Movieland. (1946)

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Woody Herman is in for “June Comes Around Every Year,” with a Herman vocal, and “Northwest Pas¬ sage,” an instrumental. Here’s an album which should please all the Eddy Duchin fans. It’s “Eddy Duchin Reminisces,” and in¬ cludes such tunes as “April Showers,” “I’ll See You In My Dreams,” “If I Could Be With You,” “Sometimes I’m Happy,” “Can’t We Talk It Over,” and “It Had To Be You.” Of course these were all recorded before Eddy went into the service. VICTOR: Jess Stacy finally did organize his band, and it was only about a week old when Victor signed Jess to a con¬ tract. His first record shows great promise. It’s “Daybreak Serenade” and “It’s Only A Paper Moon,” with 3 terrific vocal by Lee Wiley (Mrs. Jess Stacy). Tony Pastor’s “Five Salted Peanuts” was such a hit that he has followed it up with two more novelties, “Jose Gonzalez” and “Please No Squeeza Da Banana.” “Bedford Drive” and “Tabu” have been waxed by Artie Shaw and his orchestra. They are both instru¬ mentals, with lots of the Shaw clarinet on the first side. Larry Stevens, who sings on Jack Benny’s program, makes his Victor debut with “Stars In Your Eyes” and “I Don’t Want To Be Loved” (By Anyone Else But You). Vaughn Monroe steps in with “No More Toujours L’Amour,” which he sings with the Norton Sisters, and “A Story Of Two Cigarettes,” which he sings alone. This latter tune is the one which was banned from the air when it was first published, but which was later introduced by Johnnie Johnston on his program. The Duke has a new one: “Otto, Make That Riff Staccato,” sung by Ray Nance, and “Everything But You,” with a vocal by Joya Sherrill. Perry Como has recorded “Till The End of Time” and “That Feeling In The Moonlight.” Perry will be in Hol¬ lywood for a few weeks, making his second picture for Fox, “Doll-Face.” His leading lady will be Vivian Blaine instead of Carole Landis. Freddy Martin offers “Lily Belle,” with Gene Conklin and the Martin Men handling the lyrics, and one of the tunes from “Weekend At The Waldorf,” “And There You Are” — sung by Artie Wayne. Tommy Dorsey does “Nevada” and “That’s It.” Stuart Foster and the Sentimentalists vocalize “Nevada,” which was published a few years ago but never became popular, until re¬ cently. Before Hal McIntyre went overseas he recorded “Autumn Serenade” and “Some Sunday Morning.” Frank Les¬ ter and the Quintet take care of the vocals. Gloria Foster is vocalist with the Carmen Cavallero outfit. Here they are, at Ciro's. DECCA: Glen Gray and the Casa Loma Or¬ chestra are represented with “Count¬ ing the Days,” with Skip Nelson do¬ ing the musical counting, and “All By Myself,” which is an almost com¬ plete vocal disc, with Eugenie Baird. This one was waxed before Eugenie cut out from the Casa Lomans to join Bing’s radio show. Hazel Scott is featured on “The Man I Love” and “Fascinating Rhythm.” She sings and plays piano solos on both sides.# Decca has done a great job on their album of “Carousel.” As is usual with their show albums, the original cast, chorus and orchestra from Broadway production to the numbers, which in¬ clude “June Is Bustin’ Out All Over,” “If I Loved You,” “This Was A Real Nice Clambake,” etc. The dialogue is cleverly woven into the recordings so that you’ll know what it’s about, even if you didn’t see the show. Dick Haymes and Helen Forrest have joined their voices for “Some Sunday Morning” and “I’ll Buy That Dream.” Victor Young’s orchestra and arrangements. Helen goes it alone on “Strange As It Seems” and “From Out of Nowhere.” She sang the latter tune in the picture “You Came Along,” but she got the worst end of it, photographically. One of the best Guy Lombardo re¬ cordings in a long time is “Stars In Your Eyes,” done as a beguine, and “Small World.” Jimmy Brown does both vocals. Johnny Green, the well-known composer and musical director for Metro, has done “From Out of No¬ where,” and an oldie, “Steam Is On The Beam.” Ralph Blane, who, with Hugh Martin, wrote “The Trolley Song,” sings the “Nowhere” side, and the lyrics for “Steam Is On The Beam,” are done by Kay Thompson and Her Singers. Kay arranges and directs most of the vocal work you hear in Metro musicals. Randy Brooks’ first record for Decca is “I’d Do It All Over Again,”, with a Billy Usher vocal, and .“Land Of The Loon.” Decca is planning big things for Randy’s band, and right¬ fully so — because Randy plays a lot of trumpet, and his band, though only a few months old, clicked fast. ( Continued on page 90)