes on the screen," says Charles Farrell. "I was tired of being a marionette pulled by queer little strings. I was tired of being a shadow boxer with my real self. It was high time for rebellion! "And so now I am on my own. I am just getting acquainted with myself — I have never been so alive in my life. For the first time in years I can do exactly as I please, every hour of the day. Everyone expected me to be depressed while I was making final arrangements for my release. On the contrary, I've never played a more consistent game of tennis. I thoroughly enjoy my daily French lessons, and my reunion with books I haven't opened in years. I am having an awakening. I am convinced that every actor ought to take stock of himself and his career on periodic occasions, so that he can get the proper perspective — and get back to the road he should travel. " 1 am in no special hurry to make new affiliations. It may take me a month or possibly longer to get precisely the role I want, but I shan't make another picture until I do." And when that role comes along, Charles ell hopes to pay his debt to a faithful public with an electrifying, a splendid performance— worthy of his Cliicol Did You Knoiv That— While Charles Farrell is "going on lnown." Janet Gaynor i^ about to make "Princess at Your Order"? \ml that her leading man will be Henri Carat, famous French star, «h<> makes his American debut in this picture'.'' Most tooth troubles start in film WHAT is this film that robs us of our teeth? A slippery, sticky coating formed by the mucin in saliva. It stains teeth yellow. It catches bits of food which soon decay. Yes, but that's not all! Film contains millions of tiny germs. Some are rod-shaped, grouped in clusters. These are decay germs. As they live they give off enzymes that produce lactic acid. This lactic acid dissolves tooth enamel just as other acids eat holes in cloth. Other germs are linked with "trench mouth"— still others with pyorrhea. "What must I do to fight film?" To fight film use Pepsodent instead of ordinary tooth pastes. Why? Because a tooth paste is only as good as its polishing material; not one bit better. The new polishing material in Pepsodent is one of the great discoveries of the day. Its power to remove every trace of film stain is revolutionary! Its notable distinction of being twice as soft as polishing materials in common use has gained wide recognition. Remember, the one safe way to fi^ht film is to use the special film-removing tooth paste— Pepsodent — twice every day and to see your dentist at least twice a year. See how rapidly film forms on teeth These teeth were absolutely freeof fil in at 8 a. m. At noon — the film detector* solution was applied and this is how they looked. At8p.m — thefilm detector*showsstill heavier deposits of film. Two-thirds of the tooth's surface is covered. AtlOp.m — these same teeth were brushed with Pepsodent. Note howthoroughlyfilm een 1 emoved, • A h»rnilc« Hal u, whirl) BUIn« film mi that tho tuUtod of can ••« It. Pepsodent is the special film-removing tooth paste 71