We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
WORDS OF MUSIC
(CONTINUED FROM PAGE 49)
Once you’ve used FIBS, there are two special advantages that you’ll always remember:
FIRST, those smoothly tapered, gently rounded ends that assure easy insertion. You can tell at a glance that FIBS must be easy to use.
SECOND, the “quilting” that prevents cotton particles from clinging to delicate internal membranes. It’s a feature fas¬ tidious women are quick to appreciate.
FIBS quilting also contributes directly to your comfort... keeps Fibs from fluff¬ ing up to an uncomfortable size, which might cause pressure, irritation, difficult removal. No other tampon is quilted !
Next time you buy tampons be sure to ask for FIBS*!
.record you Sinatra-atics have been waiting for, and it’s a goodie. Frank and Xavier Cugat’s orchestra together on “My Shawl” and “Stars In Your Eyes.” Now, don’t rush, kids. On sec¬ ond thought, maybe you’d better.
If they’re all gone, maybe you’ll settle for “Cugat’s Favorite Rhumbas,” an album of Cugie’s pet Latin-American dities, including “Begin The Beguine,” “Green Eyes,” “Besame Mucho,” and others; eight sides in all.
Then there’s a single Cugat disc, “No Can Do,” and “You Forgotcha Guitar.” Both vocals are sung by radio singer Leah Ray, who got her start in the music business several years ago as Phil Harris’ singer.
The Modernaires, with Paula Kelly, have done their usual good job on “The Night Is Young And You’re So Beautiful,” and “Jog Along,” with Mitchell Ayres’ orchestra.
“I’m Gonna Love That Guy,” and “Till The End Of Time,” are the songs Ginny Simms has chosen for her new¬ est record; and the titles are timely, inasmuch as Ginny is a brand new bride.
Count Basie jumps in with two in¬ strumentals, “Feather Merchant” and “Ain’t It The Truth.”
“Along The Navajo Trail,” and “A Tender Word Will Mend It All” have been waxed by Gene Krupa and his band, with Buddy Stewart in for the lyrics. You’ll hear some of Charlie Venturo’s tenor sax on both tunes.
Benny Goodman offers “It’s Only A Paper Moon,” and “I’m Gonna Love That Guy,” with vocals by Dottie Reid. Dottie has since left the band.
Harry James’ “11:60 P. M.” has been a big hit, but his new one is going to furnish some competition. It’s “Au¬ tumn Serenade,” and “It’s Been A Long, Long Time,” with a Kitty Kallen vocal.
A new recording star on the Colum¬ bia label is a young lady by the name
of Pearl Bailey, and her first record is “Tired,” and “Fifteen Years” (And I’m Still Serving Time). I’m sure most of you have never heard of her, but unless I miss my bet, you will. I pre¬ dict she’ll be the next vocal sensation. Her style is completely unlike anyone eise’s.
DECCA:
If you like Gershwin music, (aijd who doesn’t?) you’ll want the album, “Porgy and Bess,” with the Los An¬ geles Philharmonic Orchestra under the direction of Alfred Wallenstein.
Dick Haymes has recorded two of the tunes he sings in his latest pic¬ ture, “State Fair.” They’re “That’s For Me,” and “It Might As Well Be Spring,” with Victor Young’s orches¬ tra. (Music and lyrics by the famous Hammerstein-Rodgers team.)
Russ Morgan and his “Music In The Morgan Manner” are represented with “Remember When,” with a vocal by Marjorie Lee; and “The Wish That I Wish Tonight,” from the picture “Christmas In Connecticut.” Russ sings this one himself.
Les Paul and His Trio are heard on “Begin The Beguine” and “Dream Dust.” This is one of the very best trios, consisting of two guitars and bass fiddle, with piano accompani¬ ment.
Eugenie Baird and Mel Torme and his orchestra have a pleasing duo in “Am I Blue?” and “I Fall In Love Too Easily.”
The Andrews Sisters’ latest platter should bring plenty of nickels into the nation’s juke boxes. It’s “The Blond Sailor,” and “Lily Belle.” The “Sailor” tune is an adaptation of an old Bavar¬ ian melody, and sounds like it will ring the hit bell.
Randy Brooks has Marian Hutton as the vocal lass on his second record for Decca. The tunes are “I’m Gonna Love That Guy,” and “No More Toujours L'Amour.” The latter tune is the (Continued on page 53)
W|VT. u0011/?,6 ' (2°th) !S comPleted' sin9er V^ian Blaine will tour with Tommy Dorsey and h.s bond. Above, ap ,ared with the T. Dorsey Band on a recent Sunday NBC broadcast