Movieland. (1949)

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He glowingly recommended Margaret Ettinger and arranged for her to meet me at my home. In spite of that first bewildering im¬ pression of Maggie, she won my confi¬ dence. Somehow I sensed those attributes which make her such a good friend. Maggie has vitality, good humor, courage, diplomacy, sympathy and good sense. As she was leaving, she mentioned she had to return her borrowed clothes to her cousin, Louella Parsons, who is a good four inches shorter than Maggie. It was then I learned that that morning, Maggie had lost her entire wardrobe in a fire which destroyed her home. But that’s Maggie. Nothing dismays her. In the months which followed, I learned how right my agent had been. While I couldn’t talk about myself, Maggie could.. It was Maggie who won sympathy from reporters and made them understand that my husband’s profession made it impos¬ sible for me to talk as freely as some about home and husband. Nowadays this is hardly a problem since Ingrid Bergman and Claudette Colbert, both married to doctors, take the same stand. It was Maggie who figured out the angles that made me interesting copy and yet didn’t embarrass me, or my hus¬ band. Because my husband’s practice was in New York and he was there most of the time while I would be making pictures in Hollywood, there were frequent revivals of the rumor that we were separated and that a divorce was in the offing. One night the studio asked me to attend the premiere of a picture with my co-star, a personable young bachelor. I agreed. Then the rumors really flew, and again it was Mag¬ gie who set things straight with the press. When my husband left his New York practice and joined me in Hollywood, we first found our friends among the “nonHollywood element.” This was mainly because I was afraid of the fierce light of publicity that beats upon motion picture circles. I feared the possible effect of it upon our marriage. 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